| Message written at 24 Dec 1998 23:55:52 +0000
Unfortunately i have never had an Amiga, although I did write a LISP
and Algebra system for one before it officially existed -- it was in a
locked roon in a locked building in Bristol, UK, and it had a nice
woden keyboard box, and external memory board. Ah, happy days!
As the LISP system on the Amiga ported to the Atari with almost zero
effort, I would have thought that the Atari Csound would have ported
fairly easily. Of course you would need a C compiler.....
...and before someone asks, i still cannot get my Atari to boot;
floppy disk problems I think.
==JOhn
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Date: Fri, 25 Dec 1998 18:16:17 +0100
From: rasmus ekman
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To: Csound list
Subject: Midi progchange / pitchbend
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Josep M Comajuncosas wrote:
>=20
> Well, I=B4d really like to see Csound recognizing midi pitch bend messa=
ges
Paul Winkler wrote:
>=20
> How about patch change messages?=20
Sorry if I raise your hopes unrightly, but couldn't
the opcode midiin by G Maldonado be used for these things?
It was added in 3.492, it's doc'd in the latest version3_49x.Notes=20
on the server. There's a corresponding opcode midiout too.
I can't test it since midi doesn't work on my machine, but
you might want to try.
re
*snip*
------------------------------
midiin
kstatus, kchan, kdata1, kdata2 midiin
DESCRIPTION
returns a generic midi message received by the midi in port
PERFORMANCE
kstatus - the type of midi message. Can be:
128 (note off),
144 (note on),
160 (polyphonic aftertouch),=20
176 (control change),
192 (program change),=20
208 (channel aftertouch),
224 (pitch bend)
or 0 if no midi message are pending in the MIDI IN
buffer.
kchan - midi channel (1-16)
kdata1, kdata2 - message-dependent data values
midiin has no input arguments, because it reads at the midi in port
implicitly. It works at k-rate. Normally (i.e. when no messages are
pending) kstatus is zero, only each time midi data are present in the
midi in buffer, kstatus is set to the type of the relative messages.
(G.Maldonado)
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To: csound@maths.ex.ac.uk
Subject: HPKComposer; Site down??
Date: Fri, 25 Dec 1998 17:13:40 GMT
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From: Jens Reimer
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hello,
since one week i cannot access the site for hpkcomposer.
http://hplank.inetpc.com/hpkcomposer.html
does it change this days?
Und Tsch=FCss
Jens Reimer
Email:
jens.reimer@t-online.de
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Date: Fri, 25 Dec 98 23:30:38 GMT
From: jpff@maths.bath.ac.uk
Subject: Re: Ties
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Message written at 25 Dec 1998 21:22:17 +0000
--- Copy of mail to jmdbrady@club-internet.fr ---
I agree that it is rather obscure! There is a good description in the
Csound Book, which is not much use to you at present... I suggest
that you bug Richard Dobson (RWD@cableinet.co.uk), who seems to
understand this area better than most.
==John ffitch
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Date: Fri, 25 Dec 98 23:30:22 GMT
From: jpff@maths.bath.ac.uk
Subject: Pitchbend in MIDI
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Message written at 25 Dec 1998 19:30:45 +0000
I am on the trail of a large screw-up in pitchbend. I think I have it
now 'correct' with a positive and negative bend available. However as
some of you know, I have no MIDI kit apart from a dumb keyboard
without any bend wheels. What I would like is for someone to send me
a *simple* orch file using pitchbend, and a MIDI file which uses it.
Simple here means so I can judge what happens. It does not need to me
musical of course.
==John ffitch
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From: Kevin Gallagher
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Subject: MIDI and TCP/IP
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This question does not really pertain to Csound, but I was wondering what
kind of work has been done for real-time MIDI interaction among musicians
on a network, using a client-side program that converts between MIDI and
TCP/IP and a server-side "MIDI chat room" type applet. I know of some
commercial software that allows clients to collectively put their
sequences together and another one that allows real-time interaction on a
basic level between two directly connected people. I'm interested in
improvised jam sessions on the web, and I know somebody else must be way
ahead of me. I'm just curious as to what experiences and info people have
to share. Respond off the list if you like. Thanks!
Kevin Gallager, kgallagh@astro.temple.edu
Web - http://astro.temple.edu/~kgallagh
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Date: Sat, 26 Dec 1998 13:20:31 +0100
From: Josep M Comajuncosas
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References:
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Legato works as in the manuals says. Set p3 to negative and that=B4s all.=
If
you want to skip reinitialisation of some parts of the orchestra code, yo=
u
can use tival, tigoto and custom conditionals. I use them to emulate
slides in my analog simulators, it works as expected.
Josep M Comajuncosas
|