Re: SSDIR

Date	1999-01-30 23:32
From	Sergey Batov
Subject	Re: SSDIR
	Hi! Some time ago I had problems with SSDIR and so on. (I'm using Win95). David Boothe advised to remove the spaces in the set command argument such as: set sfdir=c:\csound\waves Also I use only small letters. These strings from my autoexec.bat: set sfdir=c:\csound\waves set ssdir=c:\csound\samples set sadir=c:\csound\analyses It works O.K. Hope it helps. Regards, Sergey Batov batov@glasnet.ru ---------- > Îò: rasmus ekman > Êîìó: csound@maths.ex.ac.uk > Òåìà: Re: SSDIR > Äàòà: 30 ÿíâàðÿ 1999 ã. 20:43 > > jose halac wrote: > > > > > according instructions, set up a SSDir folder on the exe > > > > I am using Winsound. I did set up an environment in DOS > > Not sure what this means, but note that SSDIR et al is not > a folder, it's an environment variable (perhaps that's what > you say in the second post?), that you set in Autoexec.bat: > set SSDIR=D:\Sounds > (of course replace "D:\Sounds" with name of your soundfile folder). > > You may or may not be helped by this file: > http://hem.passagen.se/rasmuse/PCinstal.htm > if you need to know more about environment vars etc for Win/DOS. >

Date	1999-01-31 16:08
From	jose halac
Subject	Re: SSDIR
	My SSDir has been solved by removing spaces in exe.bat statement. Thanks to all of you who helped! Jose Halac Received: from wallace.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa20509; 1 Feb 99 4:52 GMT Received: from [129.15.2.121] (helo=hermes.services.ou.edu) by wallace.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107BLU-0000Rz-00; Mon, 1 Feb 1999 04:52:25 +0000 Received: from styx.services.ou.edu by hermes.services.ou.edu with ESMTP; Sun, 31 Jan 1999 22:52:08 -0600 Received: from ou.edu (cate1-83.reshall.ou.edu [129.15.141.83]) by styx.services.ou.edu (8.9.1/8.9.1) with ESMTP id WAA01866; Sun, 31 Jan 1999 22:52:04 -0600 (CST) Message-ID: <36B532F7.ECE0325A@ou.edu> Date: Sun, 31 Jan 1999 22:52:08 -0600 From: Terry Cast Reply-To: terrycast-1@ou.edu Organization: The University of Oklahoma X-Mailer: Mozilla 4.5 [en] (Win95; I) X-Accept-Language: en,de-DE,fr-FR MIME-Version: 1.0 To: jpff@maths.bath.ac.uk CC: csound@maths.ex.ac.uk Subject: Re: Pitchbend References: Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Please excuse me for taking so long to reply, I have been too busy to get to it this week. The following orchestra works fine with DirectCsound 2.5 and 2.6 (on Windows 95), but produces only a steadily pitched tone with Consound 3.51 and Winsound 3.51 (the test MIDI file is just one long note, during which I added some pitchbending--I can send the MIDI file by attachment to the list or directly to you if you would like to see it). sr=44100 kr=4410 nchnls=1 instr 1 kpch pchmidib 12 asig oscil 10000, cpspch(kpch), 1 out asig endin ;score f1 0 4096 10 1 f0 25 This next orchestra (with same score and MIDI file, all of the versions of Csound listed above) results in a jump of several octaves in pitch each time there is a new pitchbend message. Am I doing something wrong (I wouldn't be surprised)? Is pchbend supposed to work this way? sr=44100 kr=4410 nchnls=1 instr 1 ipch pchmidi ; translate MIDI note number to pch kbend pchbend 4 ; get pitchbend messages and scale them to range of 0 through 4 kpch = ipch + (kbend-2) ; shift pch value of note by value of kbend (range of -2 through 2) asig oscil 10000, cpspch(kpch), 1 out asig endin I hope this at least partly answers your question. Terry Cast jpff@maths.bath.ac.uk wrote: > Message written at 24 Jan 1999 17:05:15 +0000 > > On 15 Dec 1998 I sent a message saying that I thought I was on the > track of a screw-up in pitchbend. The revised code was in v3.50 but > so far I have not heard from anyone that it either does or does not > work. If you have any experience to offer with respect to bending for > v3.50 or later, I would like to hear -- positive or negative. > ==John ffitch Received: from wallace.