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http://www.soundblaster.com/pressroom/releases/1998/p980416.html
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From: Hans Mikelson
To: Contribute
Subject: Re: Csound mnemonics revealed-episode one
Date: Sun, 3 May 1998 23:07:02 -0500
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A brief summary like this might be useful although the manual isn't too bad
for this.
>Value Convertors:
>ftlen=function table length
>int=integer
int=Gives the integer portion of a real (floating point) number.
>frac=fraction
frac=Gives the fractional portion of a real number.
>dbamp=linear amplitude to decibels
>i=intialization
i=Converts from a k-rate or a-rate variable to an i-rate variable.
>abs=absolute
abs=Returns the absolute value of a number.
>exp=exponent
exp=Returns the Euler's constant e~=2.7183 raised to a power.
>log=logarithm
log=Returns the number of the power you would have to raise e to to get this
value.
>sqrt=square root
>sin=sine
>cos=cosine
>ampdb=decibels to linear amplitude
>
>
>Pitch Convertors:
>octpch=octave point decimal to octave pitch-class (8ve.pc)
>pchoct=octave pitch-class to octave point decimal
>cpspch=Cycles per second (Hz) to Octave pitch-class
>cpsoct=cycles per second to octave pitch-class
>sr= sample rate
>kr= control rate
>ksmps=control samples per second
>nchnls=no. of channels
>
>
>line=linear
>expon=exponential
>linseg=line segment
>expseg=exponential segments
>
>oscil=oscillator
>foscil=?
FM oscilator for computing frequency modulation synthesis.
asig = amp1*sin(frequency1*x + amp2*sin(frequency2*x))
Some people have suggested that this is more accurately called phase
modulation synthesis and that FM should be:
asig = amp1*sin(frequency1*x * amp2*sin(frequency2*x))
>oscili=oscilllator using interpolation
>loscil=?
Sample player with looping capability.
>
>
>buzz=?
buzz=Can be used to generate an alias free band limited impulse. Can be
integrated to obtain alias-free sawtooth, square, pwm and triangle waves.
Any others? I'm looking for Osc-Synch.
>gbuzz=?
I'm not sure what advantages this has over buzz.
>adsyn=additive synthesis
>pvoc=phase vocoder
>
>fof=fonctions d'ondes formantiques (French) Formant wave
>functions(English)
>
>pluck=pluck
pluck=digital waveguide synthesis pluck sound
>
>rand=random
>randh=random with holding
>randi=random with interpolation
>
>Signal Modifiers:
>
>linen=linear envelope
>linenr=?
Linear envelope with a release section like on most synthesizers. Commonly
used with midi.
>envlpx=?
>
>port=portamento
>tone=tone,low-pass filter like knob on boombox
>reson=resonant filter
reson=a type of bandpass filter
>atone="anti-tone",the opposite of tone
high-pass filter
>areson= like above
areson=a type of band-reject/notch filter
>lpread=read linear predictive
>lpreson=?
>lpfreson=?
>
>downsamp=downsample
Used to convert from a-rate to k-rate.
>upsample=opp. of downsample
Used to convert from k-rate to arate similar to asig=ksig.
>integ=integration
something like:
asum init 0
asum = asum + asig
>interp=interpolate
>diff=differentiation
>samphold=sample and hold
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Date: Mon, 04 May 1998 11:57:59 -0400
From: Brandon Nelson
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To: csound
Subject: Using MIDI files
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Hi fellow CSounders,
I'm using csound.ppc for Mac, and I'm trying to get it to read a MIDI file I
have made with Cubase VST, but it doesn't like it; perf says "skipping meta
event type 58 / unrecognized message type 192." It doesn't matter how many
tracks I have in the midi file or how they're numbered, as I have MIDI files
from another sequencer that work fine.
Can anyone tell me whether CSound.ppc & perf require type 0 or type 1 MIDI
files, and if only one over the other, is there a utility which will tell me
what type a file is, and convert it? Or perhaps something else is causing this error?
Brandon
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Date: Mon, 04 May 1998 12:10:05 -0400
From: Dave Phillips
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Subject: GEN28 GUI ?
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Greetings:
On the GEN28 page in the latest HTML manual Richard Karpen refers to a
GUI for drawing spatial coordinates. Can anyone tell me more about that
app ?
== Dave Phillips
http://www.bright.net/~dlphilp/index.html
http://www.bright.net/~dlphilp/linux_soundapps.html
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Date: Mon, 4 May 1998 09:19:44 -0700 (PDT)
From: Richard Karpen
To: Dave Phillips
Cc: Csound mail-list
Subject: Re: GEN28 GUI ?
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Dave, it's something that we're working on here at the Univ. of
Washington, still in a preliminary version and not ready for public
release.
