### -My reply follows quotes- At 3:04 -0700 5/29/98, you wrote:
>Dear all,
>
>I am new to this mailing list.  I just took part in it today!  So if the
>question here has been asked by someone else before, please forgive me.
>
>What I would like to know is why we choose Csound.  As far as I know,
>Csound is a synthesis language.  It can really make a lot of sounds that
>do not exist in the world.  But don't you think synthesisers and samplers
>are great enough to realize it?  So why Csound?  Could someone out there
>give me some advice so that I will be clear about it?



Hello.  Resident ethnomusicologist, here (Please wait: swapping hats...)

I just wanted to request anyone who privatly replies to Kay Q Lee, if you
wouldn't mind, could you send a cc: to me as well?  This kind of discussion
would help me immensely in my project on Csound as well...

Thanks!

All the best,
Charles


/----Charles D. Starrett-----\   "I do not feel that
|     /  | ____ | |  ____    |    my research suffered unduly
|    /\--| |    |-|  |       |    from the fact that I enjoyed it."
|   /  \ | |____| |  |___    |
|        |      | | ___|___  |  --Daniel Miller,
\--starrett@fas.harvard.edu--/    Modernity--an Ethnographic Approach