| Message written at 27 Apr 1999 10:59:12 +0100
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In-reply-to: <009e01be8f0c$5db9f4c0$7d86acd2@a.computer> (message from Kanata
Motohashi on Sun, 25 Apr 1999 20:08:42 +0900)
References: <009e01be8f0c$5db9f4c0$7d86acd2@a.computer>
I suppose it would be possible to create a version of Csoudn where the
error messages were in an external file and so could be translated
into any langauge. It woudl need a translator though!
There is in existence somewhere a document with all the error
messages that Csoudn could create, at least upto last summer. Would
such a list help? Probably not
==John ffitch
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Date: Tue, 27 Apr 99 13:13:36 BST
From: jpff@maths.bath.ac.uk
Subject: Re: wave file length accurency
To: csound@maths.ex.ac.uk
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Message written at 27 Apr 1999 10:12:54 +0100
--- Copy of mail to jlemoin@ibm.net ---
Some time back while I was away there was a discussion about
innaccuracies in the length of time of notes. I have been thinking
about this a little and I think there is a problem on some platforms
in the printing of the score.srt and re-reading the numbers. This is
done with standard C IO routines, and on some implementations these
seem highly inaccurate.
I can think of a couple of ways round this. Perhaps teh simplest
would be to write the score.srt file in binary rather than characters,
and so preserve all teh bits. This woudl of course mean that one
could not guarantee that one could transport the score.srt file to
another machine -- does anyone actually do that?
A second approach would be to write ones own printing and reading so
it would be consistent, but that sounds liek real work!
Or, we could abandon the external sore.srt and use in-memory data
rather than an external file.
So, any thoughts or recommendations? I am willing to do the coding if
we have a reasonable consensus on what to do.
==John ffitch
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From: Michael Gogins
To: Jamie Bullock ,
Csound List
Subject: Re: Recommended Xenakis?
Date: Tue, 27 Apr 1999 08:22:35 -0400
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I don't know that many pieces by Xenakis, but I've enjoyed most of what I've
heard, and I own some. The most import for me has been The Legend of Eer,
because it is all computer music and algorithmically composed as well. It
probably is one of the best pieces of computer music, period. I think anyone
interested in algorithmically composed or synthesized music should study
this piece.
-----Original Message-----
From: Jamie Bullock
To: Csound List
Date: Monday, April 26, 1999 9:32 PM
Subject: Re: Recommended Xenakis?
>I don't think recordings of Xenakis' music are particularly abundant.
>
>There are two classic recordings on the Montaigne label; the first is a
>selection of chamber music from 1955-1990 [MO 782005] - valiantly performed
>by the Arditti Quartet and Claude Helffer, the second is La Legend d'Eer
>[MO 782058] for 8-channel tape.
>
>The first release gives a good feeling for Xenakis' general stylistic and
>technical evolution whilst La Legend d'Eer is probably his most extensive
>contribution to electroacoustic music.
>
>I wish you the best of luck!
>
>regards
>-jb
>
>
>On April 27th Hans Mikelson wrote:
>
>>Can someone recommend a good representative Xenakis recording?
>>
>>Thanks,
>>Hans Mikelson
>>
>>
>
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From: Michael Gogins
To: zuijlen@ibm.net, Csound List
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Subject: Re: Winsound not compiling in MSVC++ version 6.0
Date: Tue, 27 Apr 1999 08:25:39 -0400
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I use Visual C++ 6 professional edition, but I don't compile straight
Csound, I compile my own version, AXCsound, which is available from my web
site at http://www.pipeline.com/~gogins. Over the years I have resigned
myself to the broken project files. I just throw all the c and cpp files
into the project to start with.
-----Original Message-----
From: Job M. van Zuijlen
To: Csound List
Date: Monday, April 26, 1999 10:13 PM
Subject: Re: Winsound not compiling in MSVC++ version 6.0
>I have been able to compile Csound using MSVC++ version 5.0, but that
>must have been around version 3.48 (last year). I do remember having to
>do a lot of editing to the makefile to get a decent project file (at
>least I think that's how I did it).
>
>Job van Zuijlen
>
>Sean Costello wrote:
>>
>>
>> P.S. Do people normally use MSVC++ version 6.0 to compile Winsound?
>> Should I reinstall version 4.0? Are there any bug fixes for version 6.0
>> that are relevant to compiling Csound?
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In-reply-to: <3724F885.961DC18D@seanet.com> (message from Sean Costello on
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Subject: Re: Winsound not compiling in MSVC++ version 6.0
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I use MSVC 5 and the project files in teh distribution are the ones
from my disk, inless WinZip is not working.
all_free is defined in memalloc.c but is protected by the macro
MEMDEBUG. I suspect that teh line in main.c should similarly be
protected by MEMDEBUG
It took me les time to determine this that it took you to type your
message!
==John
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(message from Grant Covell on Mon, 26 Apr 1999 22:33:48 -0400)
Subject: Re: Recommended Xenakis?
References: <87E25BFE149AD21194CC00A0C999D9892A79B2@mail2.c-bridge.com>
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I concur with Grant's list, which is almost teh core of my CD
collestion. One problem I do have with the original question. To my
ears what make Xenakis so exciting and probably my favourite living
composer is that there is nothing which is typical. Each piece is new
and different.
I particularly like Haar which Audreay and I listened to a great deal
driving in the North West of Scotland a few years back. Not sure if
it is available though; I have a tape taken off the Glasgow Xenakis
Festival some years ago.
Certainly Kraanerg, the Arditti double-disk (Musique de Chambre), and
Pleades (Precussion de Strasberg) and "Xenakis: Electronic Music",
EMF CD 003 are good places to start.
==John ff
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Date: Tue, 27 Apr 1999 09:29:20 -0400
From: Tobias Kunze
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To: Arne Hanna
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Subject: Re: Markov Chains
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off the top of my head i can only think of Orm Finnendahl
. He implemented a pretty neat
Max markov object a while back that is actually controllable
in real-time (ie, you can control the table data as well
as how they adapt using MIDI controllers). Give him a buzz...
-Tobias
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From: Drew Krause
To: Arne Hanna
cc: csound@maths.ex.ac.uk
Subject: Re: Markov Chains
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Charles Ames' neglected program "Compose" for the Mac has a module for
Markov Chains, with a simple interface to enter constant or variable
states and transition probabilities. It also generates csound score lists.
If the program and its tutorials are not archived anywhere, they should
be.
////////////////////////////////
Drew Krause Miami, FL
dkrause@netside.net
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
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From: luis jure
To: CSound list
Subject: RE: Recommended Xenakis?
Date: Tue, 27 Apr 1999 11:02:21 -0230
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Grant Covell has already mentioned many Xenakis' recordings. I second his
opinion that
>"Iannis Xenakis: Phlegra, Jalons, Keren, Nomos Alpha", Erato 2292-45770-2
is an important CD. I don't think it's out of print, quite the contrary it
should be easily available.
I also agree that the recordings by the ST-X Ensemble in the mode label are
not particulary good. It's a pity because it's a nice collection, with
interesting pieces like Eonta and Rebonds.
