Moore's book

Moore's book

Date	1997-07-29 23:17
From	John Francis Beahan
Subject	Moore's book
	Hi all! I am interested in getting the most updated version of Moore's 'Elements of Computer Music.' I just recently checked it ou from our library here at UCSC and found very it very useful for my research. I would like to obtain a personel copy and was wondering if anyone knew where I could get one. Thanx, John Beahan Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa10066; 30 Jul 97 0:52 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa08461; 30 Jul 97 0:51 BST Received: (qmail 25756 invoked from network); 29 Jul 1997 23:51:41 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 29 Jul 1997 23:51:41 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (AAA05124); Wed, 30 Jul 1997 00:46:45 +0100 Received: from hermes.ex.ac.uk by maths.exeter.ac.uk; Wed, 30 Jul 97 00:46:32 +0100 Received: from root@csc-sun.math.utah.edu [128.110.198.2] by hermes via ESMTP (AAA05114); Wed, 30 Jul 1997 00:46:30 +0100 Received: from sunscreen.math.utah.edu (rackl@sunscreen.math.utah.edu [155.99.144.58]) by csc-sun.math.utah.edu (8.8.5/8.8.5) with ESMTP id RAA06940; Tue, 29 Jul 1997 17:46:40 -0600 (MDT) From: Les Rackl Received: (from rackl@localhost) by sunscreen.math.utah.edu (8.8.5/8.8.5) id RAA00892; Tue, 29 Jul 1997 17:46:39 -0600 (MDT) Date: Tue, 29 Jul 1997 17:46:39 -0600 (MDT) To: james@maths.ex.ac.uk Cc: csound@maths.ex.ac.uk Subject: Re: message from list software administrator on spamming In-Reply-To: Your message of Thu, 24 Jul 1997 17:59:10 +0100 (BST) Message-Id: Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk Thanks for the work, James! We really appreciate it. les > I have finally got the "closed" list feature to work with majordomo. The > documentation which is normally very good just didnt mention it thats why it > took so long. > This will mean that > > 1) automatic subscribe requests wont work any more > 2) people who arent on the list wont be able to post to the list without > "approval" from list admins > > so less ( hopefully zero ) spam on the list. > > the down side is more work for the list admins and sometimes I think that > even messages from legitimate list members will not go through properly. > > ps. the www archive system is broken AGAIN I will look at this asap > -- > James Andrews, maths CDO, ext.3977 > > --------------------------------------------------------------------- Les Rackl rackl@math.utah.edu http://www.math.utah.edu/~rackl --------------------------------------------------------------------- Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa10856; 30 Jul 97 10:01 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa18021; 30 Jul 97 10:00 BST Received: (qmail 7258 invoked from network); 30 Jul 1997 09:00:57 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 30 Jul 1997 09:00:57 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (JAA19651); Wed, 30 Jul 1997 09:57:23 +0100 Received: from zeno by maths.exeter.ac.uk; Wed, 30 Jul 97 09:56:55 +0100 From: james@maths.ex.ac.uk Message-Id: <7118.199707300856@zeno.maths.exeter.ac.uk> Subject: BOUNCE Csound: Non-member submission from [John Boyd ] (fwd) To: csound@maths.ex.ac.uk Date: Wed, 30 Jul 1997 09:56:54 +0100 (BST) Reply-To: john@sdacs.ucsd.edu X-Mailer: ELM [version 2.4 PL25] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1830 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk owner-csound-outgoing wrote >From owner-csound-outgoing Mon Jul 28 19:54:47 1997 From: owner-csound-outgoing Date: Mon, 28 Jul 97 19:54:47 GMT Message-Id: <25516.9707281954@maths.exeter.ac.uk> To: owner-csound-outgoing Subject: BOUNCE Csound: Non-member submission from [John Boyd ] >From jboyd@protozoa.com Mon Jul 28 20:54:43 1997 remote from Received: from hermes.ex.ac.uk by maths.exeter.ac.uk; Mon, 28 Jul 97 20:54:43 +0100 Received: from protozoa.protozoa.com [207.177.185.3] by hermes via ESMTP (UAA02032); Mon, 28 Jul 1997 20:54:32 +0100 Received: from fela.protozoa.com by protozoa.protozoa.com via SMTP (950215.SGI.8.6.10/940406.SGI.AUTO) id MAA14208; Mon, 28 Jul 1997 12:56:10 -0700 Sender: jboyd@protozoa.protozoa.com Message-Id: <33DCF8EF.41C6@protozoa.com> Date: Mon, 28 Jul 1997 12:54:23 -0700 From: John Boyd Organization: Protozoa, Inc. X-Mailer: Mozilla 3.01SC-SGI (X11; I; IRIX 5.3 IP22) Mime-Version: 1.0 To: csound Cc: jboyd@ucsd.edu Subject: Csound Class/Tutorial? Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Greetings Csounders, A few weeks ago I was websurfing some Csound links and came across a class tutorial for Csound. Now I can't seem to backtrack to that URL. It covered many of the common examples that are in the manual but it was different in that they used Csound as a browser plugin so that when you clicked on an instrument, it would download the orc/sco files and then execute csound on the client. I believe that the plugin only worked for clients running NeXTstep, SGI, and Sun. It also seemed like the University was located somewhere in Holland but I can't be sure. Does this ring a bell for anyone? Please email me if you know. thanks, jboyd@protozoa.com -- James Andrews, maths CDO, ext.3977 Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa10864; 30 Jul 97 10:02 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa18039; 30 Jul 97 10:01 BST Received: (qmail 7285 invoked from network); 30 Jul 1997 09:01:37 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 30 Jul 1997 09:01:37 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (JAA19526); Wed, 30 Jul 1997 09:55:09 +0100 Received: from zeno by maths.exeter.ac.uk; Wed, 30 Jul 97 09:54:50 +0100 From: james@maths.ex.ac.uk Message-Id: <7099.199707300854@zeno.maths.exeter.ac.uk> Subject: realtime MIDI out w/ csound To: csound@maths.ex.ac.uk Date: Wed, 30 Jul 1997 09:54:48 +0100 (BST) Reply-To: bill@towson.edu X-Mailer: ELM [version 2.4 PL25] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1475 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk owner-csound-outgoing wrote >From owner-csound-outgoing Tue Jul 29 18:36:01 1997 From: owner-csound-outgoing Date: Tue, 29 Jul 97 18:36:01 GMT Message-Id: <8371.9707291836@maths.exeter.ac.uk> To: owner-csound-outgoing Subject: BOUNCE Csound: Non-member submission from [Bill Kleinsasser ] >From bill@midget.towson.edu Tue Jul 29 19:35:57 1997 remote from Received: from hermes.ex.ac.uk by maths.exeter.ac.uk; Tue, 29 Jul 97 19:35:57 +0100 Received: from bill@midget.towson.edu [204.62.32.167] by hermes via ESMTP (TAA25723); Tue, 29 Jul 1997 19:35:52 +0100 Received: (from bill@localhost) by midget.towson.edu (8.7.6/8.7.3) id OAA04117; Tue, 29 Jul 1997 14:35:13 -0400 Date: Tue, 29 Jul 1997 14:35:12 -0400 (EDT) From: Bill Kleinsasser To: csound Subject: realtime MIDI out w/ csound Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII Hello, I am working with csound for real-time performance and I wonder if anyone has implemented MIDI-out UGs to control external devices from within csound, Cecilia, etc. I realize that csound and MIDI-out don't seem to historically coincide, but with the abilities of the new versions and high-speed platforms it seems a logical extension. Other communications UGs (serial, ethernet, etc.) could also bear fruit. Can anyone offer pointers to these directions? --Bill -- James Andrews, maths CDO, ext.3977 Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa10870; 30 Jul 97 10:03 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa18116; 30 Jul 97 10:03 BST Received: (qmail 7361 invoked from network); 30 Jul 1997 09:03:14 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 30 Jul 1997 09:03:14 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (JAA19803); Wed, 30 Jul 