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Subject: BOUNCE Csound: Non-member submission from ["Nathan Day" ]

>From nathand@senet.com.au Sun Aug  3 13:55:55 1997 remote from 
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Subject: DSP Mailing List
From: "Nathan Day" 
To: "CSound Mailing List" 
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Does anybody know the address of any Mailing List about DSP
Programming, I sure someone on this list has already mentioned of one,
but I've looked through all the mail I've kept and can't find it.


Nathan Day

nathand@senet.com.au


-- 
James Andrews, maths CDO, ext.3977











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owner-csound-outgoing wrote
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Subject: BOUNCE Csound: Non-member submission from [Tim Thompson ]

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From: Tim Thompson 
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To: rackl@csc-sun.math.utah.edu
Cc: csound
Subject: Re: Musical Languages BOF at Conference for Domain-Specific Languages




> Excuse my ignorance, what is SAOL?
> Pointers?

SAOL (Structured Audio Orchestra Language), submitted to be a standard
part of MPEG-4.  See

	http://www.maths.ex.ac.uk/~james/csound_list/0134.html

for a good overall description.    ...Tim...


-- 
James Andrews, maths CDO, ext.3977











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Subject: Organised Sound: CALL FOR PAPERS
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                            Organised Sound
              An International Journal of Music and Technology

		CALL FOR PAPERS

Volume 2, Number 3
Issue thematic title: Analysis and Synthesis
Date of Publication: December 1997
Publishers: Cambridge University Press

Articles to be considered for publication in the named issue are now invited.

Analysis and Synthesis

The Editors of Organised Sound are seeking papers relating to
musical/multimedia applications of technology. Articles for submission can
fall into four categories: Tutorial articles - focusing upon aspects of
either music, technology or techniques that are intended for reference and
tutorial purposes; Student papers - short articles highlighting the work of
young researchers and composers; Themed articles - related to any aspect of
an issue's theme, or general articles about compositional approaches and/or
technical matters arising from the application of technology to music.
Articles relating to the theme of a particular issue normally represent
about 40% of its content. Organised Sound also accepts music-only
submissions for publication on its annual CD.

We are seeking themed submissions for Vol.2 No.3 relating to any aspect
of analysis and/or synthesis. Articles on synthesis or re-synthesis
techniques, the analysis of musical works, the synthesis of
compositional techniques, sound/acoustic analysis and representation
and the results of synthesising different media will be amongst the
areas considered for publication.

TIMETABLE for SUBMISSIONS

Articles and other material for the editors' consideration should be
submitted by 21/9/97. If submitted in hard copy, three copies should be
posted to:

	The Editors,
	Organised Sound,
	Department of Music,
	University of York,
	Heslington,
	YORK YO1 5DD

EMail submissions should be mailed to:

	os@cage.york.ac.uk

Notes for Contributors can be obtained from the Editors or from the
Organised Sound Web site:

http://www.cup.cam.ac.uk/Journals/JNLSCAT/oso/oso.html

Co-Editors: Ross Kirk, Leigh Landy, Tony Myatt, Richard Orton.
Corresponding Editors:
	Lelio Camilleri, Daniel Oppenheim, Miller Puckette, Barry Truax,
	David Worrall.
International Advisory Board:
	Francois Bayle, Marc Battier, Peter Castine, Alcedo Coenen,
	Francis Dhomont,Simon Emmerson, Rajmil Fischman, Takayuki Rai,
	Jean-Claude Risset, Francis Rumsey, John Rimmer, Conrado Silva,
	Christiane Ten-Hoopen, Daniel Teruggi, Jukka Tiensuu,
	Trevor Wishart, Scott Wyatt, Iannis Xenakis.

General Aims of Organised Sound

This journal is intended for student, amateur and professional musicians,
musicologists, engineers and members of the public interested in the
application of computers to music. It features papers relating to any
musical activity using computers, and any engineering activity that has
a demonstrable musical aim. Other audio arts, such as multi-media works
or sound sculptures are included. It also provides a focus for engineers
who are involved in the development of musical tools. Each issue will
comprise approximately 60% of its article content to a named theme.

The editors have formulated the following broad aims:

-	To provide a platform for musical and related technological discussion
-	To further the dialogue between engineers and musicians.
-	To provide tutorial texts for students of computer music.
-	To disseminate musical material through the production of a compact
disk related to articles contained in the journal (one per annum).
-	To encourage musical uses of multi-media.
-	To encourage (young) specialists in the field to publish and share
	   the results of their work.












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                            Organised Sound
              An International Journal of Music and Technology

		CALL FOR PAPERS

Volume 2, Number 3
Issue thematic title: Analysis and Synthesis
Date of Publication: December 1997
Publishers: Cambridge University Press

Articles to be considered for publication in the named issue are now invited.

Analysis and Synthesis

The Editors of Organised Sound are seeking papers relating to
musical/multimedia applications of technology. Articles for submission can
fall into four categories: Tutorial articles - focusing upon aspects of
either music, technology or techniques that are intended for reference and
tutorial purposes; Student papers - short articles highlighting the work of
young researchers and composers; Themed articles - related to any aspect of
an issue's theme, or general articles about compositional approaches and/or
technical matters arising from the application of technology to music.
Articles relating to the theme of a particular issue normally represent
about 40% of its content. Organised Sound also accepts music-only
submissions for publication on its annual CD.