But in the orchestral category, I'd like to add Dammerschein (a umlaut, in
fact). It can be found in mode #53 (Juan Pablo Izquierdo, conductor),
together with Persephassa -a classic for percussion-, La Deesse Athena, and
... Varese's Ameriques. I don't have this CD, I don't even know who plays
Persephassa, but Dammerschein is quite a piece.
By the way, I would say that Metastasis and specially Phitoprakta are
important for more than mere historical reasons.
And one last remark: Grant mentioned that Concret PH was realised for the
Philips Pavilion at the 1958 World Fair in Brussels, where Varese's Poeme
Electronique was also played. The pavilion is always attributed the famous
architect LeCorbusier; it was in fact designed by Xenakis himself (who was
then LeCorbusier's collaborator), following the same structures he had used
for composing Metastasis. That's something LeCorbusier always tried to
conceal and the books fail to say.
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In-reply-to: <3724E1A8.250391F7@berlin.snafu.de> (message from Andre Bartetzki
on Mon, 26 Apr 1999 21:59:06 +0000)
Subject: Re: nsamp() error
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This is my mistake. I have fixed it on my system, For those with
source, change "nsamp" to "nsamp_i" in entry.c (and do not ask why!)
Thank you for the bug report
==John
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Subject: Re: nsamp() error
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This is my mistake. I have fixed it on my system, For those with
source, change "nsamp" to "nsamp_i" in entry.c (and do not ask why!)
Thank you for the bug report
==John
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From: Tobiah
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Subject: Re: wave file length accurency
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> would be to write the score.srt file in binary rather than characters,
> and so preserve all teh bits.
I vote for the binary file. C is portable, but you don't move
object files from platform to platform. One always saves the
source code even when the program is finished. Likewise, one
would (should) always save the score file from which the score.srt
was fashioned. Then it can always be remade on another platform.
Say, this gives me quite an idea. I am one who uses programs
to generate any score that I make, often from C. It would be
nice if csound could accept a binary score file! Then we could
just use fwrite() to dump arrays of floats to the file rather
than resorting to printf(). Not a very large concern perhaps.
Toby
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From: Tobiah
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Subject: Re: wave file length accurency
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> would be to write the score.srt file in binary rather than characters,
> and so preserve all teh bits.
I vote for the binary file. C is portable, but you don't move
object files from platform to platform. One always saves the
source code even when the program is finished. Likewise, one
would (should) always save the score file from which the score.srt
was fashioned. Then it can always be remade on another platform.
Say, this gives me quite an idea. I am one who uses programs
to generate any score that I make, often from C. It would be
nice if csound could accept a binary score file! Then we could
just use fwrite() to dump arrays of floats to the file rather
than resorting to printf(). Not a very large concern perhaps.
Toby
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Date: Tue, 27 Apr 1999 07:18:42 -0700
From: Jon Christopher Nelson
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To: csound@maths.ex.ac.uk
Subject: Re: Recommended Xenakis?
References: <00c701be904c$f240cd80$0287bc93@iceman>
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Jamie Bullock wrote:
> I don't think recordings of Xenakis' music are particularly abundant.
>
> There are two classic recordings on the Montaigne label; the first is a
> selection of chamber music from 1955-1990 [MO 782005] - valiantly performed
> by the Arditti Quartet and Claude Helffer, the second is La Legend d'Eer
> [MO 782058] for 8-channel tape.
>
> The first release gives a good feeling for Xenakis' general stylistic and
> technical evolution whilst La Legend d'Eer is probably his most extensive
> contribution to electroacoustic music.
>
> I wish you the best of luck!
>
> regards
> -jb
>
> On April 27th Hans Mikelson wrote:
>
> >Can someone recommend a good representative Xenakis recording?
> >
> >Thanks,
> >Hans Mikelson
> >
> >
Actually, you can find quite a few Xanakis recordings these days. Try
looking at www.emf.org. They sell a good selection of EA music and, last I
looked, have a pretty decent selection of Xanakis recordings.
later,
jon
Jon Christopher Nelson, Director
CEMI: Center for Experimental Music and Intermedia
University of North texas College of Music
PO Box 311367
Denton, TX 76203-1367
ph. (940) 369-7531
fax (940) 565-2002
jnelson@music.cmm.unt.edu
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Date: Tue, 27 Apr 1999 09:53:59 -0600
To: csound@maths.ex.ac.uk
Subject: Re: Recommended Xenakis?
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>
> Actually, you can find quite a few Xanakis recordings these days. Try
>looking at www.emf.org. They sell a good selection of EA music and, last I
>looked, have a pretty decent selection of Xanakis recordings.
>
emj =3D exploitation.
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Date: Tue, 19 Jan 1999 10:15:32 -0500
To: antiorp@tezcat.com
=46rom: Electronic Music Foundation
Subject: CD
Hello!
We got a few copies of your CD from Frog Peak and we think it's great! We'd
like to sell them. So ...
So, for purposes of listing, could you clarify the title of the CD and the
label? [ permit someone to smile at the idiocy of corporat
humans]
Are there reviews? [ no - and they are too wonderful ]
Do you have any notes? [ akademia =3D korporat slaves . m9ndfukc besser als]
What is the composer's name? [ null pointer ]
Would you like to sell to us direct? [ no. would not ]
or do you prefer that we buy from Frog Peak?
[ would prefer that emf korporat fascist konglomerat does not sell
=3Dcw4t7abs data ]
Best,
Joel
[zttz zlave]
anzuer - refusz. emf =3D korporat fasc!zt konglomerat.
||||||||||||||||||||||||||| ||||||: netochka nezvanova : curriculum vitae
1995 ......
raging women + 1 bad man - dance theater
1996 graduated from the conservatory - classical thea.=
..
=3Dcw4t7abs - instantiated
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>From: "Dr J.Stevenson's research assistant"
>Subject: Re: [cccp] 5th edition international festival of computer arts
>
>Hmph itz in where Slovienia? Soundz interesting but... geting money
>from NASA for international trips is like pulling teeth
az du = well auare dze un!ted znakex govnmnt =
prov!dez ksch data [aku!rd 4rom prev p!llag!ng] 4 eczterm!nat!on kampa!gnz +
m!l!tar! r!zarch eczkluz!vl!. en fakt 1 ver! portl! zekt!on ov a k a d e m ! a
= zubz!d!szd w!th dze ver! zkope ov k ! l l ! n g + mut!lat!ng
l!f 4rmz !n the "0+3 world"
>>"I'm sorry, did I break your concentration? Oh! You're finished! Well,
>>allow me to retort..."
>> -from _Pulp Fiction_
>
prez!zl!. ma! ! = hav zom tort.
http://www.partisan.net
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Date: Tue, 27 Apr 1999 10:21:49 -0600
To: csound@maths.ex.ac.uk
Subject: Re: Recommended Xenakis? \\ part deux
Sender: owner-csound-outgoing@maths.ex.ac.uk
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oopz. depart rap!dl!
> Actually, you can find quite a few Xanakis recordings these days. Try
>looking at www.emf.org. They sell a good selection of EA music and, last I
>looked, have a pretty decent selection of Xanakis recordings.
>
emf =3D exploitation.
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Date: Tue, 19 Jan 1999 10:15:32 -0500
To: antiorp@tezcat.com
=46rom: Electronic Music Foundation
Subject: CD
Hello!