Richard Karpen
On Mon, 4 May 1998, Dave Phillips wrote:
> Greetings:
>
> On the GEN28 page in the latest HTML manual Richard Karpen refers to a
> GUI for drawing spatial coordinates. Can anyone tell me more about that
> app ?
>
> == Dave Phillips
>
> http://www.bright.net/~dlphilp/index.html
> http://www.bright.net/~dlphilp/linux_soundapps.html
>
>
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Subject: Re: Re; Gadget Labs Quad Card w Csound
To: Csound mailing list
Date: Mon, 4 May 1998 17:16:52 -0400 (EDT)
From: Eli Brandt
In-Reply-To: <35456540.76E1@fabaris.it> from "Riccardo Bianchini" at Apr 28, 98 07:12:32 am
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Riccardo Bianchini wrote:
> Here in Conservatorio "S.Cecilia" we have a new PC (Pentium II 300 MHz)
> with an ATI RAGE PCI video card and a Korg 1212 PCI audio card, and we
> experienced the same beheving: an interruption of audio data flow with
> an "Excessive activity on PCI bus" message. Some video card allow a
> different configuration (i.e. Matrox Mystique), but this is a known
> problem. May be an AGP video card will do better?
Probably not -- AGP is the same as PCI as far as bus protocol is
concerned. More-polite drivers are the key.
If your card is doing this and the manufacturer is of no help, talk to
Greg Hanssen, who has done a lot to bring this problem to light.
At the least, he can document the problem:
http://www.zefiro.com/vgakills.txt
--
Eli Brandt | eli+@cs.cmu.edu | http://www.cs.cmu.edu/~eli/
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Subject: Looking for Qwertytunes
Date: Tue, 5 May 98 11:31:32 -0000
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From: Drew Skyfyre
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Hi,
Does anyone know where I might find the Mac shareware program
Qwertytunes,or any other similar program which enables the Mac's
keyboard to act as a MIDI controller ?
Thanks in advance,
Drew
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Date: Tue, 5 May 1998 01:26:33 -0600
To: "d!sz.tribute"
From: =cw4t7abs
Subject: Re: Looking for d.vor.ak
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>anyone know find Mac program
>Qwertytunes,or similar program enables Mac's
>keyboard to act . as a MIDI controller
hTTp://194.19.130.194/=3Dcw4t7abs/0f0003/kodE/3kxpoL_d-k.sit.hqx
!nkludz dzat + addtl maTTer |2| k[on]fusz humanz
hTTp://194.19.130.194/=3Dcw4t7abs/0f0003/kodEt3kknosukx_d-k.sit.hqx
!nkludz dzat + addtl maTTer |2| k[on]fusz humanz
krop3rom_|-a9ff -\\_ -f---3.m2sk1n3nkunzt
-http://194.19.130.194/=3Dcw4t7abs
_- aud!o.v!deo.kode.web.d-s!gn
anTi_s!g-naTure_kampa!gn.10-62.k _1
||||||||||||://|||||||||.|||||||||||||||||||||.||||||||| |||||||||
|||||||||||| |||||| |||||||||||| |||||||||||| 3,000=B1 .erreur l.amour.
l.erreur.sufranss
http://www.wired.com/news/news/culture/story/11678.html ||
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Date: Mon, 4 May 1998 23:21:33 -0700 (PDT)
From: Wayne Freno
To: Steven Coolidge
Cc: csound@maths.ex.ac.uk
Subject: Re: come.to/wollbubble
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The weird music is ok, but I don't bother to transcribe what he
says. I think he is merely trying to get noticed, like all
artists try to do.
On Sun, 3 May 1998, Steven Coolidge wrote:
> =cw4t7abs wrote:
>
> > composers, especially modern ones=pozerz
>
> =cw4t7abs' posts are refreshing and obviously provocative, what more do
> you want? So what if he has an attitude, you would too if you were the
> bastard spawn of Artoodeetoo.
>
>
> Plus he makes weird music.
>
>
end soundbite
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Date: Tue, 5 May 1998 02:05:52 -0600
To: csound@maths.ex.ac.uk
From: =cw4t7abs
Subject: Re: come.to/wollbubble
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>The weird music is ok, but I don't bother to transcribe what he
>says.
+
> I think he is merely trying to get noticed, like all
>artists try to do.
= !llog!kl sekuensz
ma!nforszassault : freschflesch
\
[]
0f0003.m2sk!n3nkunzt
1zt procz!m!t+e-baszd komputer | v!ruz transm!ss!on
hTTp://194.19.130.194/spCa
[] \
\ []
/
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Date: Tue, 5 May 1998 01:17:42 -0700
From: Jim Stevenson
Message-Id: <199805050817.BAA17856@eos.arc.nasa.gov>
To: csound@maths.ex.ac.uk, eli@gs160.sp.cs.cmu.edu
Subject: Re: Re; Gadget Labs Quad Card w Csound
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Does anybody have GLs phone number or e-mail?
Thanks.
|