1997 09:59:42 +0100 Received: from zeno by maths.exeter.ac.uk; Wed, 30 Jul 97 09:59:14 +0100 From: james@maths.ex.ac.uk Message-Id: <7146.199707300859@zeno.maths.exeter.ac.uk> Subject: Re: If you want to know who is Cecilia. To: csound@maths.ex.ac.uk Date: Wed, 30 Jul 1997 09:59:13 +0100 (BST) Reply-To: tkunze@cmsgia.stanford.edu X-Mailer: ELM [version 2.4 PL25] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1815 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk owner-csound-outgoing wrote >From owner-csound-outgoing Mon Jul 28 19:47:59 1997 From: owner-csound-outgoing Date: Mon, 28 Jul 97 19:47:59 GMT Message-Id: <25453.9707281947@maths.exeter.ac.uk> To: owner-csound-outgoing Subject: BOUNCE Csound: Non-member submission from [Tobias Kunze ] >From tkunze@ulysses.stanford.edu Mon Jul 28 20:47:55 1997 remote from Received: from hermes.ex.ac.uk by maths.exeter.ac.uk; Mon, 28 Jul 97 20:47:55 +0100 Received: from ulysses.Stanford.EDU [36.49.0.124] by hermes via ESMTP (UAA01862); Mon, 28 Jul 1997 20:47:54 +0100 Received: from localhost (tkunze@localhost) by ulysses.stanford.edu (950413.SGI.8.6.12/950213.SGI.AUTOCF) via SMTP id MAA18470; Mon, 28 Jul 1997 12:49:00 -0700 Date: Mon, 28 Jul 1997 12:49:00 -0700 (PDT) From: Tobias Kunze To: javi.ruiz@tfn.servicom.es Cc: csound Subject: Re: If you want to know who is Cecilia. In-Reply-To: Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII > course, but I saw also Cecilia Gallerani, also a Leonardo painting (circa > 1485-1490, Czartoryski Museeum, Cracovia, Poland). > A coincidence? > Saludos from Canary Islands. of course not. i love the painting and when jean piche sent me his beta of "CECELIA" (sic, probably inspired by the infamous MIT server), i implored him to change it to "CECILIA" so that I could give it the da Vinci. BTW: you're the first person to notice. :) -Tobias ______________________________________________________________________ Tobias Kunze t@kunze.stanford.edu CCRMA, Stanford University http://www.stanford.edu/~tkunze -- James Andrews, maths CDO, ext.3977 Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa10882; 30 Jul 97 10:07 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa18195; 30 Jul 97 10:06 BST Received: (qmail 7512 invoked from network); 30 Jul 1997 09:06:35 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 30 Jul 1997 09:06:35 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (KAA20106); Wed, 30 Jul 1997 10:03:05 +0100 Received: from zeno by maths.exeter.ac.uk; Wed, 30 Jul 97 10:02:36 +0100 From: james@maths.ex.ac.uk Message-Id: <7222.199707300902@zeno.maths.exeter.ac.uk> Subject: Musical Languages BOF at Conference for Domain-Specific Languages To: csound@maths.ex.ac.uk Date: Wed, 30 Jul 1997 10:02:34 +0100 (BST) Reply-To: tjt@geoplex.com X-Mailer: ELM [version 2.4 PL25] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 2099 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk owner-csound-outgoing wrote >From owner-csound-outgoing Sun Jul 27 20:38:15 1997 From: owner-csound-outgoing Date: Sun, 27 Jul 97 20:38:15 GMT Message-Id: <11002.9707272038@maths.exeter.ac.uk> To: owner-csound-outgoing Subject: BOUNCE Csound: Non-member submission from [Tim Thompson ] >From tjt@geoplex.geoplex.com Sun Jul 27 21:38:10 1997 remote from Received: from hermes.ex.ac.uk by maths.exeter.ac.uk; Sun, 27 Jul 97 21:38:10 +0100 Received: from sjgw.geoplex.com [135.197.58.3] by hermes via ESMTP (VAA13320); Sun, 27 Jul 1997 21:38:08 +0100 Received: from geoplex.geoplex.com (geoplex.geoplex.com [135.197.42.2]) by sjgw.geoplex.com (8.8.5/8.7.3) with ESMTP id NAA17577 for ; Sun, 27 Jul 1997 13:38:20 -0700 (PDT) Received: (from tjt@localhost) by geoplex.geoplex.com (8.8.5/8.8.5) id NAA18753 for csound@maths.ex.ac.uk; Sun, 27 Jul 1997 13:38:18 -0700 (PDT) Date: Sun, 27 Jul 1997 13:38:18 -0700 (PDT) From: Tim Thompson Message-Id: <199707272038.NAA18753@geoplex.geoplex.com> To: csound Subject: Musical Languages BOF at Conference for Domain-Specific Languages There will be a USENIX Conference on Domain-Specific Languages, October 15-17, in Santa Barbara, California, USA. See: http://www.usenix.org/events/dsl97/dsl97.html I'm organizing a BOF (Birds-of-a-Feather) session on musical languages, and would like to solicit participation from anyone in the Csound community who might be going to the conference (or will be going now that they know about the conference). If you would like to participate in the BOF (perhaps by talking about Csound or providing examples), please send email to tjt@geoplex.com. The program chair would like us to focus on language issues, but of course we should have fun playing a bit of music, too, since that's the whole point of these languages. This invitation also extends to anyone working on SAOL, as well as anyone else doing musical language work that they'd like to present. ...Tim Thompson...AT&T Labs...tjt@geoplex.com... -- James Andrews, maths CDO, ext.3977 Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa10893; 30 Jul 97 10:10 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa18228; 30 Jul 97 10:09 BST Received: (qmail 7630 invoked from network); 30 Jul 1997 09:09:55 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 30 Jul 1997 09:09:55 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (KAA20412); Wed, 30 Jul 1997 10:06:15 +0100 Received: from zeno by maths.exeter.ac.uk; Wed, 30 Jul 97 10:05:52 +0100 From: james@maths.ex.ac.uk Message-Id: <7263.199707300905@zeno.maths.exeter.ac.uk> Subject: Re: stereo random? To: csound@maths.ex.ac.uk Date: Wed, 30 Jul 1997 10:05:51 +0100 (BST) X-Mailer: ELM [version 2.4 PL25] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 1462 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk owner-csound-outgoing wrote >From owner-csound-outgoing Fri Jul 25 16:08:09 1997 From: owner-csound-outgoing Date: Fri, 25 Jul 97 16:08:09 GMT Message-Id: <19882.9707251608@maths.exeter.ac.uk> To: owner-csound-outgoing Subject: BOUNCE Csound: Non-member submission from ["Matt J. Ingalls" ] >From ingalls@ella.mills.edu Fri Jul 25 17:07:59 1997 remote from Received: from hermes.ex.ac.uk by maths.exeter.ac.uk; Fri, 25 Jul 97 17:07:59 +0100 Received: from ella.mills.edu [144.91.3.20] by hermes via SMTP (RAA11901); Fri, 25 Jul 1997 17:07:57 +0100 Received: (qmail 20290 invoked by uid 1964); 25 Jul 1997 16:08:05 -0000 Date: Fri, 25 Jul 1997 09:08:05 -0700 (PDT) From: "Matt J. Ingalls" To: jthorpe@compusmart.ab.ca Cc: csound Subject: Re: stereo random? In-Reply-To: <15009.199707250840@zeno.maths.exeter.ac.uk> Message-Id: Mime-Version: 1.0 Content-Type: TEXT/PLAIN; charset=US-ASCII its hard to say without seeing exactly what you are doing in your orchestra. BUT - we just got a report that randi/randh was putting out positive numbers only. havent had time to investigate. has this been noticed on other platforms? -matt > I've just created a randi of .5, (+.5) and in my outs said asig * arand, > asig * (1 - arand). > > What his does, is oscilate the signal stereophonically. Any suggestions > out there? -- James Andrews, maths CDO, ext.3977 Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa10980; 30 Jul 97 10:30 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa18627; 30 Jul 97 10:29 BST Received: (qmail 8494 invoked from network); 30 Jul 1997 09:29:41 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 30 Jul 1997 09:29:41 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (KAA21438); Wed, 30 Jul 1997 10:25:45 +0100 Received: from zeno by maths.exeter.ac.uk; Wed, 30 Jul 97 10:25:26 +0100 From: james@maths.ex.ac.uk Message-Id: <7347.199707300925@zeno.maths.exeter.ac.uk> Subject: NSF Sonification Workshop at ICAD To: csound@maths.ex.ac.uk Date: Wed, 30 Jul 1997 