We got a few copies of your CD from Frog Peak and we think it's great! We'd
like to sell them. So ...
So, for purposes of listing, could you clarify the title of the CD and the
label? [ permit someone to smile at the idiocy of corporat
humans]
Are there reviews? [ no - and they are too wonderful ]
Do you have any notes? [ akademia =3D korporat slaves . m9ndfukc besser als]
What is the composer's name? [ null pointer ]
Would you like to sell to us direct? [ no. would not ]
or do you prefer that we buy from Frog Peak?
[ would prefer that emf korporat fascist konglomerat does not sell
=3Dcw4t7abs data ]
Best,
Joel
[zttz zlave]
anzuer - refusz. emf =3D korporat fasc!zt konglomerat.
||||||||||||||||||||||||||| ||||||: netochka nezvanova : curriculum vitae
1995 ......
raging women + 1 bad man - dance theater
1996 graduated from the conservatory - classical thea.=
..
=3Dcw4t7abs - instantiated
-
- dekonztrukt!on ov relevant kontrol modulez
-
-
1998 8'|sin.x(2^n)
refused commissions from
farmers manual
schoemer-haus
cagliari ea society
ORF kunstradio
deaf-v2 amsterdam
etc + etc
-
- dekonztrukt!on ov relevant kontrol modulez
-
1 konglomerat ov demoral!szd kap!tal!zt zlavez.
prozt!tut cccelvz + molekulr output at sl!ghtzt oportun!t!.
+
armd forsez part!s!pantz ztat!ng dze! =3D 0 al1.
+ dze s!nkron!szd movement =3D desp!kabl.
ou! ma!z dze desp!kabl s!nkron!szd movement =3D
thankx 2 dze desp!kabl s!nkron!szd movement ov
modl c!t!zenz.
1 modl c!t!zn =3D l!ttl mor dzen 1 armd forsez part!s!pant.
l!zten!ng 2 komerc!alz on 0+1 shortwave tranz!ztor [c]
+ thankx 2 eSSo 1 =3D dr!vez all w!thout 0-1 kare on dze autostrada
2 dreamz.
4get h!rosh!ma. 4get auschv!tz. budapezt
4get v!etnam 4get dze hous!ng prblm dze fam!ne .
4get tout eczept
korporateroute du sud [k]
!ns!de lav!shl! dekoratd zupermarketz
- paranteza _ dekoratd w!th d!zf!gurd bod!ez ov l!fe 4rmz.
zelekt 1nz l!ve st!ll awa!t!ng 1 modl c!t!zen.z des!j!on
2 k!ll + d!sf!gure all dze wh!le addtl modl c!t!zenz
pass!ng b! !n 4mat!on - mor !ntr!gued b! dze SALE
plakardz dzen dze amalgam ov dead bod!ez.
zpeak!ng =3D 1 rezurektjon !n relat!on 2 l!fe.
1 =3D lernz 2 speak when 1 =3D abandond l!fe 4 0+1 t!me
1 error =3D 1 zubt!l l!e
truth =3D prezent !n error
hensz kant hegel + deutsche f!lozof!e
kont!ngent truthz + nesessar! truthz =3D konztrukt l!fe
dze oval portra!t
zpeak az though kuot!ng truth
4rom 1936 2 1998 =3D but 1 ztep
4rom 1936 2 emf =3D but 1 ztep
4rom 1936 2 megamax =3D but 1 ztep
4rom 1936 2 d!sz =3D but 1 ztep
re+read od!sse! lazt n!ght
alwa!z th!nk ov ul!sez long!ng 2 return 2 penelope ma!s.
he =3D made h!z vo!aj lazt az long az posz!bl
ever! morn!ng 2 earn m! da!l! bread
! go 2 dze market where dze! bu! l!ez
+ full ov hope
! get !n l!ne w!th dze peddlerz
hol!wood. be be.
demoral!szd kap!tal!zt zlavez ++
|=7F|
|=7F|9|=7F|
[p-un_kT-pr_o-T=96k_oL] =D8 f =D8 =D8 =D8 3 |=7F|
herausgegeben v=F8m !nternat!onalen
!nst!tut f:ur ordnung |+| d!sz!pl!n
: / / m9ndfukc.com
e
|
| +----------
| |
\\----------------+ |
|
e
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Date: Tue, 27 Apr 1999 09:02:08 -0700
To: Csound
From: Ben McAllister
Subject: RE: Recommended Xenakis?
In-Reply-To: <87E25BFE149AD21194CC00A0C999D9892A79B2@mail2.c-bridge.com>
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I have a Le Chant du Monde/Harmonia Mundi release of Pithoprakta,
Metastasis and Eonta on CD, which I purchased about 5 years ago.. It would
be a shame if these were no longer available -- without having to spend the
big $$ anyway.
LDC 278 368
Hope you can find it!
Ben
>
>Historically, Xenakis' first compositions for orchestra , Metastasis and
>Pithropratka are worth seeking, but they're on LPs or in big bulky bricks
>that cover retrospectives of the major contemporary music festivals
>(Metastatsis is on a 4CD brick on Col Legno, 40 Jahre Donaueschinger
>Musiktage 1950-1990, Col Legno AU-031800).
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To: csound@maths.ex.ac.uk
Subject:
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Reply-To: music-dsp@shoko.calarts.edu
>From: "Dr J.Stevenson's research assistant"
>Subject: Re: [cccp] 5th edition international festival of computer arts
>
>Hmph itz in where Slovienia? Soundz interesting but... geting money
>from NASA for international trips is like pulling teeth
az du = well auare dze un!ted znakex govnmnt =
prov!dez ksch data [aku!rd 4rom prev p!llag!ng] 4 eczterm!nat!on kampa!gnz +
m!l!tar! r!zarch eczkluz!vl!. en fakt 1 ver! portl! zekt!on ov a k a d e m ! a
= zubz!d!szd w!th dze ver! zkope ov k ! l l ! n g + mut!lat!ng
l!f 4rmz !n the "0+3 world"
>>"I'm sorry, did I break your concentration? Oh! You're finished! Well,
>>allow me to retort..."
>> -from _Pulp Fiction_
>
prez!zl!. ma! ! = hav zom tort.
http://www.partisan.net
dupswapdrop: the music-dsp mailing list and website
http://shoko.calarts.edu/~glmrboy/musicdsp/music-dsp.html
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Date: Tue, 27 Apr 1999 11:23:29 -0500
From: Antoine Lefebvre
To: Mailing List
Subject: suggestions
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Hello,
I have to prepare a short presentation on csound that I will made in Montreal in June. I would like to have some example or little compositions that show different characteristic and style of music from csound.
If you have any suggestions, please send it to me by email,
thanks a lot
--
Antoine Lefebvre
antoinelefebvre@softhome.net
http://pages.infinit.net/linux/rocket/rocket.html
http://pages.infinit.net/linux/music/music.html
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Date: Tue, 27 Apr 1999 09:49:26 -0700 (PDT)
From: "Matt J. Ingalls"
To: jpff@maths.bath.ac.uk
cc: csound@maths.ex.ac.uk
Subject: Re: wave file length accurency
In-Reply-To:
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> Or, we could abandon the external sore.srt and use in-memory data
> rather than an external file.
i would vote for this - with a temp.srt file for large
scores that cant fit in memory - and blow away the thing automatically
when done.
