| Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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From: Kevin Gallagher
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Subject: MIDI patch change
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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From: Kevin Gallagher
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Subject: MIDI patch change
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Is there a csound opcode for detecting MIDI patch change messages? My
version of the manual doesn't list it with the other MIDI opcodes.
Thanks!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
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Message-id: <11607047@donner.Dartmouth.EDU>
Date: 26 Jul 98 19:45:53 EDT
From: "Peter M. Traub"
Subject: need help using MIDI to control Csound
To: csound@maths.ex.ac.uk
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Hi there,
I'm attempting to use MIDI to control certain aspects of a realtime =
Csound
orchestra with no success. My problem is as follows:
I'm using Cecilia on a Mac connected to a standard serial to MIDI
interface. I'm using a Peavey PC 1600 MIDI fader box to send =
control
info into Csound. I am also taking realtime audio input for =
processing=20
(which the slider box is supposed to control). The problem, =
however,
seems not to be with the setup, but with Csound and OMS. If I turn=20
MIDI-control on in Cecilia and then compile, it automatically=20
quits the program and gives an error message. When I
restart Cecilia and compile again, the Csound message box gives an =
error
saying that it is already signed into OMS. Suspecting this might be =
a
Cecilia problem, i tried compiling just using the standard Csound =
front
end, but the same thing happened. I have also tried compiling =
without
any MIDI equipment connected. This happens on every Mac I have =
tried it
on. I know there must be a way to get MIDI control working or else =
there
wouldn't be opcodes and options for it. I would preferably be doing =
this on an SGI, but my Mac at home is faster than our Indy. What =
are the basics of using MIDI to control Csound and does it require =
editing the command line before compiling? Any help would be =
greatly appreciated.
Thanks
Peter Traub
ptraub@dartmouth.edu
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Date: Sun, 26 Jul 1998 20:53:16 -0400 (EDT)
From: Kevin Gallagher
To: "Peter M. Traub"
cc: csound@maths.ex.ac.uk
Subject: Re: need help using MIDI to control Csound
In-Reply-To: <11607047@donner.Dartmouth.EDU>
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I had a hell of a time on Mac getting MIDI to work. OMS is the driver of
choice, so that's good. One thing that was frustrating was that whenever
there was ANY error in my score (typos, etc.), not only would Csound
close, but the computer would freeze up with a "perf error -10" or
something like that and I'd have to reboot. As you can imagine, this can
be frustrating when working on a project that requires a lot of testing
and retesting. The best solution, I guess, to this problem is to test all
of your scripts using a standard score and no MIDI, then when you know
everything is okay, integrate the MIDI opcodes. Also try testing with the
simplest possible MIDI script, reducing the possibility that another
factor could be fouling you up.
I'm not familiar with Cecilia, so I hope I'm not thinking of a completely
different problem than you are. But I hope this helps in some way. Good
luck!
Kevin Gallagher, kgallagh@astro.temple.edu
Web Address - http://astro.temple.edu/~kgallagh
On 26 Jul 1998, Peter M. Traub wrote:
> Hi there,
>
> I'm attempting to use MIDI to control certain aspects of a realtime Csound
> orchestra with no success. My problem is as follows:
>
> I'm using Cecilia on a Mac connected to a standard serial to MIDI
> interface. I'm using a Peavey PC 1600 MIDI fader box to send control
> info into Csound. I am also taking realtime audio input for processing
> (which the slider box is supposed to control). The problem, however,
> seems not to be with the setup, but with Csound and OMS. If I turn
> MIDI-control on in Cecilia and then compile, it automatically
> quits the program and gives an error message. When I
> restart Cecilia and compile again, the Csound message box gives an error
> saying that it is already signed into OMS. Suspecting this might be a
> Cecilia problem, i tried compiling just using the standard Csound front
> end, but the same thing happened. I have also tried compiling without
> any MIDI equipment connected. This happens on every Mac I have tried it
> on. I know there must be a way to get MIDI control working or else there
> wouldn't be opcodes and options for it. I would preferably be doing this on an SGI, but my Mac at home is faster than our Indy. What are the basics of using MIDI to control Csound and does it require editing the command line before compiling? Any help would be greatly appreciated.
>
> Thanks
>
> Peter Traub
> ptraub@dartmouth.edu
>
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Date: Sun, 26 Jul 1998 18:45:55 -0700 (PDT)
From: "Matt J. Ingalls"
Reply-To: "Matt J. Ingalls"
To: "Peter M. Traub"
cc: csound@maths.ex.ac.uk
Subject: Re: need help using MIDI to control Csound
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what version of 'perf' do you have?