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa20517; 1 Feb 99 4:55 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by wallace.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107BOH-0000SC-00; Mon, 1 Feb 1999 04:55:17 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (EAA16144); Mon, 1 Feb 1999 04:52:39 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 04:52:28 GMT Received: from hermes.services.ou.edu [129.15.2.121] by hermes via ESMTP (EAA17577); Mon, 1 Feb 1999 04:52:26 GMT Received: from styx.services.ou.edu by hermes.services.ou.edu with ESMTP; Sun, 31 Jan 1999 22:52:08 -0600 Received: from ou.edu (cate1-83.reshall.ou.edu [129.15.141.83]) by styx.services.ou.edu (8.9.1/8.9.1) with ESMTP id WAA01866; Sun, 31 Jan 1999 22:52:04 -0600 (CST) Message-ID: <36B532F7.ECE0325A@ou.edu> Date: Sun, 31 Jan 1999 22:52:08 -0600 From: Terry Cast Reply-To: terrycast-1@ou.edu Organization: The University of Oklahoma X-Mailer: Mozilla 4.5 [en] (Win95; I) X-Accept-Language: en,de-DE,fr-FR MIME-Version: 1.0 To: jpff@maths.bath.ac.uk CC: csound@maths.ex.ac.uk Subject: Re: Pitchbend References: Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Please excuse me for taking so long to reply, I have been too busy to get to it this week. The following orchestra works fine with DirectCsound 2.5 and 2.6 (on Windows 95), but produces only a steadily pitched tone with Consound 3.51 and Winsound 3.51 (the test MIDI file is just one long note, during which I added some pitchbending--I can send the MIDI file by attachment to the list or directly to you if you would like to see it). sr=44100 kr=4410 nchnls=1 instr 1 kpch pchmidib 12 asig oscil 10000, cpspch(kpch), 1 out asig endin ;score f1 0 4096 10 1 f0 25 This next orchestra (with same score and MIDI file, all of the versions of Csound listed above) results in a jump of several octaves in pitch each time there is a new pitchbend message. Am I doing something wrong (I wouldn't be surprised)? Is pchbend supposed to work this way? sr=44100 kr=4410 nchnls=1 instr 1 ipch pchmidi ; translate MIDI note number to pch kbend pchbend 4 ; get pitchbend messages and scale them to range of 0 through 4 kpch = ipch + (kbend-2) ; shift pch value of note by value of kbend (range of -2 through 2) asig oscil 10000, cpspch(kpch), 1 out asig endin I hope this at least partly answers your question. Terry Cast jpff@maths.bath.ac.uk wrote: > Message written at 24 Jan 1999 17:05:15 +0000 > > On 15 Dec 1998 I sent a message saying that I thought I was on the > track of a screw-up in pitchbend. The revised code was in v3.50 but > so far I have not heard from anyone that it either does or does not > work. If you have any experience to offer with respect to bending for > v3.50 or later, I would like to hear -- positive or negative. > ==John ffitch Received: from wallace.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa20626; 1 Feb 99 6:27 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by wallace.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107CpU-0000Zz-00; Mon, 1 Feb 1999 06:27:28 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (GAA05291); Mon, 1 Feb 1999 06:26:41 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 06:26:29 GMT Received: from root@mail.pclink.com [204.72.134.12] by hermes via ESMTP (GAA18540); Mon, 1 Feb 1999 06:26:27 GMT Received: from robertsc (pm7-44 [206.11.2.180]) by pclink.com (8.9.2/8.9.0) with SMTP id AAA30051 for ; Mon, 1 Feb 1999 00:26:24 -0600 (CST) Message-Id: <3.0.5.32.19990201002835.007b0800@pclink.com> X-Sender: schrepel@pclink.com X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32) Date: Mon, 01 Feb 1999 00:28:35 -0600 To: csound@maths.ex.ac.uk From: Robert Schrepel Subject: Csound in live performance Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Csounders, It recently occured to me that I see no list discussion of using Csound as a tool in live performance. I've been considering the possibility of doing just that. I have my