| bruce quaglia wrote:
> On Mon, 9 Feb 1998, rasmus ekman wrote:
>
> > Then it's just a matter of cramming them together in an
> > interesting and entertaining shape... but with such first-class
> > material the sounds almost laid themselves side by side right away.
> >
>
> I don't want to appear to be picking a fight....but,
> there's something aesthetically bankrupt in the notion
> that the compostional aspects of writing a good piece
> of electro-acoustic music amount to nothing more
> than coming up with good sounds and then "cramming
> them together in an interesting and entertaining shape"...
> [snip]
> A painter mixes his/her pallette...AND THEN THEY PAINT!
> Anyone with me on this?
Not sure why these two notions need to be in opposition. Every person's
idea about music is bound to be different. I think what we're missing
here
is that the digital medium allows us the flexibility to manipulate sound
in
any way we can conceive and then some.
Benevolent anarchy, folks -- it's the only way...
cliff
|