(there might be newer version out - which may or may not be a good thing
- htere has been alot of MIDI changes in the code in the last few
versions, plus Opcode changed something in the Libs at one point also
that was messing MIDI up)
but the main problem is that MIDI hasnt been tested that much on PPC and
if people have been having problems they havent been letting us know about
it (until now..)
to everyone:
ACTUALLY THIS IS THE BEST TIME TO REPORT BUGS OR REQUEST FEATURES
since i am working on a newe version trying to keep up with John Ffitch
and Richard Boulanger (and his students?) who are in Boston doing a full
out bug extermination as we speak...
maybe this is just my bias coming through, but unless you are doing
something really simple synthesis/wise you most likely are going to be
disappointed with the mac Real Time MIDI. i would suggest just do all
your MIDI shit with in a sequencer then save to a MIDI file and use that
to control your orc. although i would assume youre trying to use csound
because your synth cant do what you want anyway - so might be hard to hear
what youre doing when working with the sequencer...
nevertheless,
i'll try to get my hands on some MIDI gear to test things in the next few
days.
-matt
(for dave & mike)
On 26 Jul 1998, Peter M. Traub wrote:
> Hi there,
>
> I'm attempting to use MIDI to control certain aspects of a realtime Csound
> orchestra with no success. My problem is as follows:
>
> I'm using Cecilia on a Mac connected to a standard serial to MIDI
> interface. I'm using a Peavey PC 1600 MIDI fader box to send control
> info into Csound. I am also taking realtime audio input for processing
> (which the slider box is supposed to control). The problem, however,
> seems not to be with the setup, but with Csound and OMS. If I turn
> MIDI-control on in Cecilia and then compile, it automatically
> quits the program and gives an error message. When I
> restart Cecilia and compile again, the Csound message box gives an error
> saying that it is already signed into OMS. Suspecting this might be a
> Cecilia problem, i tried compiling just using the standard Csound front
> end, but the same thing happened. I have also tried compiling without
> any MIDI equipment connected. This happens on every Mac I have tried it
> on. I know there must be a way to get MIDI control working or else there
> wouldn't be opcodes and options for it. I would preferably be doing this on an SGI, but my Mac at home is faster than our Indy. What are the basics of using MIDI to control Csound and does it require editing the command line before compiling? Any help would be greatly appreciated.
>
> Thanks
>
> Peter Traub
> ptraub@dartmouth.edu
>
>
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Date: Sun, 26 Jul 1998 22:17:29 -0700 (MST)
From: Mark T Vigorito
Reply-To: Mark T Vigorito
To: csound mailing list
Subject: Re: problems with envelope
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Hi all;
I've been fooling with the interesting orc posted by Arne Hanna
recently-- I have a fix for the popping envelope problem.
First I added a .04 second rise to the two "kenv linen ..."
statements within the timout-reinit loops. That cleaned up most of the
popping. Then I added an overall declicking envelope which cleared up
almost all of the remaining pops. Increasing kr to 2205 also gives a
noticable improvement in sound quality. The modified .orc is is listed
below.
It would be nice to extend the overall note duration so that the
last timout cycle could be completed. I tried doing this using linenr and
linsegr, but neither would increase the note duration beyond p3. Ideas,
anyone?
Cheers,
M. Vigorito
mtv@u.arizona.edu
Arne Hanna writes:
Hi folks. The orc/sco combo below uses phasor and timout to produce
streams of notes at rates independent of p3. This method was suggested
to me some time ago by Jean Piche in response to my lamentations regarding
difficulties in generating repeating rhythmic patterns using standard
csound techniques. [...]
;This orchestra is an attempt at realising pitch and onset-time
;using Markov processes. The current problem has to do
;with clicking of envelopes A.D. Hanna
;modified envelopes to reduce popping M Vigorito
sr = 44100
kr = 882
ksmps = 50
nchnls = 2
ga1 init 0
instr 1
itablesize = 32 ;pitch tables 2 and 3 are indexed from 0 to 31
iratchoose = p9 ;determines which of two tempos are used
kdclick linseg 0,.04,1,p3-.08,1,.04,0
;A neat way to represent Markov chains.
;Choose between two subsets of the set "furniture"
if (iratchoose == 0) igoto furniture.to.sit.on
if (iratchoose == 1) igoto furniture.to.put.stuff.in
;----------------------------------------------------------------------
furniture.to.sit.on:
;being here depends on outcome of p9
kindex phasor p5*p6
plantatulip:
kenv linen 1,.04,1/p5,1/p5*.5
inotechoose = p8
;Choose between two pitch tables
;the second of which is a transposition
;of the first in the order of 1 semitone.
