| Gabriel Maldonado wrote:
>
> SUBJECT: virus "PENPAL GREETINGS!"
>
> If you receive an e-mail message titled "PENPAL GREETINGS!",
> ERASE IT IMMEDIATELY WITHOUT READING IT!!!
>
> There is a very dangeruos virus that spread itself via email!
>
> DON'T LOAD ANY MESSAGE TITLED "PENPAL GREETINGS!"
>
> As soon as you load this message, a troian virus infect the boot-sector
> of your hard disk, destroing all data.
> The virus is auto-replicant: when you read the message, this send itself
> automatically to all user registered in the email list!!
>
> This virus will destroy all data in your hard disk and potentially will
> destroy all hard disks of users present in your email list. If this
> virus will not be fast eliminated , it will infect all the Internet.
>
> So erase the virus message as soon as you see it. Please send this
> message to all friends and all mailing lists you are subscripted.
This is a variation on the well known "Good Times" hoax. Viruses cannot
be transmitted via email. There has been some interesting debates about
this hoax which dates back to ~1994. Some say it *is* a virus of a new
kind: ie: the virus is the message itself, propagating through the
well-intentioned warnings that self-multiply over e-mail, discussion
groups etc...
A word on viruses: While they do exist, the ones that do damage are
*extremely* rare. For the better part, they constitute an urban myth
that keeps the anti-virus industry healthy and profitable. In 25 years
of daily computing in small and large computer instalations, I have yet
to experience a damage inducing virus.
For the final word on the hoax, see:
http://www.nsm.smcm.edu/News/GTHoax.html
--
________________________________________________________
Jean Piche
Universite de Montreal
http://mistral.ere.umontreal.ca/~pichej
http://www.musique.umontreal.ca/Org/CompoElectro/CEC/
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From: Urip Wisnuardi
Date: Sat, 22 Mar 97 10:01:32 -0600
To: csound@maths.ex.ac.uk
Subject: Re: off-topic but (NOT!) very important!!!!
Reply-To: urip@iglobal.net
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It doesn work at all unless you convert it into execution or =
command format.=20
Dont really worry !!
Urip
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From: Marc Resibois
To: Gabriel Maldonado
Cc: Csound List
Subject: Re: off-topic but very important!!!!
Date: Sat, 22 Mar 1997 14:34:26 -0000
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Not again ;-)
What is described is technically impossible. The message you send is the
'virus' in itself and you just propagated it violently ;-). Read the
message using that point of view, you'll see, you'll have a "good time".
Cheers,
Marc.
: SUBJECT: virus "PENPAL GREETINGS!"
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From: Noel Bush
Date: Sat, 22 Mar 97 13:32:13 -0500
To: Csound Discussion List
Subject: Re: off-topic but (NOT!) very important!!!!
References: <3333BFA0.70CF@agora.stm.it> <3333E700.41C6@ere.umontreal.ca>
Reply-To: Noel Bush
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On Sat, 22 Mar 1997, Jean Piche wrote:
...
> A word on viruses: While they do exist, the ones that do damage are
> *extremely* rare. For the better part, they constitute an urban myth
> that keeps the anti-virus industry healthy and profitable. In 25 years
> of daily computing in small and large computer instalations, I have yet
> to experience a damage inducing virus.
Not that I want to turn this into a virus discussion list, but in less than a year
of daily computer support in a corporate environment I have seen a good lot
of damage induction by several nasty viruses, notably Michelangelo, Monkey,
and Form. The infamous "Word Macro Virus" family is quite pernicious as well:
though not technically destructive, in ubiquity it is capable of producing a
sizable collective headache.
And as for viruses-by-mail: the greatest dangers are those cute little attachments
people distribute to their friends--little executables that make animals run around your
screen or wish you a merry christmas. Left unlaunched/undetached they should
be harmless, but who can resist trying them out?
I am currently working on a virus to include in Csound v3.46 that will force all
Csound composers to state in no uncertain terms their position on the moral
value of MIDI. The results will be compiled via automatic email, rendered aurally,
and submitted to television stations worldwide as a substitute for the test pattern
soundtrack.
==== Noel Bush (NeXTmail, MIME A-OK!)