-matt
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From: "Matt J. Ingalls"
To: jpff@maths.bath.ac.uk
cc: csound@maths.ex.ac.uk
Subject: Re: wave file length accurency
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> Or, we could abandon the external sore.srt and use in-memory data
> rather than an external file.
i would vote for this - with a temp.srt file for large
scores that cant fit in memory - and blow away the thing automatically
when done.
-matt
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Date: Tue, 27 Apr 1999 11:11:23 +0200
From: Gabriel Maldonado
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To: Andre Bartetzki
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Subject: Re: nsamp() error
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nsamp() works OK with DirectCsound on my computer.
Send me the orc/sco pair to test with.
--
Gabriel Maldonado
http://www.agora.stm.it/G.Maldonado/home2.htm
Andre Bartetzki wrote:
>
> Hello,
>
> has anyone ever used the nsamp() function?
> I want to set the duration of an event to the length of a soundfile in f1
> (GEN01) this way:
>
> p3 = nsamp(1) / sr
>
> but it seems that nsamp is unknown to csound:
>
> -------------------------
> orch compiler:
> 20 lines read
> instr 1
> error: illegal opcod from expr anal, line 10:
> p3 = nsamp(1) / sr
> error: input arg '#i0' used before defined, line 10:
> p3 = nsamp(1) / sr
> 2 syntax errors in orchestra. compilation invalid
> -------------------------
>
> Although nsamp is listed by the -z flag!
>
> I've got this error both with 3.51 (Mills Mac version) and 3.53 (IRIX binary).
>
> What's wrong here?
>
> Andre
>
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From: Anders Andersson
To: The CSound mailinglist
Date: Tue, 27 Apr 1999 19:00:06 +0200
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> I suppose it would be possible to create a version of Csoudn where the
> error messages were in an external file and so could be translated
> into any langauge. It woudl need a translator though!
Wow! If this would be easy, then why not?
It would add a whole lot to the "seriousness" of the program.
Normally, all people that use tools like this use to be quite
good at understanding english, and many of us actually prefer
to use programs in English vs [insert own language her],
but as i wrote.. Why not?
(except for the constant increasing number of sourcefiles,
and the work for ffitch! =)
// Anders
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From: Anders Andersson
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Subject: Re: wave file length accurency (vote)
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> I can think of a couple of ways round this. Perhaps teh simplest
> would be to write the score.srt file in binary rather than characters,
> and so preserve all teh bits. This woudl of course mean that one
> could not guarantee that one could transport the score.srt file to
> another machine -- does anyone actually do that?
> A second approach would be to write ones own printing and reading so
> it would be consistent, but that sounds liek real work!
> Or, we could abandon the external sore.srt and use in-memory data
> rather than an external file.
I vote for the first option. Using a binary score.raw would
both be precise, and would cause a speed-up in both writing
the file, and reading into CSound.
(One could even add an external score.raw->score.srt converter,
so that the sorted score could be translated back to ASCII,
if really neccesary)
// Anders (Optimize! Optimize! :D)
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From: SteinersT1@aol.com
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Date: Tue, 27 Apr 1999 13:57:52 EDT
Subject: hYdraJ on Mac
To: csound@maths.ex.ac.uk
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Hi list,
I tried to test hYdraJ on Mac but after struggling for HOURS with these=20
socalled machines which I don't like from now, I would like to ask how to=20
start java APPLICATIONS on it?
=A7$%!/"(=A7)$!"=A7ARRGGL
Malte
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Date: Tue, 27 Apr 1999 12:46:51 -0600
To: csound@maths.ex.ac.uk
Subject: Re: hYdraJ on Mac
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>Hi list,
hallo SteinersT1@aol.com
>I tried to test hYdraJ on Mac but after struggling for HOURS with these
>socalled machines
o. suposz du =3D konz!dr dze modl c!t!zn pent!um du =3D ut!l!z!ng
1 ztate ov dze art mask!n.
>which I don't like from now,
zupr.klass!f!kat!on =3D kondusz!v 2 progresz. [sol++]
hensz dze kuer! b.lo =3D !relvnt az
!t !=3D helth! 2okup! 1nz t!.me w!th dzat wh!ch 1 !=3D l!ke.
> I would like to ask how to
>start java APPLICATIONS on it?
+ gentl! for HOURS
>=A7$%!/"(=A7)$!"=A7ARRGGL
+ gentl! for HOURS
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Date: Tue, 27 Apr 1999 21:00:31 +0200
From: Gabriel Maldonado
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I think that a text file with the score sorted is very useful
especially when using macros to debug the source.
I also added an 'orc.srt' writing in order to debug orchestra macro
errors.
Maybe the best choice is to use memory to process data, but optionally
show the result of sorting and macro expansion in two text files.
--
Gabriel Maldonado
http://www.agora.stm.it/G.Maldonado/home2.htm
jpff@maths.bath.ac.uk wrote:
>
> Message written at 27 Apr 1999 10:12:54 +0100
> --- Copy of mail to jlemoin@ibm.net ---
>
> Some time back while I was away there was a discussion about
> innaccuracies in the length of time of notes. I have been thinking
> about this a little and I think there is a problem on some platforms
> in the printing of the score.srt and re-reading the numbers. This is
> done with standard C IO routines, and on some implementations these
> seem highly inaccurate.
> I can think of a couple of ways round this. Perhaps teh simplest
> would be to write the score.srt file in binary rather than characters,
> and so preserve all teh bits. This woudl of course mean that one
> could not guarantee that one could transport the score.srt file to
> another machine -- does anyone actually do that?
> A second approach would be to write ones own printing and reading so
> it would be consistent, but that sounds liek real work!
> Or, we could abandon the external sore.srt and use in-memory data
> rather than an external file.
>
> So, any thoughts or recommendations? I am willing to do the coding if
> we have a reasonable consensus on what to do.
>
> ==John ffitch
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From: Gabriel Maldonado
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I think that a text file with the score sorted is very useful
especially when using macros to debug the source.
I also added an 'orc.srt' writing in order to debug orchestra macro
errors.
Maybe the best choice is to use memory to process data, but optionally
show the result of sorting and macro expansion in two text files.
--
Gabriel Maldonado
http://www.agora.stm.it/G.Maldonado/home2.htm
jpff@maths.bath.ac.uk wrote:
>
> Message written at 27 Apr 1999 10:12:54 +0100
> --- Copy of mail to jlemoin@ibm.net ---
>
> Some time back while I was away there was a discussion about
> innaccuracies in the length of time of notes. I have been thinking
> about this a little and I think there is a problem on some platforms
> in the printing of the score.srt and re-reading the numbers. This is
> done with standard C IO routines, and on some implementations these
> seem highly inaccurate.
> I can think of a couple of ways round this. Perhaps teh simplest
> would be to write the score.srt file in binary rather than characters,
> and so preserve all teh bits. This woudl of course mean that one
> could not guarantee that one could transport the score.srt file to
> another machine -- does anyone actually do that?
> A second approach would be to write ones own printing and reading so
> it would be consistent, but that sounds liek real work!
