| I have found and fixed a bug in mandolin which would lead to the pluck being
largely ignored many times. Now sounds almost OK.
==John ff
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From: Thomas Huber
Subject: Re: loscil3 problem
To: csound@maths.ex.ac.uk
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> On a Mac with system 7.6.1 & CSound 3.54 the score you sent with loscil3
> works fine.
Ok, it seems to be a linux related problem. It's really strange,
as 'oscil3' works fine. It's just 'loscil3'
Thomas
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J P Fitch
Subject: Bug in commandline v3.54?
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Hi,
I am making a program in VB (emulating DX7) where i use a SHELL- command
to call Winsound or Csound . Never had difficulties with previous csound
versions exept in the new version 3.54 .
When i call Winsound it gives only the message : press ok. In Csound
(dos) its gives
back the error: failed to find DB file.
Even wen i use CSOUNDER it gives these messages, but not always??!
Now and then it works well!?? (not with my own program!)
Can anybody help?
Thanks in advance.
Geetings Hans
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J P Fitch
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Hi,
I am making a program in VB (emulating DX7) where i use a SHELL- command
to call Winsound or Csound . Never had difficulties with previous csound
versions exept in the new version 3.54 .
When i call Winsound it gives only the message : press ok. In Csound
(dos) its gives
back the error: failed to find DB file.
Even wen i use CSOUNDER it gives these messages, but not always??!
Now and then it works well!?? (not with my own program!)
Can anybody help?
Thanks in advance.
Geetings Hans
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Message-ID: <000b01beab68$7a9e5d60$159f2599@default>
From: Michael Rhoades
To: Csound List
Subject: Approaches to Composition
Date: Mon, 31 May 1999 08:21:14 -0500
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Hello All,
We have a great programming language (getting better all the time)
which gives nearly unlimited technical ability in the composition of music.
We have the machines capable of rendering these programs to sound files. The
question then becomes, what to compose. What are your compositional
attitudes, approaches or techniques? What direction has inspiration sent
you?
What are your plans for the future? With this wonderful tool, many have
simply expanded on previous styles or approaches. One has to wonder what
truly new direction we will take. It's up to us to decide, we are presently
the future of music.
I am curious to see your comments.
Michael Rhoades
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From: Hans Mikelson
To: Csound Mailinglist
Subject: Re: Bug in commandline v3.54?
Date: Mon, 31 May 1999 09:38:39 -0500
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Hi,
Hans wrote:
>When i call Winsound it gives only the message : press ok.
To quote John ffitch:
"The trouble you are seeing is that you have lost access to csound.txt
which needs to be in teh current directory, or in SFDIR SADIR or teh
otherone."
==John
Regards,
Hans Mikelson
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From: J P Fitch
To: Hans Tillaart
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Subject: Re: Bug in commandline v3.54?
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You do not have teh csound.txt file in an accessable place.
==John
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Date: 31 May 99 12:58:08 CDT
From: Sherlock
To: Michael Rhoades
Subject: Re: [Approaches to Composition]
CC: csound@maths.ex.ac.uk
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"Michael Rhoades" wrote:
> Hello All,
> We have a great programming language (getting better all the time)=
> which gives nearly unlimited technical ability in the composition of mu=
sic.
It does get better, even as we speak.
> We have the machines capable of rendering these programs to sound files=
=2E The
> question then becomes, what to compose. What are your compositional
> attitudes, approaches or techniques? What direction has inspiration sen=
t
> you?
I try and imitate classic Rock and old church hymns. My compositions t=
end
to lead toward Star Trek (or Science Fiction) theme songs.
I try my best to make music.
> What are your plans for the future? =
I want to create what I call Techno-Rap. It is like Rap, but with
synthesized sound.
To seek is to find. =
To Find is to Seek.
So what? Gimme a Windows based computer, and I'll try Linux instead.
____________________________________________________________________
Get free e-mail and a permanent address at http://www.netaddress.com/?N=3D=
1
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Date: Mon, 31 May 1999 17:51:17 -0600
To: Csound List
Subject: Re: Com positional Appro aches
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>Hello All,
dr!nk !n dze najm ov dze maSSes =3D dze mult!tud =3D shall kroun u
> We have a great programming language (getting better all the time)
>which gives nearly unlimited technical ability in the composition of music.
>We have the machines capable of rendering these programs to sound files. Th=
e
>question then becomes, what to compose. What are your compositional
>attitudes, approaches or techniques?
m9ndfukc
>What direction has inspiration sent
>you?
zoftnesz !n d!sz.arra!
>What are your plans for the future?
plan - tak!ng 1 ztand aga!nzt dze pazt
plan =3D 1 objekt ov 1 pazt
>One has to wonder what
>truly new direction we will take.
One has to wonder what we
all progress =3D takez plasz at dze per!fer!
>It's up to us to decide,
u.s ... decide,
>we are presently
we are .... +?
dze va!n buztle ov dze ztreet
>the future of music.
