| I have uploaded to the geocities site the new version of DirectCsound.
It include the followings additions:
1) Now Csound language allows subroutine calls!
(opcodes "icall" "dicall" "micall" "dmicall" "kargc" "kargt" "argc"
"argt" "artrnc" "artrnt" "krtrnc" "krtrnt")
2) Better DirectX realtime audio with flag -+*
3) new opcodes: "foscili2" "cpstmid"
4) some bug fixed
The main feature added is the "icall" opcode family, which allow the
user to
activate an instrument by another instrument
at the performance time, giving the user the possibility to implement a
sort of subroutines or function calls.
This allows the user to do several things, for example to easily
implement multi-layered instruments, or tho inherit
the features of an instrument by another, more specialized instrument. A
multiple inheritance of several instruments can be also implemented by
using these opcodes in Csound.
Enjoy it!
--
Gabriel Maldonado
http://www.agora.stm.it/G.Maldonado/home2.htm
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From: Gabriel Maldonado
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The new version of "Virtual Midi Control Interface" is available on my
geocities site:
http://www.geocities.com/SiliconValley/Way/7041/vmci.html
It includes a new look for the 7-bit sliders and a way to call Csound
directly by VMCI, as well as to edit current orc/sco pair. If you
already have the older version installed on your computer, you have to
download only the executable (about 150K).
Happy csounding!
--
Gabriel Maldonado
http://www.agora.stm.it/G.Maldonado/home2.htm
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From: David Schuyeteneer
To: Csound List
Subject: controlling partials with Hetrodyne + adsyn
Date: Thu, 10 Sep 1998 14:54:38 +0200
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The Csound v3.48 manuals says :
" Sound described by an adsyn control file can also be modified during
re-synthesis.
The signals kamod, kfmod, ksmod will modify the amplitude, frequency,
and speed of
contributing partials. These are multiplying factors, with kfmod
modifying the cps frequency
and ksmod modifying the speed with which the millisecond bread-point
line-segments are
traversed. Thus .7, 1.5, and 2 will give rise to a softer sound, a
perfect fifth higher, but only
half as long. The values 1,1,1 will leave the sound unmodified. Each of
these inputs can be a control signal. "
This sounds like ALL the sinusoid partials are controlled at the same time
with the same kamod,kfmod and ksmod settings..
Is there a way with "adsyn" to modify the sinusoids apart from each other
with their own kamod, kfmod and ksmod k-rate controllers ??
David
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From: David Schuyeteneer
To: Csound List
Subject: using midifiles with Csound
Date: Thu, 10 Sep 1998 19:37:43 +0200
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Ok,
I downloaded some midifiles from internet, most funky and jazzy stuff, and
how can I let Csound
now produce sounds from those files ???
- How do I know wich Csound instr is going to be triggered by wich instr in
the midifile ??
David.
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From: SteinersT1@aol.com
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To: csound@maths.ex.ac.uk
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Hello,
you can visualize and edit the partials with my program hYdra, download it for
free from
http://members.aol.com/additiv
Sorry, at the moment only versions for windows available, soon a Javaport will
be released.
With friendly grettings,
Malte Steiner
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From: Hans Mikelson
To: Csound
Subject: Sound Familiar?
Date: Thu, 10 Sep 1998 13:50:18 -0500
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Hi,
Here is a simple granular orchestra, score pair. Sound familiar?