if (inotechoose == 1) igoto chair
if (inotechoose == 0) igoto sofa
;--------------------------------------------------
chair: ;being here depends on the outcome of p9 and p8
ipitch table i(kindex)*itablesize,2
igoto resume
;--------------------------------------------------
sofa: ;being here depends on the outcome of p9 and p8
ipitch table i(kindex)*itablesize,3
igoto resume
resume:
timout 0,1/p5,pluckatulip
reinit plantatulip
;----------------------------------------------------------------------
furniture.to.put.stuff.in:
;being here depends on outcome of p9
kindex phasor (p5*p6)*1.125 ;varies phase of lfo vs beat
;thus creating melodic patterns
plantadaisy:
kenv linen 1,.04,1/p5,1/p5*.5
inotechoose = p8
if (inotechoose == 1) igoto bookcase
if (inotechoose == 0) igoto wardrobe
;-----------------------------------------------
bookcase: ;being here depends on the outcome of p9 and p8
ipitch table i(kindex)*itablesize,2
igoto continue
;--------------------------------------------------
wardrobe: ;being here depends on the outcome of p9 and p8
ipitch table i(kindex)*itablesize,3
igoto continue
continue:
timout 0,1/p5,pluckatulip
reinit plantadaisy
pluckatulip:
a2 oscili ampdb(p4)*kenv*kdclick,cpspch(ipitch+p7),1 ;p7 = octave
transposition
ga1=a2+ga1
outs a2,a2
endin
instr 50
kfreq expseg 0.01,p3*.2,.4,p3*.2,1,p3*.2,1.5,p3*.2,.1,p3*.2,.05
k1 oscili .5,kfreq*p4,1 ;kfreq*p4=cps of pan
k2 = .5+k1
k3 = 1-k2
a1 reverb2 ga1,2.1,.5
outs k2*a1,a1*k3*(-1)
ga1=0
endin
;score
f1 0 8192 10 1
f2 0 64 -2 7.10 7.02 7.07 8.05 9.02 7.05 8.10 8.02 7.07 8.07 8.05 8.02 8.10
9.02 7.07 9.07 8.00 7.02 8.02 8.10 7.07 7.05 8.00 8.02 9.02 9.02 8.10 7.07
8.05 9.02 8.02 9.07
f3 0 64 -2 7.11 7.03 7.08 8.06 9.03 7.06 8.11 8.03 7.08 8.08 8.06 8.03 8.11
9.03 7.08 9.08 8.01 7.03 8.03 8.11 7.08 7.06 8.01 8.03 9.03 9.03 8.11 7.06
8.06 9.03 8.03 9.08
i50 0 28 10
; ------- begin of field 1 --- seconds: 0.00 - 28.00 --------
;ins time dur p4 p5 p6 p7 p8 p9
i1 0 0.25 65 3.29 0.46 -1 0 1
i1 0.25 0.375 65 3.36 0.78 1 1 0
i1 0.625 1 65 6.95 0.39 1 1 1
i1 1.625 1.25 65 3.32 0.53 -1 1 0
i1 2.75 0.25 65 4.2 0.86 1 0 1
i1 3.75 1.25 65 7.36 0.15 1 0 0
i1 4.125 1 65 6.2 0.99 -1 0 0
i1 4.375 0.375 65 1.12 0.69 1 0 0
i1 4.75 0.25 65 4.28 0.42 -1 0 1
i1 5.75 0.375 65 1.69 0.18 1 0 1
i1 6.875 1 65 8.19 0.91 1 1 0
i1 7.875 1.25 65 3.28 0.34 -1 0 1
i1 8.25 0.25 65 3.3 0.11 1 0 0
i1 8.5 1.25 65 1.97 1 1 1 0
i1 8.875 1 65 2.82 0.11 -1 0 0
i1 9.875 0.375 65 3.4 0.21 1 1 0
i1 11 0.25 65 3.01 0.97 1 1 1
i1 12 0.375 65 5.54 0.18 -1 1 0
i1 12.375 1 65 1.44 0.98 1 1 1
i1 12.625 1.25 65 4.33 0.86 1 1 1
i1 13 0.25 65 6.15 0.77 -1 1 1
i1 14 1.25 65 6.48 0.24 1 1 0
i1 15.125 1 65 3.91 0.62 -1 1 1
i1 16.125 0.375 65 1.12 0.33 1 0 1
i1 16.5 0.25 65 7.43 0.73 1 1 1
i1 16.75 0.375 65 2.59 0.9 -1 0 0
i1 17.125 1 65 5.57 0.13 1 0 1
i1 18.125 1.25 65 4.08 0.77 1 0 0
i1 19.25 0.25 65 8.57 0.37 -1 0 1
i1 20.25 1.25 65 2.42 0.3 1 1 0
i1 20.625 1 65 4.24 0.52 1 0 1
i1 20.875 0.375 65 5.75 0.67 -1 1 1
i1 21.25 0.25 65 1.24 0.64 1 0 0
i1 22.25 0.375 65 8.26 0.75 1 1 0
i1 23.375 1 65 7.23 0.24 -1 0 0
i1 24.375 1.25 65 3.9 0.62 1 1 1
i1 24.75 0.25 65 6.14 0.58 -1 1 0
i1 25 1.25 65 7.11 0.96 1 0 0
i1 25.375 1 65 6.33 0.14 1 1 0
i1 26.375 0.375 65 8.53 0.92 -1 0 0
i1 27.5 0.25 65 7.9 0.4 1 0 1
; ------- end of field 1 --- number of events: 41 -------
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From: Nabla
To: CSOUND
Subject: simultaneous notes
Date: Mon, 27 Jul 1998 02:25:00 -0300
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HI PEOPLE!!!
