| Hi all,
and sorry about offtopicness. I felt however that a few of
you might be interested in a realtime granular synthesizer
for Windows 95. It's basically a bunch of scroll bars to set
the soundfile looping and grain generation parameters, so it's
a little simpler than working with Csound's fof2/fog opcodes.
Also it works in real time (on my 486/80), so you can tweak
parameters while listening to the result.
Here's the url:
http://hem.passagen.se/rasmuse/Granny.htm
cheers,
re
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To: csound@maths.ex.ac.uk
Subject: Controlling PERF with AppleEvent on Mac
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Hi,
It seems that is it possible to send a command line to the PERF application
on Macintosh using an AppleEvent, but i did not find how to do that.
Dos anybody has an example?
Thanks in adance
Stephane Letz
GRAME, 9 rue du Garet, 69001 Lyon, France
tel : +33 4 72 07 37 00, fax : +33 4 72 07 37 01
Web : http://www.grame.fr
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Date: Mon, 21 Jul 1997 11:50:13 -0700 (PDT)
From: John Francis Beahan
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Subject: Auditory Icons
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William Gaver discusses techniques for creating auditory icons in a paper
presented at ICAD '92. Iwas wondering if anyone on this list knows of
anyone that may have used csound to create these icons or sounds based on
his ideas.
Basically, he describes in his paper several algorithms for
creating sounds of objects either impacting each other, bouncing off each
other, or scraping against each other. The way these algorithms were
designed the listener could asertain the materiel each substance was made
of just by listening to the synthesized sound.
Any information on this subject would be greatly apreciated,
Thanx, John Beahan
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Date: Mon, 21 Jul 1997 14:27:34 -0500
From: pete moss
Organization: pete moss GmbH
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To: csound
Subject: bergeman / beauty of laughter
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i am a music composition student at texas christian univ and new to
csound. i am having one problem (in addition to trying to learn this
sometimes odd language) however. the sample compositions that come with
the distribution includes a piece by bergeman entitled 'beauty of
laughter'. it wont compile correctly because of a problem with the
first sampled sound that comes with it, melaugh1.aiff. i listened to
all of the sampled sounds and melaugh1 is heavily distorted. is there a
good version out there that i can get ahold of? i tried to d/l it
again, but it was still messed up. does someone have a good version of
this file? if so please tell me where to get it, or send it to me.
thanks
william 'pete' moss
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Date: Mon, 21 Jul 1997 14:42:47 -0500 (CDT)
From: Micheal Allen Thompson
To: pete moss
Cc: csound
Subject: Re: bergeman / beauty of laughter
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just record your own samnples....:-)
Michael
On Mon, 21 Jul 1997, pete moss wrote:
> i am a music composition student at texas christian univ and new to
> csound. i am having one problem (in addition to trying to learn this
> sometimes odd language) however. the sample compositions that come with
> the distribution includes a piece by bergeman entitled 'beauty of
> laughter'. it wont compile correctly because of a problem with the
> first sampled sound that comes with it, melaugh1.aiff. i listened to
> all of the sampled sounds and melaugh1 is heavily distorted. is there a
> good version out there that i can get ahold of? i tried to d/l it
> again, but it was still messed up. does someone have a good version of
> this file? if so please tell me where to get it, or send it to me.
>
> thanks
> william 'pete' moss
>
>
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To: csound@maths.ex.ac.uk
Date: Mon, 21 Jul 1997 15:35:26 -0400
Subject: Re: Auditory Icons
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References:
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From: Jason H Clouse
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On Mon, 21 Jul 1997 11:50:13 -0700 (PDT) John Francis Beahan
writes:
>William Gaver discusses techniques for creating auditory icons in a
paper
>presented at ICAD '92.
Hi All! I'm kind of new to this type of thing, but it all sounds very
interesting. Can someone tell me how to obtain this paper? Also, what's
ICAD? Do they have a website? Thank you very much.