==== Brooklyn NY 11211
-----BEGIN PGP PUBLIC KEY BLOCK-----
Version: 2.6
mQBtAzMmpNUAAAEDAJqeXofSzGP0gvFtILB/hHAn+qanaCPlj4juxOIw40Qe/hd6
XmGoabTgRTl9pO28Gr0og5BRaanzXjWmxodInsFNgJaUp2o4wY6YnuAyEwJtQ/FS
VEl2bq8UdZJt5KfgwQAFE7QJTm9lbCBCdXNo
=c5Z8
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Date: Sat, 22 Mar 1997 14:12:56 -0500
To: csound@maths.ex.ac.uk
From: tolve
Subject: Question -tempo
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how do i set duration parameter in i statement in mm (metronome) units
assigned by tempo?
example. starting with:
instr 1
amp linseg 0,8,20000,8,0,8,15000,8,0
asig oscil amp,cpspch(p5),p4
out asig
endin
t 0 60
f1 0 8192 10 1
i1 0 32 1 6.06
e
figure ok. here it is: p108 manual. let's just double tempo thusly:
t 0 120 blah blah blah
but what i hear is just half of original linseg:
instr 1
amp linseg 0,8,20000,8,0
asig oscil amp,cpspch(p5),p4
out asig
endin
tried putting t statement everywhere. then tried stick a t in front of dur
to see if it would notice. nope.
Also: can i set a different tempo in sco for each i statement?
working on exhaustive kinderfaq.
thanks again!
tolve
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Date: Sat, 22 Mar 1997 14:23:29 -0500
To: csound@maths.ex.ac.uk
From: tolve
Subject: Re: linseg Csound PPC 0.2b
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>> Does anyone know the limit of line segments per line in a Csound orc? I
>> am trying to utilize the heterodyne analysis files to function as the
>> pitch and volume envelopes for sampled wave forms.
>
> by glancing at the code, it looks like there should be no limit
>(as long as you have enough memory) - csound will dynamically allocate
>more space when needed. (but i could be wrong)
>
On 14 Mar, Russell Pinkston wrote:
>As someone else has
pointed out, expseg and linseg are the csound envelope units with the
greatest number of possible stages. (The practical limit may not be a
specific number of arguments, but the number of characters you can fit on
the line, I think. Max may be 255, or something.) If you really want
unlimited numbers of stages, however, I think you're going to have to go
with some form of table look up and reinitialization. In other words, use
gen 2 to fill as large a table as you need with your envelope segment data,
in the format val1 dur1 val2 dur2 val3 dur3 val4 dur4...etc.<
went on to give specific example. again, i'm just a confused beginner doing
fine for time being with linseg. but is it unlimited?
yours,
tolve
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Date: Sat, 22 Mar 1997 15:19:33 -0800 (PST)
From: Gary Singh
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To: Noel Bush <@ukacrl.sjsu.edu:nobumako@escape.com>
Cc: Csound Discussion List
Subject: Re: off-topic but (NOT!) very important!!!!
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On Sat, 22 Mar 1997, Noel Bush wrote:
> and Form. The infamous "Word Macro Virus" family is quite pernicious as well:
> though not technically destructive, in ubiquity it is capable of producing a
> sizable collective headache.
Much like the Keyboard Magazine article.
--Gary
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Date: Sat, 22 Mar 1997 22:25:27 -0800
From: Toby
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To: tolve
Cc: csound@maths.ex.ac.uk
Subject: Re: Question -tempo
References:
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tolve wrote:
>
> how do i set duration parameter in i statement in mm (metronome) units
> assigned by tempo?
> example. starting with:
>
> amp linseg 0,8,20000,8,0,8,15000,8,0
> figure ok. here it is: p108 manual. let's just double tempo thusly:
>
> t 0 120 blah blah blah
>
> but what i hear is just half of original linseg
The idea is to set up your linseg
in terms of the duration of the note:
instr 1
idur init p3
ivol init p4
ifront init .1
iback init idur - ifront
kenv linseg 0, ifront, ivol, iback, 0
...
...
...
//
That sort of thing.
Toby
-There otta be a law-
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Date: Sun, 23 Mar 1997 01:54:11 -0600
To: csound@maths.ex.ac.uk
From: "Daniel W. Hosken"
Subject: CONCERT ANNOUNCEMENT---BOSTON AREA
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Hi all,
A work of mine for percussion and tape is being premiered in the Boston
area. The tape part was (surprise, surprise) created with Csound. HUGE
Thanks to the folks at Mills (and all you other Csound fiends who keep this
code available and working) for their work on Csound for the Mac and for
the nifty score generator that I used extensively in this piece. The
concert should be a lot of fun---hope you Boston-area folks can make it!
AUROS Group for New Music
8PM, Saturday, March 29, 1997
Killian Hall at MIT, 160 Memorial Drive, Cambridge, MA
Tickets: $10 general / $5 students and seniors
Alchemy for percussion and tape (premiere) Daniel W. Hosken
Sonata for flute, oboe, cello, and harpsichord Elliott Carter
Duo for flute and piano John Harbison
AUROS for ob, cl, vln, vc, pno (premiere) Robert Ceely
Dan Hosken
dwhosken@students.wisc.edu
Computer Music Studio
University of Wisconsin-Madison
|