>>>  Which gets into realms of potential poetry that might be arguably
>>>   blurring the line between music and language... interesting, eh?
>>
>>Which is exactly what the swedish "Text-Sound" movement of the 1960's
>>did. In 1953 swedish poet =D6yvind Fahlstr=F6m wrote his "Manifesto For
>>Concrete Poetry" where he suggested a form of poetry on the same
>>principles as the concrete music, he wanted to strip the poetry of all
>>semantic content and use the words and syllables as pure poetic
>>carriers. The resulting movement used tapes and electro-aucustic
>>techniques to acheive his goals, and no-one could really decide if
>>they composed music or wrote poetry, hence the term "Text-Sound
>>Compositions" where coined.
>
>I'm familiar with the work, though not the history of it... one of my
>college professors, Charles Stein, continues to be quite active in this
>field. He's written some very interesting scores with "nonsense" words
>and sounds scattered over the page and directional symbols suggesting
>patterns of movement among them, as well as roughly indicating
>inflections. Plus we used to do a lot of "text-sound" improvisation. Fun
>stuff.


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