We are seeking themed submissions for Vol.2 No.3 relating to any aspect
of analysis and/or synthesis. Articles on synthesis or re-synthesis
techniques, the analysis of musical works, the synthesis of
compositional techniques, sound/acoustic analysis and representation
and the results of synthesising different media will be amongst the
areas considered for publication.

TIMETABLE for SUBMISSIONS

Articles and other material for the editors' consideration should be
submitted by 21/9/97. If submitted in hard copy, three copies should be
posted to:

	The Editors,
	Organised Sound,
	Department of Music,
	University of York,
	Heslington,
	YORK YO1 5DD

EMail submissions should be mailed to:

	os@cage.york.ac.uk

Notes for Contributors can be obtained from the Editors or from the
Organised Sound Web site:

http://www.cup.cam.ac.uk/Journals/JNLSCAT/oso/oso.html

Co-Editors: Ross Kirk, Leigh Landy, Tony Myatt, Richard Orton.
Corresponding Editors:
	Lelio Camilleri, Daniel Oppenheim, Miller Puckette, Barry Truax,
	David Worrall.
International Advisory Board:
	Francois Bayle, Marc Battier, Peter Castine, Alcedo Coenen,
	Francis Dhomont,Simon Emmerson, Rajmil Fischman, Takayuki Rai,
	Jean-Claude Risset, Francis Rumsey, John Rimmer, Conrado Silva,
	Christiane Ten-Hoopen, Daniel Teruggi, Jukka Tiensuu,
	Trevor Wishart, Scott Wyatt, Iannis Xenakis.

General Aims of Organised Sound

This journal is intended for student, amateur and professional musicians,
musicologists, engineers and members of the public interested in the
application of computers to music. It features papers relating to any
musical activity using computers, and any engineering activity that has
a demonstrable musical aim. Other audio arts, such as multi-media works
or sound sculptures are included. It also provides a focus for engineers
who are involved in the development of musical tools. Each issue will
comprise approximately 60% of its article content to a named theme.

The editors have formulated the following broad aims:

-	To provide a platform for musical and related technological discussion
-	To further the dialogue between engineers and musicians.
-	To provide tutorial texts for students of computer music.
-	To disseminate musical material through the production of a compact
disk related to articles contained in the journal (one per annum).
-	To encourage musical uses of multi-media.
-	To encourage (young) specialists in the field to publish and share
	   the results of their work.












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Subject: music-dsp;  was Re: BOUNCE Csound: Non-member submission from A"Nathan Day" A (fwd)
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> Does anybody know the address of any Mailing List about DSP
> Programming, I sure someone on this list has already mentioned of one,
> but I've looked through all the mail I've kept and can't find it.
> 
> 
> Nathan Day
> 
> nathand@senet.com.au

There's Music-DSP:  listproc@shoko.calarts.edu and


-- 
-Jarno
                        My feet, my arms and my ears---and---your beat











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From: james@maths.ex.ac.uk
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Subject: Re: DSP Mailing List (fwd)
To: csound@maths.ex.ac.uk
Date: Tue, 5 Aug 1997 09:14:36 +0100 (BST)
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douglas irving repetto wrote
>From glmrboy@shoko.calarts.edu Mon Aug  4 18:32:46 1997
Message-Id: 
In-Reply-To: <6487.199708041258@zeno.maths.exeter.ac.uk>
Mime-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Date: Mon, 4 Aug 1997 10:47:29 -0700
To: james
From: douglas irving repetto 
Subject: Re: DSP Mailing List

hi!

there's a list called music-dsp.  it's pretty low-volume, but has lots of
helpful people on it if you have a question or idea.  to subscribe:

send mail to listproc@shoko.calarts.edu

with

subscribe music-dsp your name

as the body of the message.  for more info go to:

http://shoko.calarts.edu/~glmrboy/musicdsp/

take care,
douglas

>
>Does anybody know the address of any Mailing List about DSP
>Programming, I sure someone on this list has already mentioned of one,
>but I've looked through all the mail I've kept and can't find it.
>
>
>Nathan Day
>
>nathand@senet.com.au
>
>



douglas irving repetto  (a.k.a. irving bellemead)


mailto:glmrboy@music.calarts.edu
http://shoko.calarts.edu/~glmrboy
music-dsp website:
http://shoko.calarts.edu/~glmrboy/musicdsp

***************************
HE MEANT A DOG'S FACE.
I guess a dog can be said to have a face.
THE FACE OF A DOG.
		-robert ashley
***************************



-- 
James Andrews, maths CDO, ext.3977











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owner-csound-outgoing wrote
>From owner-csound-outgoing Mon Aug  4 17:47:47 1997
From: owner-csound-outgoing
Date: Mon, 4 Aug 97 17:47:47 GMT
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Subject: BOUNCE Csound: Non-member submission from [Eric Scheirer ]

>From eds@media.mit.edu Mon Aug  4 18:47:42 1997 remote from 
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Subject: Re: BOUNCE Csound: Non-member submission from [Tim Thompson
  ] (fwd)
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At 02:03 PM 8/4/97 +0100, Tim wrote:
>> Excuse my ignorance, what is SAOL?
>> Pointers?
>
>SAOL (Structured Audio Orchestra Language), submitted to be a standard
>part of MPEG-4.  See
>
>	http://www.maths.ex.ac.uk/~james/csound_list/0134.html

For those interested, there's now a (slow) implementation of SAOL available
with about 90% functionality.  It's been successfully run on at least
SGI, NT, Win95, Alpha, Sun, and Linux platforms.

