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Subject: BOUNCE Csound: Non-member submission from [joeltaylor@earthlink.net (joel taylor)]
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From: joeltaylor@earthlink.net (joel taylor)
Subject: job listing for iEAR studio assistant engineer
The iEAR studios at Rensselaer Polytechnic announces a position
available immediately: Assistant Studio Engineer.
This position must be filled as soon as possible.
To initiate an application send resume and letter of introduction via email
to garril@rpi.edu and tayloj2@rpi.edu.
Send hardcopy of same to:
Dept. Of Human Resources and Institute Diversity
110 8th Street
Rensellaer Polytechnic Institute
Troy, NY 12180-3590
The iEAR Studios include state of the art facilities for creative work in
computer music, video art, computer imaging and animation, media
installation and performance. The Masters of Fine Arts program in
Electronic Arts is based on the model of an art school in a sophisticated
technological environment, and is clearly focused on the integration of the
time-based electronic arts. The undergraduate program in Electronic Media,
Arts and Communications is a major new intiative of Rensselaer's School of
Humanities and Social Sciences. Each semester the studios serve up to 200
undergraduate EMAC majors and non-majors, 25 full time graduate students in
the MFA program, as well as faculty, staff, and visiting artists.
Women and minorities are encouraged to apply. Rensselaer is an Equal
Opportunity, Affirmative Action Employer.
for more information contact:
Laura Garrison
iEAR Studios, DCC 135
Rensselaer Polytechnic Institute
Troy, NY 12180
tel: (518)276-4778 fax:(518)276-4780
email: garril@rpi.edu
-----------------------------------------------------------------------------
Assistant Studio Engineer
iEAR Studios
Department of the Arts
Rensselaer Polytechnic Institute
MFA Program in Electronic Arts
BS Program in Electronic Media, Arts & Communications (EMAC)
Job summary
Under limited supervision, reporting to the Studio Engineer, perform a full
range of assigned duties pertaining to technical, engineering, and
managerial operation of the iEAR Studios. Requires BS or BA in Computer
Graphics, Computer Music, Video, Computer Science, or related fields, or
equivalent professional experience, including expertise in digital audio,
video, computer graphics, and computer systems administration. Should be a
self-starter, able to organize time effectively to carry out a wide range of
responsibilities, operating on own initiative to assure smooth daily
operation of the studios. Oversee work load of assigned student assistants.
Oversee student access to portable equipment, and technical planning and
setup for Electronic Arts Performance Series events. Carry out special
assignments of substantial importance to the Studios with general direction
or minimum of supervision, and use of independent judgment. Work in a
Macintosh-based office and complex multi-computer, multi-platform studio
environment. An interest in contemporary music and art is an important
asset. This is a professional exempt position. Salary based on experience,
approx. range of $22-25K.
Responsibilities
Perform routine maintenance of the studio, as assigned by Studio
Manager/Engineer.
Oversee work by student assistants and work-study students.
Perform system administration tasks on computer systems.
Assist in ordering and installing new equipment and software.
Assure that tape and other studio supplies are kept stocked, and handle
ordering and billing.
Coordinate distribution of tape and other supplies to studio users,
including billing.
Maintain good working knowledge of all current and new studio systems and
equipment.
Assist faculty in training students and visitors in technical aspects of
various equipment and systems in the studios.
Coordinate studio scheduling and key access.
Oversee Equipment Room operations, including remote equipment usage and
sign-out.
Oversee technical planning and coordination for concerts, exhibitions ,
and performances.
Coordinate technical setup for classes and presentations.
--
James Andrews, maths CDO, ext.3977
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From: james@maths.ex.ac.uk
Message-Id: <22277.199708061318@zeno.maths.exeter.ac.uk>
Subject: Formalized Music page 86
To: csound@maths.ex.ac.uk
Date: Wed, 6 Aug 1997 14:18:12 +0100 (BST)
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owner-csound-outgoing wrote
>From owner-csound-outgoing Tue Aug 5 14:34:43 1997
From: owner-csound-outgoing
Date: Tue, 5 Aug 97 14:34:43 GMT
Message-Id: <2537.9708051434@maths.exeter.ac.uk>
To: owner-csound-outgoing
Subject: BOUNCE Csound: Non-member submission from [mogambo@real.net.au (Arne Hanna)]
>From mogambo@real.net.au Tue Aug 5 15:34:39 1997 remote from
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Date: Wed, 6 Aug 1997 00:35:04 +1000
To: csound
From: mogambo@real.net.au (Arne Hanna)
Subject: Formalized Music page 86
Sorry for diverging, but near the bottom of page 86 of the Pendragon
revised edition of Xenakis' book, we have:
the probability of X (a) remaining X is .85, (b) changing to Y, is .15
the probability of Y (a) changing to X is .4, (b) remaining Y, is .6
"The entropy of the states of X will be -0.85 log 0.85 - 0.15 log 0.15 =
0.611 bits..."
I've gone over this many times, but no matter what I do, I don't get
anything like .611. If anyone could shed any light on this, I'd be
grateful. Apologies for being way off, but I don't know where else to ask.
Cheers
Arne
"Music is the weapon of the future"
Fela Kuti
--
James Andrews, maths CDO, ext.3977
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Date: Wed, 6 Aug 1997 16:53:30 -0600
To: mogambo@real.net.au, csound@maths.ex.ac.uk
From: "Daniel W. Hosken"
Subject: Re: Formalized Music page 86
Sender: owner-csound-outgoing@maths.ex.ac.uk
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>Date: Wed, 6 Aug 1997 00:35:04 +1000
>To: csound
>From: mogambo@real.net.au (Arne Hanna)
>Subject: Formalized Music page 86
>
>Sorry for diverging, but near the bottom of page 86 of the Pendragon
>revised edition of Xenakis' book, we have:
>the probability of X (a) remaining X is .85, (b) changing to Y, is .15
>the probability of Y (a) changing to X is .4, (b) remaining Y, is .6
>
>"The entropy of the states of X will be -0.85 log 0.85 - 0.15 log 0.15 =
>0.611 bits..."
>
>I've gone over this many times, but no matter what I do, I don't get
>anything like .611. If anyone could shed any light on this, I'd be
>grateful. Apologies for being way off, but I don't know where else to ask.
>Cheers
>Arne
Hi,
After a touch of digging around through some information theory notes (plus
a nostalgic look through _The Mathematical Theory of Communication_ by
Shannon and Weaver), I found that you need to take those logs base 2. Or,
just take the base 10 figure you got and divide by log(2)=.301
(-.85 log (.85) - .15 log (.15))/.301 = (.060 + .124)/ .301 = .611 bits
Happy entropy!
Dan Hosken
dwhosken@alum.mit.edu
dwhosken@students.wisc.edu
Computer Music Studio
Composition Department
School of Music
University of Wisconsin-Madison
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