Bye,
Hans Mikelson
; ORCHESTRA
sr=44100
kr=4410
ksmps=10
nchnls=2
;---------------------------------------------------------------------------
-------
; Granular Synthesis v. 2
;---------------------------------------------------------------------------
-------
instr 2
idur = p3
iamp = p4
ifqc = cpspch(p5)
igrtab = p6
iwintab = p7
ifrngtab = p8
idens = p9
ifade = p10
ibndtab = p11
igdur = .2
kamp linseg 0, ifade, 1, idur-2*ifade, 1, ifade, 0
kbend oscil 1, 1/idur, ibndtab
kfrng oscil 1, 1/idur, ifrngtab
; Amp Fqc Dense AmpOff PitchOff GrDur GrTable
WinTable MaxGrDur
aoutl grain p4, ifqc*kbend, idens, 100, ifqc*kfrng, igdur, igrtab,
iwintab, 5
aoutr grain p4, ifqc*kbend, idens, 100, ifqc*kfrng, igdur, igrtab,
iwintab, 5
outs aoutl*kamp, aoutr*kamp
endin
; SCORE
f2 0 1024 7 0 224 1 800 0
f3 0 8192 7 1 8192 -1
f4 0 1024 7 0 512 1 512 0
f5 0 1024 10 1 .3 .1 0 .2 .02 0 .1 .04
f6 0 1024 10 1 0 .5 0 .33 0 .25 0 .2 0 .167
f7 0 1024 10 1 .5 .333 .24 .2 .1667 .14286 .1111 .1 .09091 .08333
; Frequency Range Table
f10 0 1024 -7 .21 512 .01 512 .001
f11 0 1024 -7 .31 512 .01 512 .001
f12 0 1024 -7 .21 512 .01 512 .001
; Pitch Bend Table
f20 0 1024 -7 8 512 .99 512 1.00
f21 0 1024 -7 .125 512 1.01 512 1.00
f22 0 1024 -7 .5 512 1.02 512 1.00
; Start Dur Amp Freq GrTab WinTab FqcRng Dens Fade PBend
i2 0.0 6.4 1500 6.00 7 4 10 100 .01 20
i2 0.0 6.4 1500 8.00 7 4 11 100 .01 21
i2 0.0 6.4 1500 10.00 7 4 12 100 .01 22
i2 0.0 6.4 1500 6.07 7 4 10 100 .01 20
i2 0.0 6.4 1500 8.07 7 4 11 100 .01 21
i2 0.0 6.4 1500 10.07 7 4 12 100 .01 22
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Date: Thu, 10 Sep 1998 21:37:47 +0200
From: Josep M Comajuncosas
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To: David Schuyeteneer , csound@maths.ex.ac.uk
Subject: Re: the use of Feedback ?
References: <19980910000003451.AAA213@turing.hogent.be>
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>
Hi all,
you can try to get some sense of these instruments and then
explain why
do they sound how they sound, esp. instr 2 (the first sound you=B4ll
hear).
I tried to simulate some feedback stuff but I really didn=B4t expected
those
noises...
wonderful noises certainly!!! ;-)
I=B4ll repost this if attachments don=B4t work...
Josep M Comajuncosas
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From: David Schuyeteneer
To: Csound List
Subject: Midifile error
Date: Thu, 10 Sep 1998 20:39:59 +0200
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I use -F to use a midifile as melodyinput, but Csound says :
midifile format 1 not supported
What's wrong ?
David
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Date: Thu, 10 Sep 1998 23:19:10 +0100
From: Richard Dobson
Organization: Composers Desktop project
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There are three formats for a Midifile.
>From the official spec:
Format 0 simply presents all data in sequence - a single multi-channel track.
Format 1 contains one or more simultaneous tracks.
Format 2 contains one or more sequentially-independent single-track patterns.
Csound will only deal with Format 0 at present. Hopefully your sequencer can
make a conversion for you.
Richard Dobson
David Schuyeteneer wrote:
>
> I use -F to use a midifile as melodyinput, but Csound says :
>
> midifile format 1 not supported
>
> What's wrong ?
>
> David
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Date: Thu, 10 Sep 1998 19:46:51 -0400
To: csound@maths.ex.ac.uk
From: Christian Guirreri
Subject: amplitude question
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Please excuse my noviceness....
What exactly does the amplitude (p4) value stand for? What does it
represent? What is the total amount of amplitude that can be given without
distortion?
Thanks,
Christian Guirreri and Musc428 at Radford University
cguirrer@runet.edu
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Date: Fri, 11 Sep 1998 08:29:49 +0200
From: Gabriel Maldonado
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Subject: Re: [ANNOUNCE] DirectCsound ver.2.1
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DirectCsound executable, as well as the sources, are now available also
at the DIST - Genoa University FTP site:
ftp://musart.dist.unige.it/pub/CSOUND/win95/
This should be a more reliable (and fast?) site for download operations
In that directory there is also the VMCI program, manual and VB5 runtime
files.
Happy downloading!
--
Gabriel Maldonado
http://www.agora.stm.it/G.Maldonado/home2.htm
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From: David Schuyeteneer
To: Csound List
Subject: Midifile format 1 to 0 converter found
Date: Fri, 11 Sep 1998 12:07:32 +0200
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For those who want to convert midifile format 1 to 0, there is a dedicated
tool for it :
http://www.hitsquad.com/smm/win95/Popular_Formats/Format_Converters/
On that page look for "Bone's midi translator v1.20"
David.
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From: David Schuyeteneer
To: Csound List ,
Gabriel Maldonado
Subject: Test.orc/sco error ==> "unrecognised messagetype 192 "
Date: Fri, 11 Sep 1998 12:57:10 +0200
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I tried to run test.orc/sco pair that comes with DXCsound with a midifile
that I converted from format 1 to 0,
and DXCsound reoprts an error :
"unrecognised message type 192"
The "format 1 not supported" error is gone, but now this....I really don't
know what "message type" means...perhaps
some particular midicommand not supported by (DX)Csound ??
David.
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