> Or, we could abandon the external sore.srt and use in-memory data
> rather than an external file.
>
> So, any thoughts or recommendations? I am willing to do the coding if
> we have a reasonable consensus on what to do.
>
> ==John ffitch
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From: Kanata Motohashi
To: Csound Mailing List
References:
Subject: Localize to Japanese
Date: Wed, 28 Apr 1999 04:20:25 +0900
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I have not yet understood Csound itself
and am not good at English as you know.
But I would like to translate any part if I can
and his work is possible.
Kanata Motohashi
> I suppose it would be possible to create a version of Csoudn where the
> error messages were in an external file and so could be translated
> into any langauge. It woudl need a translator though!
>
> There is in existence somewhere a document with all the error
> messages that Csoudn could create, at least upto last summer. Would
> such a list help? Probably not
>
> ==John ffitch
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bullshit- the serbs started the bullshit and we (USA) once again has
to come to europe ( this time in the guise of NATO ) and wipe
the anal rectum known as serbia
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To: csound@maths.ex.ac.uk, f1f0@m9ndfukc.com
Subject: Re: Recommended Xenakis? \\ part deux
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funny lil' sig ya got there f1fo @ m9ndfukc . com
how do ya like this one:
See ya
- There are no longer "dancers," the
possesed. The cleavage of men into actors
and spectators is the central fact of
our time We are obsessed with heroes
live for us and whom we punish ...
We have metamorphasized from a mad
body dancing
on hillsides to a pair of eyes
staring in the dark.
-Jim Morrison
- Screw jim and the accountants I'm
gonna webdance the matrix from L5 forever...
-Sean Nelson
do ya like jim morrison's musak/ poetry
ohhhh by the way his dad was a admiral in th US Navy
I too served in the US Navy
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Date: Tue, 27 Apr 1999 21:19:04 +0100
From: Richard Dobson
Organization: Composers Desktop Project
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I always look for a 'both-and' sort of solution to issues like this -
the binary sorted score (or individual events in the same format) would
seem to be just the thing for sending in real-time to a running
orchestra (works very nicely in XTCsound, even as text), with minimum
startup delay from Csound. The score.srt text file is ovbiously useful
too, as is the in-memory option; so hopefully we can have the best of
all worlds (he said, greedily...)?
Richard Dobson
Gabriel Maldonado wrote:
>
> I think that a text file with the score sorted is very useful
> especially when using macros to debug the source.
> I also added an 'orc.srt' writing in order to debug orchestra macro
> errors.
>
> Maybe the best choice is to use memory to process data, but optionally
> show the result of sorting and macro expansion in two text files.
>
--
Test your DAW with my Soundcard Attrition Page!
http://wkweb5.cableinet.co.uk/rwd
CDP homepage: http://www.bath.ac.uk/~masjpf/CDP/CDP.htm
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To: csound@maths.ex.ac.uk
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"Dr J.Stevenson's research assistant"
>bullshit- the serbs started the bullshit and we (USA) once again has
>to come to europe ( this time in the guise of NATO )
glad du = konkur re: `gu!ze ov nato`
> and wipe
>the anal rectum known as serbia
zerta!nl! dze us.fasc!ztz kould rema!n "home" +
w!pe 's bukal or!f!sz
>do ya like jim morrison's musak/ poetry
>ohhhh by the way his dad was a admiral in th US Navy
>I too served in the US Navy
an admiral
+ o. apropoz. j!m mor!sson != ver! fond ov h!z fadzr.
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From: Richard Dobson
Organization: Composers Desktop Project
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Subject: Re: Localization of CSound
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Localized string tables are a natural component of Windows, for just
this task (don't know about other platforms, but I imagine a similar
system is used). It may be easy, but probably somewhat tedious and
time-consuming to do!
One problem may be that to support the non-western alphabets, I presume
that Unicode will need to be used, something I have yet to tackle even
in Windows!
Richard Dobson
Anders Andersson wrote:
>
> > I suppose it would be possible to create a version of Csoudn where the
> > error messages were in an external file and so could be translated
> > into any langauge. It woudl need a translator though!
>
> Wow! If this would be easy, then why not?
> It would add a whole lot to the "seriousness" of the program.
> Normally, all people that use tools like this use to be quite
> good at understanding english, and many of us actually prefer
> to use programs in English vs [insert own language her],
> but as i wrote.. Why not?
> (except for the constant increasing number of sourcefiles,
> and the work for ffitch! =)
>
> // Anders
--
Test your DAW with my Soundcard Attrition Page!
http://wkweb5.cableinet.co.uk/rwd
CDP homepage: http://www.bath.ac.uk/~masjpf/CDP/CDP.htm
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Date: Tue, 27 Apr 1999 15:46:02 -0500
From: pete moss
Organization: pete moss GmbH
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Subject: algo-comp
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awhile back, someone posted about the algo-comp list. i havent been
able to get on to it. is anyone here a member? do you know the address
for subscribing?
pete
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To: csound
Subject: Re: algo-comp
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>awhile back, someone posted about the algo-comp list. i havent been
>able to get on to it. is anyone here a member?
oui. cest formidable.
>do you know the address
>for subscribing?
non.
would walk away
if heroic was perhaps.
perhaps would not.
am locked out.
want in. but have no right.
we are cold out here.
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Date: Tue, 27 Apr 1999 17:17:22 -0400
From: Thomas Hudson
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Richard Dobson wrote:
>
> Localized string tables are a natural component of Windows, for just
> this task (don't know about other platforms, but I imagine a similar
> system is used). It may be easy, but probably somewhat tedious and
> time-consuming to do!
>
If you use "gettext", it can do much of the work for you. It is easier
to use than the string resources in windows, since the original text
is used as a lookup for the translated text. Typically you just have
to use a macros like:
#define _(String) gettext (String)
Thus the programmer doesn't have to deal with resource IDs. It is
also portable between unix and windows (using cygwin, see http://sourceware.cygnus.com/cygwin/).
For a good introduction to using gettext and other i18n issues see http://i44www.info.uni-karlsruhe.de/~drepper/conf96/paper.html
Thomas
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Date: Tue, 27 Apr 1999 16:09:57 -0600
To: meter@flicker.dk
Cc: time , 7-11 <7-11@mila.ljudmila.org>,
Rhizome , olala Paris ,
FLUXLIST@fluxus.org, flash art , jesis@xs4all.nl,
n5m , i22@test.at, gatekeeper@hell.com,
sp@ost.farmersmanual.co.at, soundhack@shoko.calarts.edu,
keinmensch , csound@maths.ex.ac.uk,
music-dsp@shoko.calarts.edu, essl@eunet.at, pd-list@iem.mhsg.ac.at,
extreme@topica.com
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http://www.serbia-info.com/news/1999-04/27/11335.html
the "humanitarian assistance"
of american + nato fascists
hallo. jankee c!t!zn. dze fasc!zt jankee med!a = announszd jas +?
du = well !nformd jas +? naziz < jankeez
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Date: Tue, 27 Apr 99 22:51:56 BST
From: J P Fitch
To: Thomas Hudson
cc: The CSound mailinglist
Subject: Re: Localization of CSound
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yes it may be easy in MSVC but that is not teh problem. We have a multi-platform
multi-compiler system. It must remain ANSI C and not dependent on random
extentions.