0+0 l!f 4rm =3D l!vd !n futur + 0+0 l!f 4rm
=3D l!vd !n dze pazt. all wh!ch 1 =3D kan knou =3D
prezent
>I am curious to see your comments.
you are curious to see your comments
>I am curious to see your comments.
you are curious to see your comments
>I am curious to see your comments.
you are curi ou p =10=10 f +?
>Michael Rhoades
dze va!n buztle ov dze ztreet
dze ruztl!ng ov sheetz
le grand jeu
u.s ... decide,
To: Netochka NEZVANOVA
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The jury of the Concours 99 is pleased to announce that your software
nebula m81 was selected for the first prize in the category of logiciels
multim=E9dia (4).
The jury had some suggestions for your softwares:
nebula m81: A tutorial with more detail and on-line help would be desirable.
We will be contacting you after the festival for the adminstration and prize
money.
The Jury
Dominique Begue, Thierry Demougin, Giovanni de Poli, Tom Erbe, Hugues
Genevois, Fran=E7ois Giraudon, James Harley, Serji Jorda, Alain Mangenot.
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Date: Mon, 31 May 1999 21:04:58 -0400
From: Antoine Lefebvre
To: Mailing List
Subject: historical info
Message-ID: <19990531210458.A2602@tiger.err>
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Hello,
I would like to know if there is some note on the historical evolution of csound somewhere on the web.
--
Antoine Lefebvre
antoinelefebvre@softhome.net
http://pages.infinit.net/linux/rocket/rocket.html
http://pages.infinit.net/linux/music/music.html
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From: Hans Mikelson
To: Mailing List
Subject: Re: historical info
Date: Mon, 31 May 1999 22:39:44 -0500
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Hi,
A good place to start learning about the history of Csound might be Barry
Vercoe's Forward to The Csound Book:
http://mitpress.mit.edu/e-books/csound/fpage/pub/csbook/contents/foreword.ht
ml
also check Max Mathews' Preface to the same book.
http://mitpress.mit.edu/e-books/csound/fpage/pub/csbook/contents/preface.htm
l
Regards,
Hans Mikelson
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From: Michael Gogins
To: Thomas Huber , csound@maths.ex.ac.uk
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Subject: Re: "Patch librarian"
Date: Tue, 1 Jun 1999 01:02:27 -0400
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If you can program Java, you could use my Java interface to Csound to write
a program to do what you want (http://www.pipeline.com/~gogins).
-----Original Message-----
From: Thomas Huber
To: csound@maths.ex.ac.uk
Date: Friday, May 28, 1999 8:26 PM
Subject: "Patch librarian"
My csound instruments normally use a large number of
'midictrl' opcodes, so I can modify the sound with my
faderbox in a wide range. Now I'd like to save the fader
positions somehow, because at the moment, I have
to try out all the knobs each time until I have found
the desired sound.
What I need is a program that monitors the MIDI controller
messages and is able to save a set of them into an object
with an identifier, so that I can then easily browse
through my controller-sets ("patches") for the different
sounds. Does such a software exist ?
Thomas
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From: Thomas Huber
Subject: Re: "Patch librarian"
To: csound@maths.ex.ac.uk
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> what fader box do you have ? the Peavey PC1600 lets you save the
> current settings as a "scene", entirely internal to the box. you can
> export scenes to MIDI sequencers running on your computer as well,
> expanding the set of stored scenes dramatically.
Wow, that's cool. I plan to buy a new faderbox in the next time
anyway, so the simplest solution for my problem will be to buy
a box with such a saving capabilitiy. How many controllers does
the PC1600 have ? I have 16 on my Kawai now, and it's not enough
anymore... I'd like to have 64 (I've seen one from Doepfer that
has 64, but I don't know if it's able to save anything).
> i thought that the Kawai did this too. i know that the Phat Boy does
No, my Kawai K5000S-faderbox has nothing more than a MIDI-channel
selector and 16 knobs...
Thomas
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Date: Tue, 01 Jun 1999 10:19:56 +0100
From: Peter Kiethe
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To: Thomas Huber ,
CSound Mailing Liste
Subject: Re: "Patch librarian"
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Thomas Huber schrieb:
> Wow, that's cool. I plan to buy a new faderbox in the next time
> anyway, so the simplest solution for my problem will be to buy
> a box with such a saving capabilitiy. How many controllers does
> the PC1600 have ? I have 16 on my Kawai now, and it's not enough
> anymore... I'd like to have 64 (I've seen one from Doepfer that
> has 64, but I don't know if it's able to save anything).
The peavey pc1600 have 16 faders, 16 buttons, 1 dial wheal. Your very
free to programm sysex etc. I use this box very often.
Greatings Peter
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Date: Tue, 01 Jun 1999 04:19:08 -0500
From: pete moss
Organization: pete moss GmbH
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To: "csound@maths.ex.ac.uk"
Subject: Re: "Patch librarian"
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i am also interested in midi fader controllers. does anyone know of a
good online resource that would contain info on several faders,
including price? i would like to get a simple one to mess around with.
pete |