doubts about it, and as I ponder I thought I'd ask a few questions of those who use Csound in this way (are there any out there who do?) I'm especially interested in examples of "regular" usage of Csound in a live rig, as opposed to special one-off computer music showcases. Here are a few questions off the top of my head, but general comments are certainly welcome. -- Setting up Csound in this way is quite a bit of work compared to plugging in a hardware synth. What made it worth it to you? -- What role does it play in your setup (synthesis, sampling, complex control sequences, realtime effects processing...)? -- I fear that reliability would be an issue. Any stories of spectacular crashes? -- What platform/machine do you use (had to throw that one in )? My interest in Csound decreased as my interest in live performance increased. Realtime operation seems to be more viable these days, though, so I'm hoping some of you early adopters will shed some light on its pitfalls and rewards. Thanks, Robert Schrepel Received: from shaun.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa20701; 1 Feb 99 8:04 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by shaun.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107EKy-0000E5-00; Mon, 1 Feb 1999 08:04:05 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA00973); Mon, 1 Feb 1999 08:01:21 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:01:09 GMT Received: from falcon.glas.apc.org [193.124.5.54] by hermes via ESMTP (IAA17092); Mon, 1 Feb 1999 08:01:08 GMT Received: from mail.glas.apc.org([193.124.5.37]) (1293 bytes) by falcon.glas.apc.org via sendmail with P:esmtp/R:inet_hosts/T:inet_zone_smtp (sender: ) id for ; Mon, 1 Feb 1999 11:01:06 +0300 (WSU) (Smail-3.2.0.104 1998-Nov-20 #2 built 1998-Nov-27) Received: from default(src addr [194.154.81.150]) (906 bytes) by mail.glas.apc.org via sendmail with P\:esmtp/R:smart_host/T:smtp (sender: ) id for ; Mon, 1 Feb 1999 11:00:55 +0300 (WSU) (Smail-3.2.0.96 1997-Jun-2 #11 built DST-Aug-25) Message-Id: From: Sergey Batov To: csound@maths.ex.ac.uk MMDF-Warning: Parse error in original version of preceding line at UK.AC.Bath.maths.omphalos Subject: Re: Simple question: a pitch of audio sample. Date: Mon, 1 Feb 1999 11:00:44 +0300 X-MSMail-Priority: Normal X-Priority: 3 X-Mailer: Microsoft Internet Mail 4.70.1155 MIME-Version: 1.0 Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk It was my question and seems I found something about it. There is a little program Wave to Note 1.1 for Win95. Home page: http://www.uni-magdeburg.de/~hlorenz/waveton.html Downloads: ftp://ftp.freeware.ru/pub/mycomputer/multimedia/waveton1.zip http://www.uni-magdeburg.de/~hlorenz/waveton1.zip Also Sound Forge can (tries at least) do it. (Tools -> Spectrum Analysis: Prominent Frequency) Regards, Sergey Batov batov@glasnet.ru Received: from wallace.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa20742; 1 Feb 99 8:29 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by wallace.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107Ejm-0000fO-00; Mon, 1 Feb 1999 08:29:42 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA02852); Mon, 1 Feb 1999 08:28:43 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:28:30 GMT Received: from falcon.glas.apc.org [193.124.5.54] by hermes via ESMTP (IAA12664); Mon, 1 Feb 1999 08:28:29 GMT Received: from mail.glas.apc.org([193.124.5.37]) (2937 bytes) by falcon.glas.apc.org via sendmail with P:esmtp/R:inet_hosts/T:inet_zone_smtp (sender: ) id for ; Mon, 1 Feb 1999 11:28:31 +0300 (WSU) (Smail-3.2.0.104 1998-Nov-20 #2 built 1998-Nov-27) Received: from default(src addr [194.154.81.150]) (2561 bytes) by mail.glas.apc.org via sendmail with P\:esmtp/R:smart_host/T:smtp (sender: ) id for ; Mon, 1 Feb 1999 11:28:17 +0300 (WSU) (Smail-3.2.0.96 1997-Jun-2 #11 built DST-Aug-25) Message-Id: From: Sergey Batov To: csound@maths.ex.ac.uk MMDF-Warning: Parse error in original version of preceding