10:25:25 +0100 (BST) Reply-To: stephen@cbr.dit.csiro.au X-Mailer: ELM [version 2.4 PL25] Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 6005 Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk owner-csound-outgoing wrote >From owner-csound-outgoing Fri Jul 25 00:00:41 1997 From: owner-csound-outgoing Date: Fri, 25 Jul 97 00:00:41 GMT Message-Id: <8273.9707250000@maths.exeter.ac.uk> To: owner-csound-outgoing Subject: BOUNCE Csound: Non-member submission from [stephen@cbr.dit.csiro.au (Stephen Barrass)] >From stephen@cbr.dit.csiro.au Fri Jul 25 01:00:37 1997 remote from Received: from hermes.ex.ac.uk by maths.exeter.ac.uk; Fri, 25 Jul 97 01:00:37 +0100 Received: from lynx-f.cbr.dit.csiro.au [192.107.9.19] by hermes via ESMTP (BAA02532); Fri, 25 Jul 1997 01:00:33 +0100 Received: from capella.cbr.dit.csiro.au by lynx.cbr.dit.csiro.au (8.8.3/1.07S) id KAA14235; Fri, 25 Jul 1997 10:00:07 +1000 (EST) From: stephen@cbr.dit.csiro.au (Stephen Barrass) Received: by capella.cbr.dit.csiro.au (8.8.3/1.09C) id KAA05972; Fri, 25 Jul 1997 10:00:03 +1000 (EST) Date: Fri, 25 Jul 1997 10:00:03 +1000 (EST) Message-Id: <199707250000.KAA05972@capella.cbr.dit.csiro.au> To: csound Subject: NSF Sonification Workshop at ICAD ----- Begin Included Message ----- This is a call for position papers for an NSF-sponsored workshop on sonification to be held in Palo Alto, California, Sunday, November 2, 1997, the day before ICAD '97. At the request of the National Science Foundation, the International Community for Auditory Display, conveners of the International Conference on Auditory Display, is organizing a one day workshop on sonification. The purpose of the workshop is to assess the status of the field and produce recommendations to the NSF regarding the development of a research agenda. For the purposes of this workshop, sonification is defined as auditory representation of data. Sonification research includes aspects of human perception and cognition, sound synthesis and audio signal processing, and music and sound design, as well as a host of related disciplines and applications such as computer science, process control and assistive technologies for the disabled. Relatively little research has been conducted in auditory representation of data and, with a few real time exceptions such as geiger counters or pulse oxymeters, no sonification solutions have been widely used. What are the key issues facing sonification researchers? Are there bottlenecks in tool design? In perception research? Are there needs for design guidelines and theory building? What kinds of applications are likely to be the most successful? What kinds of research teams might be assembled to make the needed research or development breakthroughs? What role might sonification play in education? Conversely, what kind of background is needed to participate meaningfully in the field? In what ways can this research be informed by data visualization, haptic, VR and other perceptualization research? How significant is interactivity in data exploration via sonification? These and other questions are likely to arise. The workshop will be limited to 15-20 participants. We will work ahead of time via email to ascertain the questions most pressing in the field. When we convene on November 2 we will hear several talks by participants then further focus our questions, breaking into working groups to investigate them in depth. The whole group will reconvene at the end of the day to share and discuss our results. Initial results will be presented a couple of days later at the ICAD conference. Following the workshop each team will return home to write up a portion of a report which will be compiled, edited, and presented to the National Science Foundation along with policy recommendations regarding the development of a research agenda. The white paper will also be