==John#
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To: meter@flicker.dk
Cc: time , 7-11 <7-11@mila.ljudmila.org>,
Rhizome , olala Paris ,
FLUXLIST@fluxus.org, flash art , jesis@xs4all.nl,
n5m , i22@test.at, gatekeeper@hell.com,
sp@ost.farmersmanual.co.at, soundhack@shoko.calarts.edu,
keinmensch , csound@maths.ex.ac.uk,
music-dsp@shoko.calarts.edu, essl@eunet.at, pd-list@iem.mhsg.ac.at,
extreme@topica.com
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http://www.serbia-info.com/news/1999-04/27/11335.html
the "humanitarian assistance"
of american + nato fascists
hallo. jankee c!t!zn. dze fasc!zt jankee med!a = announszd jas +?
du = well !nformd jas +? naziz < jankeez
dupswapdrop: the music-dsp mailing list and website
http://shoko.calarts.edu/~glmrboy/musicdsp/music-dsp.html
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From: "Dr J.Stevenson's research assistant"
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yep jim morrison hated his father... in an interview he
even said that he wuz dead ( falsely )... jim was a cool strange
member of the 27 club...
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From: Thomas Hudson
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J P Fitch wrote:
>
> yes it may be easy in MSVC but that is not teh problem. We have a multi-platform
> multi-compiler system. It must remain ANSI C and not dependent on random
> extentions.
> ==John#
The solution I was suggesting is the GNU gettext system. I'd be the last person
on earth to suggest an M$VC "solution."
gettext and friends runs on every ANSI C platform. The source is freely
available, and probably already exists on most unix platforms and Be (since it
is glibc based). With cygwin it is available on non-standard platforms like windows
and could be adapted to others.
Since it conforms to Posix, I would hardly consider it a random extension.
It is the standard for i18n efforts on all open OS's.
Thomas
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From: Thomas Hudson
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J P Fitch wrote:
>
> yes it may be easy in MSVC but that is not teh problem. We have a multi-platform
> multi-compiler system. It must remain ANSI C and not dependent on random
> extentions.
> ==John#
The solution I was suggesting is the GNU gettext system. I'd be the last person
on earth to suggest an M$VC "solution."
gettext and friends runs on every ANSI C platform. The source is freely
available, and probably already exists on most unix platforms and Be (since it
is glibc based). With cygwin it is available on non-standard platforms like windows
and could be adapted to others.
Since it conforms to Posix, I would hardly consider it a random extension.
It is the standard for i18n efforts on all open OS's.
Thomas
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From: rasmus ekman
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Sean Costello wrote:
>
> Better yet, is there a distribution of the source code in which the
> project file is the one that is actually USED to create the current
> Winsound binary? I had over 100 errors the first time I tried to
> compile it.
A while ago I added a section about possible causes for link errors
in the "adding modules to csound" topic of the winhlp file.
It may or may not help. Did you use the distributed MsDev project
file (consound.mdp / winsound.mdp)? - I thought they were updated
for version 3.53 so they compile straight out of the zip.
Didn't know about the MEMDEBUG macro, will update for next
version. Probably more misses like it, but you may get a start.
re
oh, it's at the Bath server, in Winsound.zip and separately,
or at http://hem.passagen.se/rasmuse/Csound.htm
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From: Patrick Pagano
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Subject: Delay stuff again
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hi folks
found this simple delay on the front page
can someone explain a proper sco for me
; Delay -- Simple Delay
instr 10
idur = p3
idtime = p4/1000; i would like this to be 5 seconds (at least)
igain = p5 ; i am not sure about this one
iinch = p6 ; this is new to me
ioutch = p7; as is this
ain zar iinch ; Read the channel ; should the channel
remain the same? do i need zar to read the delay??
aout delay ain, idtime ; Delay for time;;;;;;can i change ain to a
simple oscil??
zaw aout, ioutch ; Output the channel ;;;;;;;do i need the
iinch and the ioutch??
endin
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Subject: Re: wave file length accurency
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I think the score sort should be internal and binary. I also think that the
score should be translated into on events and off events, and that MIDI
events also would go into this sort in temporal order. That way, the MIDI
notes and the score notes could be handled the same way by the opcodes. In
other words, regular "i" statements would come in through the MIDI opcodes
in addition to the normal procedure. This would enable instrument designers
to leverage their work for both real-time and non-real-time purposes.
For this to work, the "on" event would contain all the information of the
"i" statement or current srt file, and the "off" event would be
substantially identical except that it would have an "o" opcode or something
like that, and no duration.
I think the format of the srt file should be changed to accomodate this
approach, but the "i" statement format need not be changed. Perhaps there
could be an additional score opcode "m" denoting use of the srt format
directly in the score.
-----Original Message-----
From: jpff@maths.bath.ac.uk
To: csound@maths.ex.ac.uk
Date: Tuesday, April 27, 1999 8:19 AM
Subject: Re: wave file length accurency
>Message written at 27 Apr 1999 10:12:54 +0100
>--- Copy of mail to jlemoin@ibm.net ---
>
>Some time back while I was away there was a discussion about
>innaccuracies in the length of time of notes. I have been thinking
>about this a little and I think there is a problem on some platforms
>in the printing of the score.srt and re-reading the numbers. This is
>done with standard C IO routines, and on some implementations these
>seem highly inaccurate.
> I can think of a couple of ways round this. Perhaps teh simplest
>would be to write the score.srt file in binary rather than characters,
>and so preserve all teh bits. This woudl of course mean that one
>could not guarantee that one could transport the score.srt file to
>another machine -- does anyone actually do that?
> A second approach would be to write ones own printing and reading so
>it would be consistent, but that sounds liek real work!
> Or, we could abandon the external sore.srt and use in-memory data
>rather than an external file.
>
>So, any thoughts or recommendations? I am willing to do the coding if
>we have a reasonable consensus on what to do.
>
>==John ffitch
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From: Michael Gogins
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Subject: Re: wave file length accurency
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I think the score sort should be internal and binary. I also think that the
score should be translated into on events and off events, and that MIDI
events also would go into this sort in temporal order. That way, the MIDI
notes and the score notes could be handled the same way by the opcodes. In
other words, regular "i" statements would come in through the MIDI opcodes
in addition to the normal procedure. This would enable instrument designers
to leverage their work for both real-time and non-real-time purposes.
For this to work, the "on" event would contain all the information of the
"i" statement or current srt file, and the "off" event would be
substantially identical except that it would have an "o" opcode or something
like that, and no duration.
I think the format of the srt file should be changed to accomodate this
approach, but the "i" statement format need not be changed. Perhaps there
could be an additional score opcode "m" denoting use of the srt format
directly in the score.
-----Original Message-----
From: jpff@maths.bath.ac.uk
To: csound@maths.ex.ac.uk
Date: Tuesday, April 27, 1999 8:19 AM
Subject: Re: wave file length accurency
>Message written at 27 Apr 1999 10:12:54 +0100
>--- Copy of mail to jlemoin@ibm.net ---
>
>Some time back while I was away there was a discussion about
>innaccuracies in the length of time of notes. I have been thinking
>about this a little and I think there is a problem on some platforms
>in the printing of the score.srt and re-reading the numbers. This is
>done with standard C IO routines, and on some implementations these
>seem highly inaccurate.