Jason
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Date: Mon, 21 Jul 1997 14:44:57 -0700 (PDT)
From: Damian Keller
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Subject: Re: Mac/compile
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> My understanding of what Damian wants to do is ...
>
> a) listen to one Beep when ready with compile and possibly
> start a sound application automatically
> b) listen to two beeps when errors occur and Csound stops
>
> Thank you to everybody that replied. Obviously my question was not clear
> enough: I have the last Mills' version running on my computer, but I'd
> like to add some C functions to csound. The reason to do that is that it's
Well, my English is by all means terrible. Let me see if I can re-state my
question (last time, promise). I would like to add some number generators
(like the ones written by M. Dudas), I have also some simple filters that
I'd like to test. All these are in C, so I cannot just put them in a
csound orchestra. The other option, translating them to csound syntax is
too slow (at least what I have tried tried so far).
So just what I want to know is how to put together a csound project in
Think C, so that I can add those functions to csound and use them within a
csound orchestra.
Oh, that idea of having beeps all around is very nice!
Greetings and sorry about the mess.
Damian
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To: csound@maths.ex.ac.uk
From: Bruce Petherick
Subject: Csound95
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Hello all,
I was trying some opcodes that I haven't used before last night, and found
out that my version of Csound95 is (only) 3.36. Is there a 3.45 build
available, or has anyone got any of the other DOS/Win csounds to work under
Win95? Also, is the example for grain in the csound.hlp file correct? I
cut and pasted the example, but the compile told me that there was a field
missing.
Thanks
------------------------------------------
Bruce Petherick |
24 Hour emergency Musicologist |
|
Ask about our new emergency conducting, |
Piano and accompanying service! |
|
b.petherick@pgrad.unimelb.edu.au |
------------------------------------------
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From: Stephen Barrass
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Date: Tue, 22 Jul 1997 10:54:31 +1000 (EST)
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To: jhclouse@juno.com
Subject: ICAD www site
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> Can someone tell me how to obtain this paper? Also, what's
> ICAD? Do they have a website? Thank you very much.
see http://www.santafe.edu/~icad/
ICAD stands for the International Community of Auditory Display
and organises a conference, a web site, and a mailing list
ICAD is a forum for presenting research on the use of sound to display data, monitor systems, and
provide enhanced user interfaces for computers and virtual reality systems. It is unique in its
singular focus on auditory displays and the array of perception, technology, and application areas
that this encompasses. Research areas covered by ICAD include:
Auditory exploration of data via sonification (data controlled sound) and audification
(audible playback of data samples)
Real Time monitoring of multivariate data
Sound in Immersive Interfaces (Virtual Environments) and Teleoperation
Perceptual issues in Auditory Display
Sound in generalized computer interfaces
Technologies supporting Auditory Display creation
Data handling for Auditory Display systems
Applications of Auditory Display
Included within each of these areas of inquiry are many issues concerning application, theory,
hardware/software, and human factors. Integration with speech-audio implementations and with
graphical display techniques and their concomitant perception issues also pose significant
challenges in each area.
--------------------------------------------------------------------------------
stephen.barrass@cmis.csiro.au @ * ~
ftp://ftp.cbr.dit.csiro.au/staff/stephen/stephen.html whiz pop splash
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Date: Tue, 22 Jul 1997 15:00:29 +1000 (EST)
From: Leon Zadorin
Subject: 3D alike Roland Space System thing...
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Greetings all,
just was wondering if anyone knew of the algorhythm or somewhat
simliar to one which is used by Roland in RSS device - delivering 3d audio
via a onventional stereo system (i.e. two speakers). As far as I know they
do fristly the electronic simluation of HRTF (like in binaural stuff) but
then also they create an electronic simulation of cross talk cancellation.
Would anyone at all have any idea on at least this electronic simulation of
cross talk cancellation?
Stay cool - Leon ;-)
|