I really don't know, yet! But I do mean opcodes which relate to some intrinsic
relationship and interaction betweeen the channels (reverb, panning and general
spatial movement being the obvious ones). A six-channel filter, for example, is
really the same as six one-channel filters, whereas an instrument whose timbre
is distributed coherently across six channels is clearly not the same as six
mono instruments.

Richard Dobson

Micheal Allen Thompson wrote:

> hmmmm... what do you mean by specific musical purpose for opcodes? related
> to csound or someother program?
> 
> Michael
>