| I have had more luck getting granular synthesis to work than delay.
Can anyone please give me a simple delay setup
i am trying a simple delayed oscil and am hving no luck.
I am a beginner so excuse my petulance.
I have done all the toots i can find but am lost with delay or vdelay
please help
Thanks
Pat
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From: Hans Mikelson
To: csound@maths.ex.ac.uk
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Subject: Re: Distorsion
Date: Sat, 17 Apr 1999 18:32:27 -0500
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>Would it be a way to get variable band-limited distortion? Table
lookup-based is
>static... maybe interpolating beetween a number of different tables...
I thought of this at one time, having a gain parameter which adds more of
the higher order harmonics as you turn it up. Instead of tables just use
Chebyshev polynomials directly. I haven't done much with it though.
Bye,
Hans Mikelson
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From: Hugo Druetta
To: c-sound list
Subject: orientation
Date: Sat, 17 Apr 1999 21:06:41 -0300
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Which is the best way of beginning to study and to practice the =
relationship c-sound -MIDI? =20
=20
Thank you =20
=20
Hugo Druetta =20
hdruetta@unl.edu.ar =20
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Which is the best way of beginning =
to study and=20
to practice the relationship c-sound -MIDI?
Thank you =
=20
&nb=
sp; &nbs=
p; =20
Hugo Druetta =20
&nb=
sp; &nbs=
p; =20
hdruetta@unl.edu.ar =20
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From: Ricardo MadGello
To: c-sound list
Subject: RE: orientation
Date: Sat, 17 Apr 1999 17:43:29 -0700
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On any particular hardware/OS/MIDIsetup platform or just in general?
The examples at
ftp://ftp.maths.bath.ac.uk/pub/dream/documentation/orchestras+scores/midi/
are a good place to start in general.
Ricardo MadGello
Out & About.. . . . . . . .
-----Original Message-----
From: owner-csound-outgoing@maths.ex.ac.uk
[mailto:owner-csound-outgoing@maths.ex.ac.uk]On Behalf Of Hugo Druetta
Sent: Saturday, April 17, 1999 5:07 PM
To: c-sound list
Subject: orientation
Which is the best way of beginning to study and to practice the relationship
c-sound -MIDI?
Thank you
Hugo Druetta
hdruetta@unl.edu.ar
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On any particular hardware/OS/MIDIsetup =
platform or=20
just in general?
The=20
examples at ftp://ftp.maths.bath.ac.uk/pub/dream/documentation/orchestras+=
scores/midi/ are=20
a good place to start in general.
Ricardo =
MadGello
Out & About.. =
. =20
. . . =20
. . =20
.
Which is the best way of beginning =
to study and=20
to practice the relationship c-sound -MIDI?
Thank you =
=20
&nb=
sp; &nbs=
p; =20
Hugo Druetta =20
&nb=
sp; &nbs=
p; =20
hdruetta@unl.edu.ar =20
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From: Ricardo MadGello
To: "Csound@Maths. Ex. Ac. Uk"
Subject: US Patent #5,730,140 - CSound use in medicine
Date: Sat, 17 Apr 1999 18:01:51 -0700
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United States Patent 5,730,140
Fitch; William Tecumseh S. March 24, 1998
excerpt
Although we discuss heart and breathing sounds in this preferred embodiment,
one skilled in the art could easily adapt other realistic sounds as well.
For example, a common and serious problem in anesthesiology is vomiting by
the unconscious patient, which can block the airway and lead to dangerous
respiratory complications. Such a situation could easily be signaled by a
synthesized vomiting sound, using FOF synthesis (CSound manual, Barry
Vercoe, MIT), with the quantity, nature, and location of the vomitus as
piggyback variables. Similarly, synthesized coughs (short noise bursts fed
to a speech synthesizer) could serve as alarms, indicating various types of
respiratory complications. The realistic sound need not be a bodily sound:
for example, the sound of some operating room device, such as a ventilator
or blood gas analyzer could also be suitable. Accordingly, the description
below is simply the current preferred embodiment of the system, which is not
limited to the description below but instead by the claims which follow.
belated one year anniversary post
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From: Garzon
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Subject: Intensive Csound workshop
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Hi csounders community:
Bob Douglas wrote:
>I see that the Intensive Csound and Automated Music Comp. Workshops are
>restricted to only 15 and 25 participants respectively. Given what I bel=
ieve
>to be the importance of such workshops to the wider computer music commu=
nity,
>and the difficulty of attending for many of us from overseas, would it b=
e
>possible to put together some sort of package that we could all access f=
rom
>www.music.unt.edu/CEMI/cb/ ? In this way, many more people could benefit=
from
>the workshops.=20
>I don't know what form this package would take, but I for one would be w=
illing
>to pay for it as it would be a very valuable resource. I don't think we =
have
>to persist with the traditional concept of a workshop in the physical
>face-to-face sense. There must be a way of bringing a workshop to the Ne=
t. The
>package has to be more than just documentation of each session's proceed=
ings,
>after the event.=20
>Ideally, a two-way interaction (not necessarily real-time) between those
>physically attending, and the on-line participants (observers ?) would b=
e the
>way to go. The on-liners could run examples, exercises etc. after loggin=
g off=20
>from each session, and have valuable feedback to contribute to the next =
one.
>If this is impractical, then on-line participants could at least be obs=
ervers
>- but could still access exercises and examples to try out for themselve=
s.
I am a Composer of electroacoustic music and a CDP user, I live in
Cordoba and teach composition in the School of Art of the Universidad
Nacional de Cordoba, Argentina.=20
The idea of Bob Douglas seems to be very interesting and possible to
implement with the coordination and help of different universities of
the world (Colorado, Sidney conservatory, School of Art of the
Universidad Nacional de C=F3rdoba, etc.) =20
The access to this kind of workshop is very important for people who
live in the periphery and have not economic possibilities to travel to
contact with experienced teachers of this means (csound).
If this idea grows up we could begin to work in ours respective
universities to get the adequate help to implement it.
ELEAZAR GARZON
Composer, researcher and Professor of Composition
School of Art of the
Universidad National de Cordoba
mailto:egarzon@mayo.com.ar
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Date: 17 Apr 99 22:22:56 MDT
From: craig routt
To: csound@maths.ex.ac.uk
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Did you fellows read about the analog emulator for pentium
in last months electronics now magazine?
in theory if your ran that unit parrallel
with a dual mother board would not the ibm
crank at about 3.5 giga hertz clock speed
but no memory as fast right?
I would be interested to hear if that unit
speeded up rtcsound "by a magnitude of 3 " also
as was stated in the magazine.
see you later
craig
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1
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To: craig routt
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In-Reply-To: Your message of "17 Apr 1999 22:22:56 MDT."
<19990418042256.11403.qmail@nwcst021.netaddress.usa.net>
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Date: Sun, 18 Apr 1999 00:19:19 -0700
From: Ed Hall
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Let me guess... This was the April issue?
-Ed
|