circulated throughout the relevent research communities. It is hoped that this effort will stimulate new thought and shed some light on the difficulties and possibilities of this research area. It may also help researchers at the fringes of sonification to provide meaningful input, while defining some of the potential benefits and difficulties of sonification for new research efforts. It is also our hope that a scientifically responsible position paper will serve as a useful reference as researchers approach funding agencies, colleagues, managers and review committees about their work. Please submit a position paper of 500 words. This paper should present what you consider to be the key issue(s) facing sonification research, why these concerns are important, and possibly your current thoughts as to how to approach the issues. Please include within the paper a brief bio and description of current sonification research or current research of relevence to sonification. In selecting participants consideration will be given to experience, disciplinary and institutional diversity, demonstrated consideration of relevent issues, the ability to present quality scientific work, and other criteria. Participation by young researchers is also encouraged. A range of participants with varying experience and backgrounds will support informative discussions as well as provide opportunities to influence new researchers in this field. Email your submission (no attachments, please) to Gregory Kramer, workshop Chair, at kramer@listen.com no later than September 2, 1997. This workshop is an adjunct to the International Conference on Auditory Display, ICAD '97, to be held at Xerox PARC November 3-5, 1997 in Palo Alto, California. Another workshop will be held on the same day entitled "Audio on the WWW". That workshop will be sponsored by the Office of Naval Research. Elizabeth Mynatt is the General Chair of ICAD '97, James Ballas is the Technical Chair. For further information on this and other ICAD activities, please visit the ICAD Web site at http://www.santafe.edu/~icad Gregory Kramer Clarity/Santa Fe Institute 310 NW Brynwood Lane Portland, OR 97229 503-292-8550 Fax: 503-292-4982 kramer@listen.com ----- End Included Message ----- -- James Andrews, maths CDO, ext.3977 Received: from stork.maths.bath.ac.uk by omphalos.maths.Bath.AC.UK id aa11031; 30 Jul 97 10:48 BST Received: from pat.bath.ac.uk by stork.maths.Bath.AC.UK id aa19113; 30 Jul 97 10:48 BST Received: (qmail 9184 invoked from network); 30 Jul 1997 09:48:04 -0000 Received: from hermes.ex.ac.uk (194.83.11.25) by pat.bath.ac.uk with SMTP; 30 Jul 1997 09:48:04 -0000 Received: from noether [144.173.8.10] by hermes via SMTP (KAA22307); Wed, 30 Jul 1997 10:42:18 +0100 Received: from zeno by maths.exeter.ac.uk; Wed, 30 Jul 97 10:41:53 +0100 From: james@maths.ex.ac.uk Date: Wed, 30 Jul 1997 10:41:53 +0100 Message-Id: <7501.199707300941@zeno.maths.exeter.ac.uk> To: csound@maths.ex.ac.uk Subject: Guitar Sound FX orc, sco & ?i [part 2] Sender: owner-csound-outgoing@maths.ex.ac.uk Precedence: bulk ;--------------------------------------------------------------------------- ; A Multi-Effects System ;--------------------------------------------------------------------------- ; 1. Simple Sine Wave ; 2. Pluck ; 3. Mono Sampler ; 4. Noise ; 10. Compressor ; 11. Tube Amp Distortion ; 15. Wah-Wah: This one sucks but the talk-box makes a pretty good Wah-Wah. ; 16. Talk-Box ; 20. Vibrato ; 21. Tremelo ; 22. Pitch Shifter ; 23. Panner ; 30. Stereo Flanger ; 31. Cross Feedback Flanger ; 35. Chorus ; 40. Delay ; 45. Reverb ;--------------------------------------------------------------------------- ; Waveforms ;--------------------------------------------------------------------------- ; Sine Wave f1 0 8192 10 1 ; Triangle Wave f2 0 8192 7 -1 4096 1 4096 -1 ; Sample ;f3 0 0 1 "harp.wav" 