EXCUSE ME IF THAT THING IS TOO ELEMENTAL FOR YOU, BUT I HAVE A PROBLEM:
I CAN'T PLAY TWO NOTES SUPERPOSED WITH THE SAME INSTRUMENT.
ARE THERE ANY FORMULA?
Ernesto Galacho
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From: Nabla
To: CSOUND
Subject: RE: simultaneous notes
Date: Mon, 27 Jul 1998 03:21:21 -0300
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----------
> De: M. Ray McFerron
> A: Nabla
> Asunto: Re: simultaneous notes
> Fecha: Domingo 26 de Julio de 1998 9:45 PM
>=20
> Ernesto,
> I'd be happy to look at your .orc and .sco file if you want...
> m
> ****************************
> M. Ray McFerron
> 828 E. 22nd Ave
> North Kansas City, MO 64116
> ** http://cctr.umkc.edu/~mmcferron **
> ****************************
HERE YOU ARE...
.ORC
gasr init 0
gasl init 0
instr 1
iamp =3D p4 ;amplitud general
itab1 =3D p5 ;un .wav
itab2 =3D p6 ;otro .wav
iin1 =3D p7*32767 ;in del primer .wav
iin2 =3D p8*32767 ;in del segundo .wav
ifrec =3D p9 ;la frecuencia del paneo
asig1 loscil iin1,1,itab1,1 ;un .wav
asig2 loscil iin2,1,itab2,1 ;otro .wav
kmezcla randi 1,ifrec ;el paneo es aleatorio pero ifrec da
asigl=3Dabs(kmezcla)*asig1+(1-abs(kmezcla))*asig2 ; la velocidad de la
aleatoreidad
asigr=3Dabs(kmezcla)*asig2+(1-abs(kmezcla))*asig1 ;
gasl =3D gasl+(asigl*iamp) ;se actualiza la salida
gasr =3D gasr+(asigr*iamp) ;
endin
instr 99
iamp =3D p4 ;amplitud general
outs gasl*iamp,gasr*iamp ;la salida fue asignada por el =FAltimo instrume=
nto
que haya sido tocado
endin
THE OTHER POSIBILITY IS TO ENTER GASL=3D0 AND GASR=3D0 BUT IN THIS CASE, =
THE
FIRST NOTE IS MUTED BY THE SECOND
(THERE ARE OTHER INSTRUMENTS THAT I OMITED HERE)
.SCO
f1 0 0 1 "d:\ernesto\waves\compu\requiem3.wav" 0 0 0 ;11.83'
f2 0 0 1 "d:\ernesto\waves\compu\pgolpes.wav" 0 0 0 ;11.83'
f7 0 0 1 "d:\ernesto\waves\compu\kontax.wav" 0 0 0 ;12.47'
f8 0 0 1 "d:\ernesto\waves\compu\ppizz.wav" 0 0 0 ;11.83'
f9 0 0 1 "d:\ernesto\waves\compu\pnotax.wav" 0 0 0 ;12.38'
f10 0 0 1 "d:\ernesto\waves\compu\pfrotax.wav" 0 0 0 ;13.79'
f11 0 0 1 "d:\ernesto\waves\compu\pglis.wav" 0 0 0 ;9.87'
;instr1 AMP WAV1 WAV2 AMP1 AMP2 FREQ RAND
i1 0 12 .8 2 1 1 .5 1.2
i1 6 12 1 8 2 1 1 1.5
i1 10 13 1 11 7 1 .5 1.8
i1 18 14 .9 10 1 1 .5 .7
i1 25 13 1.2 9 8 1 1 2
i99 0 38 .7
EXCUSE ME, BUT THE COMMENTS ARE IN SPANISH
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for ; Mon, 27 Jul 1998 09:36:39 +0200
From: David Schuyeteneer
To: Csound List
Subject: [?] TABLE vs. DISKIN
Date: Mon, 27 Jul 1998 09:26:15 +0200
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Can someone sum up some differences in use and/or advantages/disadvantages
of using a TABLE in memory for playing soundsamples and using DISKIN
I might suffer from a temporally shortage of vision,
but i really can't see why one would use a static table if you can use a
dynamic
command diskin.
seeya,
David
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