| Hello,
If you have a four track recorder (porta-studio) you could create some four
channel sounds if the timing were not too critical. The best solution for
amplifying, that I've been able to think of, is to just use two stereo
amplifiers and four speakers. So far I have the four track and recievers
but I need to repair my second set of speakers.
Bye,
Hans Mikelson
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From: Dave Perry
To: CSound list
Subject: Visual Orchestra 1.6
Date: Mon, 26 Jan 1998 02:37:21 -0000
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An 1.6 upgrade file for VisOrc is now available from
http://128.243.34.18/
(Please use the Nottingham mirror until Monday 26th Jan)
New Features in version 1.6
The Score
---------
=The Score Editor has been completely reworked, its now fast and stable.
=The Score Editor now contains a text based list editor
=Filters, functions, formulas, randomisation, ramps, value
stretching/compression, data from files and other score manipulation
commands have been added.
=Number of P-Fields limited only by memory.
=Negative values now accessable in score.
=Multiple Instrument Scores now fully working
=Customisable score f-statements
The Orchestra
-------------
=Closer and more seamless integration with Score
=Csound Variable Structure implemented including Globals
=Many more opcodes added including Table Access
=Device menu reorganised in style of CSound Help File
=Seperate Orchestra and Score Menus
=Project SAVE and LOAD now working properly
=Audio/control/init/global options for all units
=Stereo Output now working (also outs1 and outs2 options)
=Compile All/Compile Active options added
=Function bug fixed
=Unit names implemented
=SR/KR user definable
=Customisable Command line options
=INIT options added
=Interface simplified and made more versatile, nested functions and pfield
calls now available anywhere in Orchestra
=Tutorial Instruments supplied
=New user manual in .DOC and .TXT format
I hope you enjoy VisOrc!
David Perry
dave@dingy.demon.co.uk
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Date: Sun, 25 Jan 1998 07:20:20 -0800
From: "Jim Stevenson Ph.D"
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To: csound@maths.ex.ac.uk, davids@pavell.com
Subject: Re: Sound Editors & Spirituality ?
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Please define exactly what you mean by "spirituality".
If you mean the idea of a non physical consciousness or anything else
supernatural, I suggest it be discussed on a null band width list.
If you mean the connection between audio and the emotional centers of the brain, I am very interested.
Cheers.
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From: Khalid
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To: csound@maths.ex.ac.uk
Subject: Copyright considerations
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I would like to know your opinion on this:
Is it legal to release music created with csound on
the standard music market? As i understand the copy-
right that relates to csound, it is not.
kd
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From: Gene Dinkey
To: csound@maths.ex.ac.uk
Subject: Gettin' it runnin' :)
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I'm a DJ from Ft. Collins, CO. who is interested in trying my hand at
composing. I was given a recomendation for Csound software and was told
it was very powerfull.
I visited the ftp site at bath (i forget the exact address offhand), and
downloaded what I thought was the exe file I would need from
/platforms/win95/bin (I believe).
I got the file and uncompressed it, when I tried to run it it wouldn't
work. It occured to me that I might need a C compiler to set it up and
run it. If I'm correct could someone please refer me to a ftp that
possibly has a shareware/freeware version of one? If I happen to be
mistaken then could I get the path for the program that will run in
Win95, or if I have to then I'll runit in DOS.
Thanx...G-der
Gene Dinkey
______________________________________________________
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To: CSOUND-LIST
Subject: Csound 0.31 or 3.47 ?
From: Araoz
Date: Sat, 24 Jan 1998 21:47:33 +0100
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Which is the difference between Csound 0.31b and Csound 3.47 for Mac?
Many people talk about the 3.47 version but I only found, in the ftp
sites that I know, the first version.
Another question: Does exist a graphic editor for Csound?
Thanks
--
Laura et Ricardo NILLNI
nillni@mail3.imaginet.fr
rnillni@usa.net
http://www.imaginet.fr/~nillni
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Date: Sat, 24 Jan 1998 09:26:40 -0600
From: Boothe/Duncan
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To: Eli Brandt
Cc: Csound mailing list
Subject: Re: How do you play four channels?
