| >
> For the AIFF/C 32 float format you should contact Dave Madole
> (madole@mills.edu) who wrote it and can pass it on.
>
> Mike Berry
> mikeb@mills.edu
>
>
>
>
Microsoft have announced an official 32bit float format for WAVE files -
WVAE_IEEE_FLOAT (=3)
I assume the WAVEFORMATEX header is required (with the extra bytes
field), and that the 'fact' chunk is also required, as for all non-PCM
formats.
Sonic Foundry describe the format in their documentation for the SoundForge
ActiveMovie plugin SDK which they have developed (available from their
website).
I have implemented this for some CDP programs, but cannot test it properly
in the absence of another application which supports it for reading and
writing files.
All other things being equal, it should be easy to add support for this format to
Csound.
Richard Dobson
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Date: Mon, 17 Nov 1997 09:23:27 +0100
From: Gabriel Maldonado
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David Densmore wrote:
> I run both Linux and Win 95 and I couldn't the TB-303 to execute
> on either version.
>
> Josep Comajuncosas mailed me the orc/sco pair as an attached zipfile
> and they ran fine.
I think it is always better to mail orc/sco examples and code in general
as an attached file instead of copying the code into the body of a
message. Better if zipped.
--
Gabriel Maldonado
mailto:g.maldonado@agora.stm.it
http://www.agora.stm.it/G.Maldonado/home2.htm
http://www.geocities.com/SiliconValley/Way/7041/home2.htm
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Date: Mon, 17 Nov 1997 13:01:54 +0200
From: Matti Koskinen
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Subject: Silence in the beginning of a soundfile
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Hi
I combined some of the instruments into a single orchestra and
made a test score to test them out. I ran into a wierd thing.
I separated all the i-statements with s-statement. The first i-statement
was of duration of 5 secs, then s-statement etc. While compiling,
csound showed 19 secs of silence after the first instrument. I commented
it out, so the first statement was s after ftables and still 19 secs
of silence was generated. Csound output showed just as creating output
B0.00 .. 3.00 TT 0.00 and so on, but no allocation of an instrument was
issued. When trying the instruments separately no silence is generated
Csound is 3.46 for linux. In the score are 19 ftables, some of them
quite large (soundin).
Any ideas?
Thanks
-matti
mjkoskin@sci.fi
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Date: Mon, 17 Nov 1997 13:21:33 -0800 (PST)
From: "Matt J. Ingalls"
To: Matti Koskinen
Cc: csound@maths.ex.ac.uk
Subject: Re: Silence in the beginning of a soundfile
In-Reply-To: <34702422.7B5D18E6@sci.fi>
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did your f-tables start at time '0'?
-m
On Mon, 17 Nov 1997, Matti Koskinen wrote:
> Hi
>
> I combined some of the instruments into a single orchestra and
> made a test score to test them out. I ran into a wierd thing.
> I separated all the i-statements with s-statement. The first i-statement
> was of duration of 5 secs, then s-statement etc. While compiling,
> csound showed 19 secs of silence after the first instrument. I commented
> it out, so the first statement was s after ftables and still 19 secs
> of silence was generated. Csound output showed just as creating output
> B0.00 .. 3.00 TT 0.00 and so on, but no allocation of an instrument was
> issued. When trying the instruments separately no silence is generated
> Csound is 3.46 for linux. In the score are 19 ftables, some of them
> quite large (soundin).
>
> Any ideas?
>
> Thanks
>
> -matti
>
> mjkoskin@sci.fi
>
>
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From: Reid Sweatman
To: 'Richard Dobson'
Cc: "'csound@noether.ex.ac.uk'"
Subject: RE: 32-bit float AIFF
Date: Mon, 17 Nov 1997 15:10:06 -0700
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On Monday, November 17, 1997 10:57 AM, Richard Dobson [SMTP:rwd@pact.srf.ac.uk] wrote:
> Microsoft have announced an official 32bit float format for WAVE files -
> WVAE_IEEE_FLOAT (=3)
>
> I assume the WAVEFORMATEX header is required (with the extra bytes
> field), and that the 'fact' chunk is also required, as for all non-PCM
> formats.
>
> Sonic Foundry describe the format in their documentation for the SoundForge
> ActiveMovie plugin SDK which they have developed (available from their
> website).
>
> I have implemented this for some CDP programs, but cannot test it properly
> in the absence of another application which supports it for reading and
> writing files.
>
> All other things being equal, it should be easy to add support for this format to
> Csound.
>
> Richard Dobson
The new version of Cool Edit, Cool Edit Pro, supports the new floating-point format.