line at UK.AC.Bath.maths.omphalos Subject: Re: Csound in live performance Date: Mon, 1 Feb 1999 11:29:06 +0300 X-MSMail-Priority: Normal X-Priority: 3 X-Mailer: Microsoft Internet Mail 4.70.1155 MIME-Version: 1.0 Content-Type: text/plain; charset=KOI8-R Content-Transfer-Encoding: quoted-printable X-MIME-Autoconverted: from 8bit to quoted-printable by exeter.ac.uk id IAA12664 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Hi! I'd like to add some more questions here. It's clear that DirectCsound provide a good possibilities for interactive music. My idea is to use a realtime Wave In (playing on saxophone) and to get so= me more or less predictable (of course, surprises possible for performer but not for programmer or composer :-) ) sounding result (say "melody" playe= d by one of simple Csound instruments). I'm not so sophisticated in opcodes so I need some hints about analysis of realtime Wave In signal, something simple (I even not think about pitc= h recognizing). It may be response to duration or amplitude of note. Regards, Sergey Batov batov@glasnet.ru=20 ---------- > =EF=D4: Robert Schrepel > =EB=CF=CD=D5: csound@maths.ex.ac.uk > =F4=C5=CD=C1: Csound in live performance > =E4=C1=D4=C1: 1 =C6=C5=D7=D2=C1=CC=D1 1999 =C7. 9:28 >=20 > Csounders, >=20 > It recently occured to me that I see no list discussion of using Csound= =20 > as a tool in live performance. I've been considering the possibility o= f=20 > doing just that. I have my doubts about it, and as I ponder I thought=20 > I'd ask a few questions of those who use Csound in this way (are there any=20 > out there who do?) I'm especially interested in examples of "regular"=20 > usage of Csound in a live rig, as opposed to special one-off computer music=20 > showcases. Here are a few questions off the top of my head, but genera= l=20 > comments are certainly welcome. >=20 > -- Setting up Csound in this way is quite a bit of work compared to=20 > plugging in a hardware synth. What made it worth it to you? >=20 > -- What role does it play in your setup (synthesis, sampling, complex=20 > control sequences, realtime effects processing...)? >=20 > -- I fear that reliability would be an issue. Any stories of spectacul= ar > crashes? =20 >=20 > -- What platform/machine do you use (had to throw that one in )? >=20 > My interest in Csound decreased as my interest in live performance=20 > increased. Realtime operation seems to be more viable these days,=20 > though, so I'm hoping some of you early adopters will shed some=20 > light on its pitfalls and rewards. >=20 > Thanks, > Robert Schrepel Received: from shaun.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa20750; 1 Feb 99 8:30 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by shaun.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107EkC-0000FA-00; Mon, 1 Feb 1999 08:30:08 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA08926); Mon, 1 Feb 1999 08:29:12 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:29:00 GMT Received: from falcon.glas.apc.org [193.124.5.54] by hermes via ESMTP (IAA00985); Mon, 1 Feb 1999 08:28:58 GMT Received: from mail.glas.apc.org([193.124.5.37]) (2937 bytes) by falcon.glas.apc.org via sendmail with P:esmtp/R:inet_hosts/T:inet_zone_smtp (sender: ) id for ; Mon, 1 Feb 1999 11:29:00 +0300 (WSU) (Smail-3.2.0.104 1998-Nov-20 #2 built 1998-Nov-27) Received: from default(src addr [194.154.81.150]) (2561 bytes) by mail.glas.apc.org via sendmail with P\:esmtp/R:smart_host/T:smtp (sender: ) id for ; Mon, 1 Feb 1999 11:28:52 +0300 (WSU) (Smail-3.2.0.96 1997-Jun-2 #11 built DST-Aug-25) Message-Id: From: Sergey Batov To: csound@maths.ex.ac.uk MMDF-Warning: Parse error in original version of preceding line at UK.AC.Bath.maths.omphalos Subject: Re: Csound in live performance Date: Mon, 1 Feb 1999 11:29:06 +0300 X-MSMail-Priority: Normal X-Priority: 3 X-Mailer: Microsoft Internet Mail 4.70.1155 MIME-Version: 1.0 Content-Type: text/plain; charset=KOI8-R