| Thomas Huber wrote:
>> with the list? What version of CSound are you running? Obviously it's
>
>I'm using the unix version of csound (on linux-2.2), and I reduce the
>buffers with the '-b' and '-B' option to 128 bytes and I set the
>sampling rate to 22050 Hz (mono) and the kontrol rate to 2205 Hz to
>have a good realtime response.
That's great! I've also been thinking of investing time in building a
Linux box (for various reasons -- mostly because as a Unix-bred programmer
I'm tired of being chafed creatively by Win95 even though I use it
constantly for
utilitarian purposes like word processing, online stuff, etc). This is
extremely enheartening news.
>No, I write the orc's 'by hand'. In my opinion, the .orc language is very
>simple, and writing orc's with a normal text editor is much faster than
>using a GUI. The sco's also become very simple when using MIDI input.
>There are just the function tables I use and the effect instruments that
>are always 'on' like a 'global reverb'.
Hmmm...interesting. I'd been playing around with the latest Bath build of
CSound for PC/Win95 and after coming to the conclusion that DOS EDIT is not
an ideal sequencing tool (!) I had been mucking with VisOrc. Unfortunately
VisOrc apparently still has some interface issues with the new build, and I
haven't had the time to play around with it further.
With a setup like the one you're describing, though it makes sense to use
a text-based executable if you're interfacing through outboard MIDI gear
anyway.
>At the moment I try to create my first _real_ songs. Up to now, I have just
>made 'experimental noise'.
Been there, done that. :) *Still* doing that, along with more structured
material. I like "experimental noise"! :) |