Please see the SAOL WWW page for more details; I don't want to fill up
the Csound list with SAOL discussion.

The SAOL WWW page: 

 -- Eric


-- 
James Andrews, maths CDO, ext.3977











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owner-csound-outgoing wrote
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Subject: BOUNCE Csound: Non-member submission from [Eli Brandt ]

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From: Eli Brandt 
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This is not strictly on-topic, but I figure somebody here has likely
looked at this problem...

The difference between the direct and ground-bounce paths is:
        sqrt(x^2 + (y+y_ear)^2) - sqrt(x^2 + (y-y_ear)^2)
but this is numerically unstable.  Squaring and juggling and squaring
and juggling resulted in a marker-fume headache and yet another unstable
form.  Has anybody got a stable way to calculate or approximate this?
(Approximate for x comparable to y, that is -- the extremes are easy
enough.)

thanks,
-- 
     Eli Brandt  |  eli+@cs.cmu.edu  |  http://www.cs.cmu.edu/~eli/


-- 
James Andrews, maths CDO, ext.3977











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Subject: Organised Sound: CALL FOR PAPERS
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                            Organised Sound
              An International Journal of Music and Technology

		CALL FOR PAPERS

Volume 2, Number 3
Issue thematic title: Analysis and Synthesis
Date of Publication: December 1997
Publishers: Cambridge University Press

Articles to be considered for publication in the named issue are now invited.

Analysis and Synthesis

The Editors of Organised Sound are seeking papers relating to
musical/multimedia applications of technology. Articles for submission can
fall into four categories: Tutorial articles - focusing upon aspects of
either music, technology or techniques that are intended for reference and
tutorial purposes; Student papers - short articles highlighting the work of
young researchers and composers; Themed articles - related to any aspect of
an issue's theme, or general articles about compositional approaches and/or
technical matters arising from the application of technology to music.
Articles relating to the theme of a particular issue normally represent
about 40% of its content. Organised Sound also accepts music-only
submissions for publication on its annual CD.

We are seeking themed submissions for Vol.2 No.3 relating to any aspect
of analysis and/or synthesis. Articles on synthesis or re-synthesis
techniques, the analysis of musical works, the synthesis of
compositional techniques, sound/acoustic analysis and representation
and the results of synthesising different media will be amongst the
areas considered for publication.

TIMETABLE for SUBMISSIONS

Articles and other material for the editors' consideration should be
submitted by 21/9/97. If submitted in hard copy, three copies should be
posted to:

	The Editors,
	Organised Sound,
	Department of Music,
	University of York,
	Heslington,
	YORK YO1 5DD

EMail submissions should be mailed to:

	os@cage.york.ac.uk

Notes for Contributors can be obtained from the Editors or from the
Organised Sound Web site:

http://www.cup.cam.ac.uk/Journals/JNLSCAT/oso/oso.html

Co-Editors: Ross Kirk, Leigh Landy, Tony Myatt, Richard Orton.
Corresponding Editors:
	Lelio Camilleri, Daniel Oppenheim, Miller Puckette, Barry Truax,
	David Worrall.
International Advisory Board:
	Francois Bayle, Marc Battier, Peter Castine, Alcedo Coenen,
	Francis Dhomont,Simon Emmerson, Rajmil Fischman, Takayuki Rai,
	Jean-Claude Risset, Francis Rumsey, John Rimmer, Conrado Silva,
	Christiane Ten-Hoopen, Daniel Teruggi, Jukka Tiensuu,
	Trevor Wishart, Scott Wyatt, Iannis Xenakis.

General Aims of Organised Sound

This journal is intended for student, amateur and professional musicians,
musicologists, engineers and members of the public interested in the
application of computers to music. It features papers relating to any
musical activity using computers, and any engineering activity that has
a demonstrable musical aim. Other audio arts, such as multi-media works
or sound sculptures are included. It also provides a focus for engineers
who are involved in the development of musical tools. Each issue will
comprise approximately 60% of its article content to a named theme.

The editors have formulated the following broad aims:

-	To provide a platform for musical and related technological discussion
-	To further the dialogue between engineers and musicians.
-	To provide tutorial texts for students of computer music.
-	To disseminate musical material through the production of a compact
disk related to articles contained in the journal (one per annum).
-	To encourage musical uses of multi-media.
-	To encourage (young) specialists in the field to publish and share
	   the results of their work.




-- 
James Andrews, maths CDO, ext.3977