Content-Transfer-Encoding: quoted-printable X-MIME-Autoconverted: from 8bit to quoted-printable by exeter.ac.uk id IAA00985 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Hi! I'd like to add some more questions here. It's clear that DirectCsound provide a good possibilities for interactive music. My idea is to use a realtime Wave In (playing on saxophone) and to get so= me more or less predictable (of course, surprises possible for performer but not for programmer or composer :-) ) sounding result (say "melody" playe= d by one of simple Csound instruments). I'm not so sophisticated in opcodes so I need some hints about analysis of realtime Wave In signal, something simple (I even not think about pitc= h recognizing). It may be response to duration or amplitude of note. Regards, Sergey Batov batov@glasnet.ru=20 ---------- > =EF=D4: Robert Schrepel > =EB=CF=CD=D5: csound@maths.ex.ac.uk > =F4=C5=CD=C1: Csound in live performance > =E4=C1=D4=C1: 1 =C6=C5=D7=D2=C1=CC=D1 1999 =C7. 9:28 >=20 > Csounders, >=20 > It recently occured to me that I see no list discussion of using Csound= =20 > as a tool in live performance. I've been considering the possibility o= f=20 > doing just that. I have my doubts about it, and as I ponder I thought=20 > I'd ask a few questions of those who use Csound in this way (are there any=20 > out there who do?) I'm especially interested in examples of "regular"=20 > usage of Csound in a live rig, as opposed to special one-off computer music=20 > showcases. Here are a few questions off the top of my head, but genera= l=20 > comments are certainly welcome. >=20 > -- Setting up Csound in this way is quite a bit of work compared to=20 > plugging in a hardware synth. What made it worth it to you? >=20 > -- What role does it play in your setup (synthesis, sampling, complex=20 > control sequences, realtime effects processing...)? >=20 > -- I fear that reliability would be an issue. Any stories of spectacul= ar > crashes? =20 >=20 > -- What platform/machine do you use (had to throw that one in )? >=20 > My interest in Csound decreased as my interest in live performance=20 > increased. Realtime operation seems to be more viable these days,=20 > though, so I'm hoping some of you early adopters will shed some=20 > light on its pitfalls and rewards. >=20 > Thanks, > Robert Schrepel Received: from shaun.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa20764; 1 Feb 99 8:37 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by shaun.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107ErO-0000Fd-00; Mon, 1 Feb 1999 08:37:34 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA11901); Mon, 1 Feb 1999 08:36:02 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:35:48 GMT Received: from renoir.mailpac.pt [194.65.21.2] by hermes via SMTP (IAA15638); Mon, 1 Feb 1999 08:35:46 GMT Received: by renoir.mailpac.pt (SMI-8.6/SMI-SVR4) id IAA18231; Mon, 1 Feb 1999 08:34:10 GMT Date: 1 Feb 99 08:34 GMT X400-Received: by /ADMD=mailpac/C=pt/; Relayed; 1 Feb 99 08:34 GMT X400-Received: by /PRMD=gtw-ms/ADMD=mailpac/C=pt/; Relayed; 1 Feb 99 08:34 GMT Priority: normal P1-Message-ID: ptmailpacgtw-ms;36b56702473300mailpac92 Original-Encoded-Information-Types: IA5-Text MIME-version: 1.0 From: Pedro Batista To: csound@maths.ex.ac.uk Message-ID: <36b56702473301mailpac92*@mailpac.pt> Subject: =?iso-8859-1?Q?Re:_Fwd:_=3B97x97?= Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk >Dear Pedro, > >please don't forward these antiorp-mails, until you know, what it contains. >If you're not sure, because it contains information in several languages, >please so kind to trash it! Since some persons complained to me about this fwd, please let me explain that 1) this was an isolated ocasion; i just figured once would be all right 2) I believe Ive always stayed on focus on csound here, so half a K or so of unrelated stuff wouldnt be too much 3) it was my belief that people were aware of antiorp's activities, and would be sort of 'prepared' (if anyone can ever be) anyway, sorry for the inconvenience; it was careless of me and wont happen again pedro ps. that said, lets all groove on to the joys of internet and free speech Received: from shaun.