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From: David Madole
Subject: Re: 32-bit float AIFF
To: csound@maths.ex.ac.uk
Date: Mon, 17 Nov 1997 14:30:36 -0800 (PST)
Cc: rcb@media.mit.edu
Reply-To: madole@mills.edu
In-Reply-To: <199711171756.RAA06683@talisker.pact.srf.ac.uk> from "Richard Dobson" at Nov 17, 97 05:56:39 pm
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>
> >
> > For the AIFF/C 32 float format you should contact Dave Madole
> > (madole@mills.edu) who wrote it and can pass it on.
> >
> > Mike Berry
> > mikeb@mills.edu
> >
> >
> >
> >
I will mail a copy of the AIFF code to jpff. We (Tom Erbe of Soundhack
and I are "we") put the info in an application specific chunk of an
AIFC type file with compression type "FL32" (that is, we considered it
a type of compression). AIFC files are AIFF files for compressed sound
data.
struct FP32Chunk {
CkHdr ckHdr;
OSType applicationSignature; // 'pErF'
float maxamps[AIFF_MAXCHAN+1];
} FP32Chunk;
The maxamps array contains the overall maxamp in maxamps[0] and the
per channel maxamps in maxamps[1..nchnls].
AIFF_MAXCHAN is defined in cs.h, of course (what isn't), where AIFFDAT
is redefined as follows.
/* from cs.h */
#define AIFF_MAXCHAN 8
typedef struct {
float natcps;
float gainfac;
short loopmode1;
short loopmode2;
long begin1, end1;
long begin2, end2;
float maxamps[AIFF_MAXCHAN+1];
} AIFFDAT;
Dave
Dave Madole
Technical Director, Center for Contemporary Music
Listserv Administrator
Mills College
Oakland, CA 94613
510-430-2336
madole@mills.edu
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Subject: cacheing
To: csound@maths.ex.ac.uk
Date: Tue, 18 Nov 1997 10:27:49 +0000 (GMT)
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owner-csound-outgoing wrote
>From owner-csound-outgoing Mon Nov 17 15:34:28 1997
From: owner-csound-outgoing
Date: Mon, 17 Nov 97 15:34:28 GMT
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Subject: BOUNCE Csound: Non-member submission from [lrackl%SLC%HEXCELNET@hexcel.attmail.com (Rackl, Les)]
>From lrackl%SLC%HEXCELNET@hexcel.attmail.com Mon Nov 17 15:34:18 1997 remote from
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From: lrackl%SLC%HEXCELNET@hexcel.attmail.com (Rackl, Les)
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Subject: RE: 32 bit float AIFF
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----------
>P.S. I have just bought a 8600/200, should I buy more cache memory for
real
>time
>performance? (I have already enough DRAM)
>Javier Ruiz
If you are loading data into the CPU from RAM in 64K chunks (say), then
64K of cache
can add tremendous performance increases, because it "pre-fetches" the
data chunk and
can then load into the CPU very, very quickly (something like 1 CPU
cycle).
If you're not loading 64K chunks, though, you'll be generating cache
misses which will actually
degrade performance, relative to having no cache.
This is my understanding of it, though i confess to not understanding the
differences between
Level 1 and Level 2 cache. Could someone straighten this out for me?
les
--
James Andrews, maths CDO, ext.3977
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From: james@maths.ex.ac.uk
Message-Id: <24403.199711181022@zeno.maths.exeter.ac.uk>
Subject: help needed with CSound install on Solaris
To: csound@maths.ex.ac.uk
Date: Tue, 18 Nov 1997 10:22:33 +0000 (GMT)
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owner-csound-outgoing wrote
>From owner-csound-outgoing Tue Nov 18 03:17:18 1997
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Subject: BOUNCE Csound: Non-member submission from [Wesley Chin ]
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I just got assigned a Csound project at Cal State Dominguez Hills, I am
an mac user but we just built a brand new sun workstation lab and we need
to get CSound running on Solaris.
I downloaded the Csound for Solaris file from the ftp site, but I cannot
get it to execute or run. There is no read me or help file with the
Csound file. I really need help from any with Unix Csound knowledge. I am
beyond my field on this project. time is of the essence.
thanks for your help.