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Eli Brandt wrote:
>
> A third catch for good measure: their clock crystals will drift.
> General solutions to this are expensive, and limited solutions are annoying.
Reviewing some basic facts may save some frustration.
Every DAC has a finite amount of delay while it does the conversion.
This delay time seems to vary with the chip used, design implementaion,
etc. Therefore, using simultaneous digital and analog outputs would
cause the two stereo pairs to be out of sync with each other.
Analog outputs from two sound cards of different makes/models would
probably have the same problem due to different processing delays in the
DACs. Two identical stereo soundcards would need to be run from a common
clock, as Eli Brandt points out, or phase shift results.
The delays can be less than 1 millisecond up to several ms. With shorter
delays, the problem is with material common to both stereo pairs, i.e.
one sound centered or panned from one channel to the other.
It seems a single integrated solution is in order.
David Boothe
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Date: Sun, 25 Jan 1998 13:43:56 -0500
From: George Campbell
Subject: Re: Copyright considerations
To: khalid.dermoumi@uni-essen.de
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> From khalid.dermoumi@uni-essen.de Sun Jan 25 13:31:06 1998
> Date: Sun, 25 Jan 1998 18:37:28 +0100
> From: Khalid
> Subject: Copyright considerations
> To: csound@noether.ex.ac.uk
>
> I would like to know your opinion on this:
>
> Is it legal to release music created with csound on
> the standard music market? As i understand the copy-
> right that relates to csound, it is not.
>
> kd
>
According to my understanding of the copyright as it applies
to CSound, the program is like a compiler. The program itself
may only be distributed according to the terms listed in the
copyright, but music created with the program belongs to the
person who created it, and may be released just like music
created using more traditional musical tools.
Just my $0.02. For a more thorough discussion of Copyright
issues, you should consult the Copyright FAQ.
George
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Date: Sat, 24 Jan 1998 08:45:57 -0500
From: Jean Piche
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To: Per Villez
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Subject: Re: Raising to the power?
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Per Villez wrote:
>
> Aha!. Thanks John. Funny though, that this 'pow' opcode should be after the
> Reverb opcodes in the manual and no where near the value converters
> (log,exp etc). It wasn't in the place I expected it to be, but many thanks
> for the info
>
Per,
It's right there between 'ampdb' and 'irnd' in the Value Converters section...
in the html version of course, which is , I believe, the only complete version
for 3.47 presently...
--
________________________________________________________
Jean Piche
Universite de Montreal
http://mistral.ere.umontreal.ca/~pichej
http://www.musique.umontreal.ca/electro/CEC/
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Date: Mon, 26 Jan 1998 11:19:44 +0000
To: Jean Piche
From: Per Villez
Subject: Re: Raising to the power?
Cc: csound@maths.ex.ac.uk
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Jean Piche wrote:
It's right there between 'ampdb' and 'irnd' in the Value Converters section...
In the manual which comes with the Mills version of PPC Csound which is
what I have this is not the case. The 'pow' opcodes are under 'Signal
modifiers' straight after 'reverb' and definitly not under 'Value
converters'. I have tried to establish the version of this manual and reads
"Csound Manual DocMaker Standalone version 4.7.5 Created May 5th 1997".
This comes with the utility Csref which references the manual.
Having said this I will obtain the most current version of the PDF manual.
Per
>Per Villez wrote:
>>
>> Aha!. Thanks John. Funny though, that this 'pow' opcode should be after the
>> Reverb opcodes in the manual and no where near the value converters
>> (log,exp etc). It wasn't in the place I expected it to be, but many thanks
>> for the info
>>
>
>Per,
>
>It's right there between 'ampdb' and 'irnd' in the Value Converters section...
>in the html version of course, which is , I believe, the only complete version
>for 3.47 presently...
>
>
>
>--
>________________________________________________________
>Jean Piche
>Universite de Montreal
>http://mistral.ere.umontreal.ca/~pichej
>http://www.musique.umontreal.ca/electro/CEC/
|