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa21027; 1 Feb 99 8:53 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by shaun.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107F6M-0000GL-00; Mon, 1 Feb 1999 08:53:02 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA12198); Mon, 1 Feb 1999 08:51:50 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:51:37 GMT Received: from exim@wallace.maths.bath.ac.uk [138.38.100.104] by hermes via ESMTP (IAA08713); Mon, 1 Feb 1999 08:51:36 GMT Received: from [138.38.99.25] (helo=maths.Bath.AC.UK ident=mmdf) by wallace.maths.bath.ac.uk with smtp (Exim 1.92 #2) for csound@maths.ex.ac.uk id 107F4y-0000gq-00; Mon, 1 Feb 1999 08:51:36 +0000 Date: Mon, 1 Feb 99 8:51:36 GMT From: jpff@maths.bath.ac.uk Subject: Re: .CSD Files & Winsound To: csound@maths.ex.ac.uk Message-Id: Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Message written at 31 Jan 1999 21:40:22 +0000 --- Copy of mail to tropistic@mindspring.com --- In-reply-to: <36B34EAC.B45D4B36@mindspring.com> (message from Jay Chernick on Sat, 30 Jan 1999 10:25:48 -0800) References: <36B34EAC.B45D4B36@mindspring.com> With winsound if you have a blank score field and the orchestra field is a .csd file then it does approx what you want. Works for me.... ==John ffitch >>>>> "Jay" == Jay Chernick writes: Jay> A simple question: Jay> syntax of the .csd file aside, how (can?) a .csd file be used with Jay> Winsound? Jay> Jay Received: from wallace.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa21056; 1 Feb 99 8:53 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by wallace.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107F6e-0000hL-00; Mon, 1 Feb 1999 08:53:20 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA01817); Mon, 1 Feb 1999 08:51:27 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:51:11 GMT Received: from exim@wallace.maths.bath.ac.uk [138.38.100.104] by hermes via ESMTP (IAA06533); Mon, 1 Feb 1999 08:51:10 GMT Received: from [138.38.99.25] (helo=maths.Bath.AC.UK ident=mmdf) by wallace.maths.bath.ac.uk with smtp (Exim 1.92 #2) for csound@maths.ex.ac.uk id 107F4Y-0000gg-00; Mon, 1 Feb 1999 08:51:10 +0000 Date: Mon, 1 Feb 99 8:51:09 GMT From: jpff@maths.bath.ac.uk Subject: Re: Further bugs I found To: csound@maths.ex.ac.uk Message-Id: Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Message written at 31 Jan 1999 21:27:17 +0000 --- Copy of mail to huber@iamexwi.unibe.ch --- There was a bug in wgflute which showed if the optional last argument was omitted. I have fixed it in my sources. Thanks for highlighting this example of brain-failure! ==John ffitch Received: from shaun.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa21086; 1 Feb 99 8:53 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by shaun.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107F7C-0000Gc-00; Mon, 1 Feb 1999 08:53:54 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA13276); Mon, 1 Feb 1999 08:52:37 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:52:25 GMT Received: from exim@wallace.maths.bath.ac.uk [138.38.100.104] by hermes via ESMTP (IAA14001); Mon, 1 Feb 1999 08:52:24 GMT Received: from [138.38.99.25] (helo=maths.Bath.AC.UK ident=mmdf) by wallace.maths.bath.ac.uk with smtp (Exim 1.92 #2) for csound@maths.ex.ac.uk id 107F5k-0000h4-00; Mon, 1 Feb 1999 08:52:24 +0000 Date: Mon, 1 Feb 99 8:52:23 GMT From: jpff@maths.bath.ac.uk Subject: Re: command line or CsOptions To: csound@maths.ex.ac.uk Message-Id: Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Message written at 31 Jan 1999 21:59:15 +0000 --- Copy of mail to kaeru@flash.net --- In-reply-to: <36B22566.B05629A5@flash.net> (message from pete moss on Fri, 29 Jan 1999 15:17:26 -0600) References: <36B22566.B05629A5@flash.net> At present in my code the order of processing is 1) .csound.rc 2) command line 3) CsOptions in a .csd file The last one wins. ==John ffitch Received: from shaun.