> I can think of a couple of ways round this. Perhaps teh simplest
>would be to write the score.srt file in binary rather than characters,
>and so preserve all teh bits. This woudl of course mean that one
>could not guarantee that one could transport the score.srt file to
>another machine -- does anyone actually do that?
> A second approach would be to write ones own printing and reading so
>it would be consistent, but that sounds liek real work!
> Or, we could abandon the external sore.srt and use in-memory data
>rather than an external file.
>
>So, any thoughts or recommendations? I am willing to do the coding if
>we have a reasonable consensus on what to do.
>
>==John ffitch
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From: Hans Mikelson
To: Csound
Subject: Another Delay Example
Date: Tue, 27 Apr 1999 22:47:43 -0500
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Hi,
Here is a bit of noise with a delay example mostly for Pat's benefit.
Hope this works,
Hans Mikelson
; ORCHESTRA
sr = 44100 ; Sample rate
kr = 22050 ; Control rate
ksmps = 2 ; Samples per control period
nchnls = 2 ; Number of channels = stereo
gaol init 0 ; Initialize the global variable for the left channel
gaor init 0 ; Initialie right global
instr 5
idur = p3 ; Duration
iamp = p4 ; Amplitude
ifqc = cpspch(p5) ; Convert pitch to frequency
ie1 = p6 ; Envelope 1 table
ie2 = p7 ; Envelope 2 table
ipanl = sqrt(p8) ; Equal power panning left
ipanr = sqrt(1-p8) ; Equal power panning right
kenv1 oscil 1, 1/idur, ie1 ; Use 1/idur trick to make a flexible envelope
kenv2 oscil 1, 1/idur, ie2 ; Do it again.
aamp linseg 0, .01, iamp, idur-.02, iamp, .005, 0, .005, 0 ; Declick
; be sure to leave it at zero a
; while at the end to
; avoid DC offset in the delay
; loop
aamp2 expseg .5, idur-.01, 1, .01, .1 ; Amplitude envelope, fade in
slow
; fade out fast.
achy cauchy kenv1 ; Cauchy random number generator
; Env1 controls the distribution
aout oscil 1, (achy+1)*ifqc*kenv2, 1 ; Frequency modulation by Cauchy
; Env2 controls FM amount
aol = aout*aamp*aamp2*ipanl ; Left out signal with pan
aor = aout*aamp*aamp2*ipanr ; Right out signal with pan
gaol = gaol+aol ; Accumlate in the globals
gaor = gaor+aor ; so polyphony is handled.
outs aol, aor ; Stereo out
endin
instr 50 ; Delay instrument
idur = p3 ; Duration
igainl = p4 ; Left feedback gain
itiml = p5 ; Left delay time
ifcol = p6 ; Left low frequency cut off
igainr = p7 ; Ditto for right side
itimr = p8
ifcor = p9
afltl init 0 ; Must initialize the loop back for
afltr init 0 ; delay feedback
aamp linseg 0, .005, 1, idur-.01, 1, .005, 0 ; Declick is needed here too
adell delay (gaol+afltl)*igainl, itiml ; Delay the global signals and
adelr delay (gaor+afltr)*igainr, itimr ; feedback the filtered signal
afltl butterlp adell, ifcol ; Low pass filter for mellower echo
afltr butterlp adelr, ifcor
gaol = 0 ; Zero out the globals so they don't blow up
gaor = 0
outs adell*aamp, adelr*aamp ; Declick and output
endin
; SCORE
f1 0 65536 10 1 ; High resolution sine wave
f6 0 1024 -5 .01 1024 100000 ; Controls width of random distribution
f7 0 1024 -5 1 1024 12 ; Pitch bend
; Sta Dur Amp Pitch Env1 Env2 Pan
i5 .00 .2 12000 6.00 6 7 .5
i5 .02 .4 . 6.01 6 7 .1
i5 .04 .6 . 6.02 6 7 .8
i5 .06 .8 . 6.03 6 7 .4
i5 2.00 .2 10000 7.00 6 7 .5
i5 2.02 .4 . 7.01 6 7 .1
i5 2.04 .6 . 7.02 6 7 .8
i5 2.06 .8 . 7.03 6 7 .4
i5 3.00 .1 8000 7.09 6 7 .5
i5 3.03 .4 . 7.05 6 7 .1
i5 3.05 .4 . 7.11 6 7 .8
i5 3.09 .9 . 8.04 6 7 .4
i5 3.20 .2 8000 6.00 6 7 .5
i5 3.32 1.4 . 5.01 6 7 .1
i5 3.44 .6 . 6.02 6 7 .8
i5 3.56 .8 . 7.03 6 7 .4
i5 3.60 1.5 7000 9.00 6 7 .5
i5 3.72 .8 . 7.01 6 7 .1
i5 3.94 .6 . 6.02 6 7 .8
i5 4.26 .2 . 7.03 6 7 .4
; Sta Dur FeedBk Time Fco FeedBk Time Fco
i50 0 6 .32 .20 700 .30 .21 720
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Message-ID: <283AABB8FD0DD21187C200A0C995F5DE0ECFC8@neptune.lyrick.com>
From: David Boothe
To: 'Patrick Pagano'
Cc: 'Csound'
Subject: RE: Delay stuff again
Date: Tue, 27 Apr 1999 22:41:29 -0500
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Pat-
Looks like this instr way have been part of a larger orchestra. zak opcodes
(such as zar & zaw) are used for routing & patching signals - rather like
patchcords or busses on a mix console. No real need for them in a simple
instrument, but they would be helpful to do recirculatating delays and other
more complex stuff.
Try the following orch/sco. It has 2 delay lines - a simple one (instr 101)
and one with an additional tap (instr 102). You can add more deltap outputs
if you want. Watch out for line wrapping in this example.
BTW, if you haven't already, you might go through a tutorial or two. Richard
Boulanger's is availbale in the pdf supplement (among other places) and the
orch/sco sets can be downloaded and run. Go to:
http://web2.airmail.net/dboothe/download.htm and get the Supplement. Link to
the zipped orc/scos there also.
Hope this helps.
-David.
