[Csnd] question concerning virtual pitch
Date | 2020-08-30 17:15 |
From | Stefan Thomas |
Subject | [Csnd] question concerning virtual pitch |
Dear community, in the below quoted example I expect to hear the pitches a4 (midi note number 69) and a3 (note number 57) but they seem to be an augmented fourth lower. It seems to be the phenomenon of virtual pitch. My question is: is there a formula available that allows us to calculate the perceived fundamental? Here is my short patch: <CsoundSynthesizer> <CsOptions> -odac -m0d </CsOptions> ; ============================================== <CsInstruments> sr = 44100 ksmps = 100 giWave ftgen 0,0,16384,10,0,0,0,0,0,0,0,0,0,0,1,0,0,0,1/2,0,0,0,1/3,0,0,0,1/4,0,0,0,1/5 nchnls = 2 0dbfs = 1 instr 1 idur = p3 icps = p4/12 iamp = p5 kenv linseg 0,0.03,1,idur,0 aSound poscil iamp*kenv,icps,giWave outs aSound,aSound endin </CsInstruments> ; ============================================== <CsScore> i1 0 1 440 0.2 i1 1 1 220 0.2 </CsScore> </CsoundSynthesizer> |
Date | 2020-08-31 15:43 |
From | Steven Yi |
Subject | Re: [Csnd] question concerning virtual pitch |
Hi Stefan, I didn't try the file but I saw that the ftable generated has its first harmonic value at the 11th but you are dividing cps by 12. Perhaps this is causing an issue here? steven On Sun, Aug 30, 2020 at 12:15 PM Stefan Thomas |
Date | 2020-08-31 20:16 |
From | Stefan Thomas |
Subject | Re: [Csnd] question concerning virtual pitch |
Dear Steven, yes, this is obviously wrong, the pitch must be divided through 11. But I still do not hear the a4 or a3! Am Mo., 31. Aug. 2020 um 16:43 Uhr schrieb Steven Yi <stevenyi@gmail.com>: Hi Stefan, |
Date | 2020-08-31 20:25 |
From | john |
Subject | Re: [Csnd] question concerning virtual pitch |
If I change the 12 to 11 I get a 441h/z tone for the first note which seems ok to me. On Mon, 31 Aug 2020, Stefan Thomas wrote: > Dear Steven, > yes, this is obviously wrong, the pitch must be divided through 11. But I > still do not hear the a4 or a3! > > > Am Mo., 31. Aug. 2020 um 16:43 Uhr schrieb Steven Yi |
Date | 2020-08-31 21:30 |
From | Steven Yi |
Subject | Re: [Csnd] question concerning virtual pitch |
Attachments | virtual_pitch.csd |
I think that makes sense to me as the fundamental's period would be what the others fit within, and the relationships of the sines in the table relative to that 11th harmonic are kind of strange to hear on its own. With the 11th, an augmented 4 makes sense to me. Thinking out loud: For the sake of easier math, let's say this was the 12th harmonic you're starting on. The fundamental's frequency should be 1/12 of the tone you're playing back. You're giving A4 = 440 Hz. 1/2 is one sub octave down (220, A3), 1/4 is two octaves down (110, A2), 1/8 is three octaves (55, A1), 1/16 is four octaves (22.5, A0). 1/12 is between 1/8 and 1/16 (440 /12 = 33.667), so I would expect to hear a virtual pitch between them, and 12 is half-way between 8 and 16, so we'd get a perfect 5th below + 3 octaves. Or said in reverse view: if you don't adjust the oscillator's frequency by /12, your first sounding harmonic is the 12th harmonic up, which is 3 octaves + a perfect 5th. I had a chance to listen to this and I added a sine playing instrument for reference. I also adjusted the table so that the first sine starts at the 12th harmonic. The attached file plays back with a sine at 440 and 220, then plays your instrument back. You should hear it with a fundamental of a perfect fifth below + some octaves below. I think in this case though, with the spacing of harmonics in the table, the fundamental would not be 1/12 but more of 1/3 below the given frequency. With the revised table, you have harmonics: 12, 16, 20, 24, 28 and those relationships could be divided down 6,8,10,12,14 (moving fundamental one octave higher) then 3,4,5,6,7 (moving fundamental one octave higher) So the sounding fundamental would be one octave + one perfect fifth below the lowest harmonic played back. Hopefully that helps? Apologies if that isn't the clearest explanation! On Mon, Aug 31, 2020 at 3:16 PM Stefan Thomas |