| >include short
>program notes and curriculum vitae on composer involved.
>program notes and curricula on
>composers/performers.
== akadem!k.w2nk.fasc!zm
no!sz = !n4mat.i\o.n. beg!n no!sz
post b.low sndz cüber
az 1-l_g!kl
kon.sekuenss
asc!! = mu.s!k
m1d!knTrldt3kxT
bzumppzumb
>> ----\---------- ic n the defini/--------\
>>"pho/-----------------------\ person /--/can hit a \utton on
>>a c/mera\ ot|erwise a /------\----------------/less. Maybe th\y are.
> / \\ | /---/ --/-/ /--\\--|
>>Mu/ic is ma\| by/musi \ /-\-\-\ we/---------------/nit/-\/of
>>"m|sician" s\ i/ incl /-/ \--\--/it record/---------/rec\rder
>>we|may as we|\-/nclud /---/ \\ \-----\----/ |
>>8-\------------------/ \\ /---/ \----\ |
>>Oops....Paul\ /------/ \\ /
> \ /-/ \ \ /
>...meaning is \lways d // /---/ as 'music' a\\ problema/ic
>at best. One p\oblem // / ws the line, i/ one bel/eves
>that a line sho\ld /---//-----\ d the guild //ntality//f those
>who |-----------\-/tri/ // \-\ n notion of/'musicia/', but
>if a \ig/\ficant\numbe\------------------------\eren/ methods/or
>ideas\fo||making \what // // sic, th\\ /ho re //y of us
>to sta\e\|hat it s\mpl // / / |--/
> \ \\ / | // /\\ |
>All I wa\|\-----\/ng p \\ / believ/ a|t m\st be human-
>made. In\|hich ca-e a \\/ r sati/fie\|one\condition for
>it to be |rt (rather t // ther o| /---------------\actice
>regard it\as music is /\-\ /----/ | \ \-\
/---\ \ / \-\ /-/ |- / \ \\
|If I\heard|an unedited / | /-/ er, I'd\p/obably c\ll it a \
|fiel/ reco|ding. I ma | // // ing te/-\ique, but|I probabl/
\wou/dn't c|\l it music / |-/ / pho//gra\hy is in\framing /
>\as|well a| \ocus, dep/ \ / // \ \ |
> \\| | \\ / \ // /-/ \ \ \
>If \hese r/ver \\unds| \ / // edited, I'd \robably|call it\
>a s\\ndsc/pe, or \\ss/ \/ /-/ Rue's 'Ocean\Flows'/- Tall \
>Popp\\s T/036, come\/t // / /- \ /-\ \
> | \ / \--\ / /-/ //// \ / /\ \
>If t/e \ounds were a|t \---/-/ \ /--///ormed, etc.\I'\ p\obably \
>cal/ i/ \cousmatic m|s / \\ / //rne, 'Tao' - D\f usi\n i |
>MeD\A /ME\-9311-CD) | / \-\///-/ \ \\ |
> \/ \ \\ // //\/ | \ |
>If /\\ples \f the riv\// / a MIDI guitar in\the co|text /
>of / s\\g, \'d have n/\ // music. (Disco Inf\rno, |DI /
>Go|\op'\-\Ro\gh Tr/-/-------------------------------\--\- \\ \ //
> /---------\-\---/-/---/ \/ /---//\---\\ \/-/
//owever\/hes\-------------------------------------/r me/th\-----\
\--\w/-\ I'd love to he om other list/members. \-\
> \/ \--------\ /---------/------------------\
> \------------------------/ / \--/
>Shannon /------\ /
> // \--\ /
>There's a //ok by the \--\ und By Ar/ists' (eds Dan
>Lander an/ Micah Lexie \--\ o/------/ the "lack of
>informat/o|--\d critic \---\---/g an art of sound" as
>distinc/ f|om \------\ /-/ \-\ncluding Cage, Viola, Lucier,
>Whiteh/ad,|Westerkamp,\------\ | \--\k I'll move it to the
>top/-----------------\ \--/ \------\
/-/ / | /-----------\---\ \---\
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| \-----\ /---------/ / |
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| ! apply!ng anti-aesthet!k !dealz ov 1-purgat!v v!olenss
| 2dze kourss ov dze aesthet!k
\-\
[p-un_kT-pr_o-T k_oL] 0 f 0 0 0 3
herausgegeben vom internat!onalen
!nstitut f:ur ordnung |+| d!sziplin
hTTp://www.tezcat.com/~antiorp
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>>>>
>>>>
>>>> what
**** Command 'what' not recognized.
>>>>
>>>>
>>>> why
**** Command 'why' not recognized.
>>>>
>>>>
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The traditional Macintosh error codes are displayed like this:
0F0003 w e b . g F x . a u d ! o . k 0 d E . d e s ! g n
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hTTp://www.god-emil.dk/=cw4t7abs|
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0F0003 [ 0 f 0 0 0 3 | m2 s Ch 1 n3n | k u n Z t ]
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Where F indicates an exception occurred, and 3 indicates an illegal
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