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa21264; 1 Feb 99 8:58 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by shaun.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107FC1-0000Gx-00; Mon, 1 Feb 1999 08:58:53 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (IAA03142); Mon, 1 Feb 1999 08:57:07 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 08:56:39 GMT Received: from exim@wallace.maths.bath.ac.uk [138.38.100.104] by hermes via ESMTP (IAA05615); Mon, 1 Feb 1999 08:56:39 GMT Received: from [138.38.99.25] (helo=maths.Bath.AC.UK ident=mmdf) by wallace.maths.bath.ac.uk with smtp (Exim 1.92 #2) for csound@maths.ex.ac.uk id 107F9q-0000hj-00; Mon, 1 Feb 1999 08:56:38 +0000 Date: Mon, 1 Feb 99 8:56:37 GMT From: jpff@maths.bath.ac.uk Subject: mini release To: csound@maths.ex.ac.uk Message-Id: Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Message written at 1 Feb 1999 07:20:25 +0000 I have just placed code and sources for version 3.511 onto the server. This is a collection of small but significant bug fixes. arate ^ constant corrected Noise error in spectrun fixed (2pi was wrong) sndwarp fix for some platforms New diskin fix ADSR fixed in midi case wgflute fixed distort1 now compiled correctly (gave a spurious null iopadr mesage) cpsmidip etc in k-rate case fixed More on pitchbend and, two large internal reorganisations (for those who care about sources) 1: the whole mess of pi, twopi and clashes with some compilers has been changed, using a set of macros 2: rtaudio.c has been split into rtSGI, rtSUN, rtmacintosh etc to make the code easier to read for those who do not like conditional compilation, and to encourage maintainable platform-dependent RTAUDIO At present Windows, Console and MSDOS and SGI versions are on the server. SUN should follow soon. 68K overnight I guess. I still have a collection of bug reports, but I wanted to clear these as teaching starts today in 2 hrs ==John ff Received: from wallace.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa22465; 1 Feb 99 12:15 GMT Received: from [144.173.6.14] (helo=exeter.ac.uk) by wallace.maths.bath.ac.uk with esmtp (Exim 1.92 #2) for jpff@maths.bath.ac.uk id 107IGP-00011X-00; Mon, 1 Feb 1999 12:15:37 +0000 Received: from noether [144.173.8.10] by hermes via SMTP (MAA11350); Mon, 1 Feb 1999 12:03:03 GMT Received: from exeter.ac.uk by maths.ex.ac.uk; Mon, 1 Feb 1999 12:02:43 GMT Received: from agora.stm.it [195.62.32.1] by hermes via ESMTP (MAA12386); Mon, 1 Feb 1999 12:02:40 GMT Received: from agora.stm.it (ppp01-02.dial-access.stm.it [195.62.37.2]) by agora.stm.it (8.9.2/8.8.5) with ESMTP id NAA01592 for ; Mon, 1 Feb 1999 13:02:33 +0100 (ITA) Message-ID: <36B58F5A.477F3949@agora.stm.it> Date: Mon, 01 Feb 1999 12:26:18 +0100 From: Gabriel Maldonado X-Mailer: Mozilla 4.06 [en] (Win95; I) MIME-Version: 1.0 To: Csound Mailing List Subject: [ANNOUNCE] DirectCsound 2.6 available Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Hi all, the 2.6 version is now available on my site for download: http://www.agora.stm.it/G.Maldonado/download.htm these are the new features: 1) new score opcodes: { } (nested loops), F (score table creation) 2) new score macro arithmetic operators: T (score table access), R (random numbers), ^ (power), % (modulus) 3) Nested macros. The syntax of macros with arguments has changed a bit: now comma character must be used in order to separate arguments instead of '#' character . 4) During each csound session a file named orc.srt containing orchestra macro expansions is created, in order to find bugs when using macros. 5) New orc opcodes: resony 6) some bugs fixed 7) synchronized with 3.51 canonical version HAPPY DOWNLOADING! -- Gabriel Maldonado http://www.agora.stm.it/G.Maldonado/home2.htm