New EMAIL ADDRESS:
SAME WEB PAGE:
*Support APPLE! The Hottest Mac News at: *
--
James Andrews, maths CDO, ext.3977
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From: james@maths.ex.ac.uk
Message-Id: <24428.199711181026@zeno.maths.exeter.ac.uk>
Subject: XII CIM 1998
To: csound@maths.ex.ac.uk
Date: Tue, 18 Nov 1997 10:26:26 +0000 (GMT)
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owner-csound-outgoing wrote
>From owner-csound-outgoing Mon Nov 17 16:09:01 1997
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>From depoli@giulia.dei.unipd.it Mon Nov 17 16:08:51 1997 remote from
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From: depoli@dei.unipd.it
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To: csound
Subject: XII CIM 1998
X-Sun-Charset: ISO-8859-1
---------------------------------
XII CIM 1998 PRELIMINARY CALL FOR SUBMISSIONS
---------------------------------
XII Colloquium on Musical Informatics
September 24-26, 1998
Gorizia, Italy
AIMI - Associazione di Informatica Musicale Italiana
Diploma Universitario per Operatore dei Beni Culturali (Gorizia)
Facolt` di Lettere e Filosofia
Facolt` di Scienze M.F.N.
University of Udine
Italy
The Italian Association for Musical Informatics, AIMI, in cooperation
with the University of Udine, organizes the twelfth Colloquium on
Musical Informatics, which will be held in Gorizia (Italy) from
September 24 to September 26, 1998. This conference is co-sponsored by
IEEE CS Technical Committee on Computer Generated Music
SCOPE
The Colloquium on Musical Informatics is an international meeting of
researchers interested in musical applications of computer science.
The previous editions showed an increasing interest in this
area, as proved by the number and quality of scientific contributions
as well as by the development of new tools to be used by composers,
musicians and musicologists.
TOPICS
The special theme of the conference is:
* Restoration of Audio Documents
The other topics to be covered include, but are not limited to
* Computer Music and Other Digital Art
* Artificial Intelligence
* Aesthetics, Philosophy, Criticism
* Acoustics of Musical Instruments and Voice
* Audio Analysis and Resynthesis
* Audio Hardware
* Audio Signal Processing
* Composition Systems and Techniques
* History and Analysis of Electroacoustic Music
* Interactive Performance Systems
* Machine Recognition of Audio
* Machine Recognition of Music
* MIDI Applications
* Music Analysis
* Music Data Structures and Representations
* Music Education
* Music Grammars
* Music Languages
* Music Notation and Printing
* Music Workstations
* Performance Interfaces
* Psychoacoustics, Perception, Cognition
* Realtime Systems
* Room Acoustics
* Sound in Multimedia
* Sound Synthesis Languages
* Sound Synthesis Methods
* Studio Report
* Other
SUBMISSIONS
XII CIM invites submissions of papers, demos, presentations and posters
covering all aspects of computer music. The official language is English.
All submissions are subject to peer review. The accepted contributions will be
published in the Proceedings of the Colloquium and each contributor is
expected to give a talk/demonstration which will be scheduled according
to the timing below:
Paper: 4 pages (A4) in the Proceedings
about 20 minutes for presentation
Demo/Presentation: 2 pages (A4) in the Proceedings
about 10 minutes for presentation
free time for demonstration
Poster: 2 pages (A4) in the Proceedings
about 10 minutes for presentation
free time for discussion
For papers presentations the XII CIM Organization will supply a service of
simultaneous translation from English into Italian and from Italian into English.
Submissions should be received by March 1, 1998. The contributors
will be notified of acceptance/rejection by May 1, 1998. Camera ready
papers are due by July 31st, 1998.
The submission guidelines will appear in the XII CIM WWW site
http://www.sci.uniud.it/~ciminfo/
(after December 1st, 1997) and in the XII CIM Brochure.
Electronic submissions to the address
XIICIMpapers@canin.sci.uniud.it
are encouraged.
------------------------------------------------------------------------
XII CIM - 1998 MUSIC AND INSTALLATIONS
XII CIM is particularly interested in electro-acoustic music that
includes some aspect of composition and computer performance.
A Musical Committee will choose the musical works showing innovative musical
and technological solutions. The organization offers a hall suitable for
electro-acoustic music with the following equipment:
1 amplification system 4 output channels (standard quadraphonic setup)
1 analog mixer 32/8
1 digital mixer Yamaha 02R
1 DAT
1 CD
10 microphones
Composers are invited to submit their music and the whole project for
performance, i.e. a score and/or recorded segments. If the work requires
individual performers, these should be provided and payed by the composer.
Music submissions should be received by March 1, 1998.
CONTACT INFORMATION:
E-mail: XIICIMinfo@canin.sci.uniud.it
WWW: http://www.sci.uniud.it/~ciminfo/
Telephone: +39 481 33869
Fax: +39 481 33981
Address: CEGO - Centro Polifunzionale di Gorizia
Via Italico Brass n022
34170 Gorizia - Italy
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James Andrews, maths CDO, ext.3977
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