;==============================================================
;dlaydemo.orc - demonstrates delay with a swept oscil
sr = 44100
kr = 4410
ksmps = 10
nchnls = 2
;gaSend is the input to the delay line instr
gaSend init 0 ;we want initialized clean
instr 01 ;a simple oscil instrument -----------------------------
idur = p3 ;duration of note
iamp = p4 ;amplitude of oscil
istrt = p5 ;start freq of oscil sweep
iend = p6 ;end freq of oscil sweep
igate = .05 ;gate times for linen
ifn = 1 ;function table for sine
aSweep line istrt, idur, iend ;generate sweep control sig
aSig oscil iamp, aSweep, ifn ;generate swept sine tone
aDir linen aSig, igate, idur, igate ; de-click
gaSend = aDir
outs1 aDir ;direct sound out the left channel
endin
instr 101 ; simple delay line ---------------------------------
idlatim = p4 ;p4 determines the delay time
aDelay delay gaSend, idlatim ;delay it
outs2 aDelay ;delayed sound out the right channel
endin
instr 102 ; delay line with one tap ------------------------------------
igain = p4 ;gain of final delay out relative to tap
itap1 = p5 ;p5 is delay time of tap
idlatim = p6 ;p6 determines the final delay time
aDelay delayr idlatim ;final delay
aTap deltap itap1 ;delay tap
delayw gaSend ;delay line input
aMix = aTap+(aDelay*igain)
outs2 aMix ;delayed sound out the right channel
endin
;====================================================================
;dlaydemo.sco - let's hear it
f1 0 16384 10 1 ;simple sine
;p1 p2 p3 p4 p5 p6
i101 0 26 5 ;initialize the delay line
i1 0 20 10000 100 1000 ;play a note
i102 30 26 .75 2.5 5 ;initialize tapped delay line
i1 30 20 7000 1000 100 ;play a note
e
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From: Hans Mikelson
To: Csound List
Subject: Re: Delay stuff again
Date: Tue, 27 Apr 1999 23:05:17 -0500
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>hi folks
>found this simple delay on the front page
>can someone explain a proper sco for me
>; Delay -- Simple Delay
> instr 10
>
>idur = p3
>idtime = p4/1000; i would like this to be 5 seconds (at least)
>igain = p5 ; i am not sure about this one
>iinch = p6 ; this is new to me
>ioutch = p7; as is this
>
>ain zar iinch ; Read the channel ; should the channel
>remain the same? do i need zar to read the delay??
>aout delay ain, idtime ; Delay for time;;;;;;can i change ain to a
>simple oscil??
> zaw aout, ioutch ; Output the channel ;;;;;;;do i need the
>iinch and the ioutch??
>
> endin
The zak channels allow very flexible routing but for the beginner it may be
easier to use global variables.
ain zar iinch
The iinch must be written to before you can read from it presumably in some
other instrument. I think the instrument number must be lower than the
instrument the zak read is done in.
idtime = p4/1000
This is assuming the delay times will be in milisconds in the score. For
five seconds you would need some thing like:
; Sta Dur Amp Pitch OutputCh
i1 0 1 10000 8.00 1
; Sta Dur DelayTime Feedback InputCh OutputCh
i10 0 10 5000 .5 1 2
; Sta Dur InputCh
i20 0 10 2
Two additional instrument would be required to use this delay. i1 would
generate a signal and write to zak channel 1. The delay reads from zak
channel 1 and outputs to zak channel 2. i20 would have to read from zak
channel 2 and likely generate some type of output possibly using outs.
Good luck,
Hans Mikelson
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Going back through the archives, I see no mention of this opcode in any
significant way. Has anyone even USED wgflute before for anything
significant? Please feel free to contact me directly, without posting
it to the whole list.
--
Jeremy Bowers
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Date: Wed, 28 Apr 1999 08:26:46 +0200
From: Francisco Vila Doncel
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Subject: Impulse response and archives
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I would like to find some impulse response files from various rooms for
convolution, which were mentioned long ago in this list.
The mailing list archives do not contain any messages, where can i find them?
Thanks,
--
Francisco Vila. Badajoz (Spain)
E-mail: fravd@ctv.es
http://www.ctv.es/USERS/fravd
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From: Mikael Hillborg
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Subject: Digest please
References: <3724F885.961DC18D@seanet.com> <372651E1.7243@hem.passagen.se>
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I'm on many other mailing lists that all offer a digest subscription.
As far as I can see, there's no digest version of this csound list.
Or am I wrong ? I think there's a *big* need for a digest version of
this list now (you know why). Please, can someone involved more than
me fix this ?
/Mikael
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From: Gabriel Maldonado
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To: Andre Bartetzki
CC: Csound Mailing List
Subject: Re: nsamp() error
References: <3724E1A8.250391F7@berlin.snafu.de> <37257F3B.55247CF9@agora.stm.it> <372636E4.B6C2AC05@berlin.snafu.de>
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Maybe the bug-fixed version isn't uploaded to the internet yet. I will
upload it as soon as I can.
Gab
Andre Bartetzki wrote:
>=20
> I=B4ve tested it with ftlen() instead of nsamp() and a power-of-two tab=
le and it
> has worked!
> So there is no need for further testing. I have to wait for the new com=
piled
> binaries ...
>=20
> Thanks
>=20
> Andre
>
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From: David Boothe
To: "'fravd@ctv.es'"
Cc: 'Csound'
Subject: RE: Impulse response and archives
Date: Wed, 28 Apr 1999 01:54:49 -0500
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Two impulse response sites I know of:
http://pcfarina.eng.unipr.it/Public/Convolution/
http://wwwvms.utexas.edu/~fredrics/isrc.html
-David.
> -----Original Message-----
> From: Francisco Vila Doncel [mailto:fravd@ctv.es]
> Sent: Wednesday, April 28, 1999 1:27 AM
> Cc: csound mailing list
> Subject: Impulse response and archives
>
>
> I would like to find some impulse response files from various
> rooms for
> convolution, which were mentioned long ago in this list.
>
> The mailing list archives do not contain any messages, where
> can i find them?
>
> Thanks,
> --
> Francisco Vila. Badajoz (Spain)
> E-mail: fravd@ctv.es
> http://www.ctv.es/USERS/fravd
>
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Date: Wed, 28 Apr 1999 01:34:06 -0600
To: csound
Subject: Re: Digest please
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>I'm on many other mailing lists that all offer a digest subscription.
>As far as I can see, there's no digest version of this csound list.
>Or am I wrong ? I think there's a *big* need for a digest version of
>this list now (you know why). Please, can someone involved more than
>me fix this ?
>
>/Mikael
prez!zl!. u kno wh!.
rekuezt dze jankee fasc!zt !nvaz!on 2 ztop.
!nzted ov rekuezt!ng 1 d!gezt.
!t > moral > elokuent
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Date: Wed, 28 Apr 1999 01:52:03 -0600
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tzor!. = feel com ca. Please, can someone involved more help fix this ?
>>I'm on many other mailing lists that all offer a digest subscription.
>>As far as I can see, there's no digest version of this csound list.
>>Or am I wrong ? I think there's a *big* need for a digest version of
>>this list now (you know why). Please, can someone involved more than
>>me fix this ?
>>
>>/Mikael
>
>
>prez!zl!. u kno wh!.
>
>rekuezt dze jankee fasc!zt !nvaz!on 2 ztop.
>!nzted ov rekuezt!ng 1 d!gezt.
>!t > moral > elokuent
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From: SteinersT1@aol.com
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Message-ID: <36cee1b6.24584a59@aol.com>
Date: Wed, 28 Apr 1999 07:26:17 EDT
Subject: hTools tip
To: csound@maths.ex.ac.uk
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Hello,
when you want to use hYdraJ and the commandoline tools together (but anyway,
the tools gives you the same functions avaliable in the GUI version), please
DON't extract them to the same directory, because hTools overwrite some
important classes. Different folders should work, I will fix this in the
forthcomming final release of hTools.
Greetings,
Malte Steiner
---------------------------
Electronic Industrial Music
www.block4.com ____________ |