0 4 0 ; Triangle Wave f4 0 8192 7 0 4096 1 4096 0 ; Distortion Tables ; Heavy Distortion ;f5 0 8192 8 -.8 336 -.76 3000 -.7 1520 .7 3000 .76 336 .8 ; Slight Distortion ;f5 0 8192 8 -.8 336 -.78 800 -.7 5920 .7 800 .78 336 .8 ; Tube Distortion ;f5 0 8192 7 -.8 834 -.79 834 -.77 834 -.64 834 -.48 1520 .47 2000 .48 1336 .48 f5 0 8192 7 -.8 934 -.79 934 -.77 934 -.64 1034 -.48 520 .47 2300 .48 1536 .48 ; Wah-Wah f7 0 1024 -7 100 512 10000 512 100 ; Pitch Shift Window Shape (1/2 sine) f8 0 16384 9 .5 1 0 ; Formants ; Ahh/Oooh f10 0 1024 -7 722 256 722 256 266 256 266 256 722 f11 0 1024 -7 1216 256 1216 256 1292 256 1292 256 1216 f12 0 1024 -7 2433 256 2433 256 2281 256 2281 256 2433 f13 0 1024 -7 3193 256 3193 256 3421 256 3421 256 3193 ; Sample ; Sta Dur Amp Fqc Table Begin End(n-1) OutCh ;i3 0 21.6 10000 440 3 0 474670 1 ; Sine Wave ;i1 0 1 10000 1000 ;i1 1 1 10000 500 ; Pitch Shifter This has not been tested. ; Sta Dur Fqc Wave WinFun OutCh ;i19 0 1.6 2 3 8 1 ; Noise ; Sta Dur Amp ;i4 0 4 5000 ; Wah-Wah ; Sta Dur Frqc Table InChL InChR OutChL OutChR ;i15 0 1.6 2 7 2 2 3 3 ; Vibrato ; Sta Dur Amp Fqc Table MaxDelay InChL InChR OutChL OutChR ;i20 0 2.5 1 5 1 3 1 1 2 2 ; Tremelo ; Sta Dur Amp Fqc Table InChL InChR OutChL OutChR ;i21 0 2.5 .5 5 1 1 1 2 2 ;--------------------------------------------------------------------------- ; Plain Pluck ;--------------------------------------------------------------------------- ; Sta Dur Amp Fqc Func Meth OutCh i2 0.0 1.6 4000 7.00 0 1 1 i2 0.2 1.4 3000 7.05 . . . i2 0.4 1.2 2600 8.00 . . . i2 0.6 1.0 3000 8.05 . . . i2 0.8 0.8 4000 7.00 . . . i2 1.0 0.6 3000 7.05 . . . i2 1.2 0.4 2600 8.00 . . . i2 1.4 0.2 3000 8.05 . . . ; Mixer ; Sta Dur Ch1 Gain Pan Ch2 Gain Pan Ch3 Gain Pan Ch4 Gain Pan i100 0 2 1 4 1 1 4 0 3 2 1 4 2 0 ;--------------------------------------------------------------------------- ; Pluck with Heavy Distortion ;--------------------------------------------------------------------------- i2 2.0 1.6 4000 7.00 0 1 1 i2 2.2 1.4 3000 7.05 . . . i2 2.4 1.2 2600 8.00 . . . i2 2.6 1.0 3000 8.05 . . . i2 2.8 0.8 4000 7.00 . . . i2 3.0 0.6 3000 7.05 . . . i2 3.2 0.4 2600 8.00 . . . i2 3.4 0.2 3000 8.05 . . . ; Tube Amp ; Sta Dur PreGain PostGain DutyOffset SlopeShift InCh OutCh i11 2 1.6 2 1 1 1 1 2 ; Mixer ; Sta Dur Ch1 Gain Pan Ch2 Gain Pan Ch3 Gain Pan Ch4 Gain Pan i100 2 2 2 1 1 2 1 0 3 2 1 4 2 0 ;--------------------------------------------------------------------------- ; Pluck with Distortion & Flanging ;--------------------------------------------------------------------------- i2 4.0 1.6 4000 7.00 0 1 1 i2 4.2 1.4 3000 7.05 . . . i2 4.4 1.2 2600 8.00 . . . i2 4.6 1.0 3000 8.05 . . . i2 4.8 0.8 4000 7.00 . . . i2 5.0 0.6 3000 7.05 . . . i2 5.2 0.4 2600 8.00 . . . i2 5.4 0.2 3000 8.05 . . . ; Tube Amp ; Sta Dur PreGain PostGain DutyOffset SlopeShift InCh OutCh i11 4 1.6 2 1 1 1 1 2 ; Flanger ; Sta Dur Rate Depth Wave Feedbk Mix DelayOff InCh OutChL OutChR ; (1-40) i30 4 1.61 .5 20 1 .8 1 10 2 3 4 ; Mixer ; Sta Dur Ch1 Gain Pan Ch2 Gain Pan Ch3 Gain Pan Ch4 Gain Pan i100 4 2 3 .5 1 4 .5 0 3 0 1 4 0 0 ;--------------------------------------------------------------------------- ; Distortion & Chorus ;--------------------------------------------------------------------------- i2 6.0 1.6 4000 7.00 0 1 1 i2 6.2 1.4 3000 7.05 . . . i2 6.4 1.2 2600 8.00 . . . i2 6.6 1.0 3000 8.05 . . . i2 6.8 0.8 4000 7.00 . . . i2 7.0 0.6 3000 7.05 . . . i2 7.2 0.4 2600 8.00 . . . i2 7.4 0.2 3000 8.05 . . . ; Tube Amp ; Sta Dur PreGain PostGain DutyOffset SlopeShift InCh OutCh i11 6 1.6 2 1 1 1 1 2 ; Chorus ; Sta Dur Rate Depth Wave Mix DelayOff InCh OutChL OutChR ; (.1-2) i35 6 1.61 1 1 1 1 30 2 3 4 ; Mixer ; Sta Dur Ch1 Gain Pan Ch2 Gain Pan Ch3 Gain Pan Ch4 Gain Pan i100 6 2 3 1 1 4 1 0 3 0 1 4 0 0 ;--------------------------------------------------------------------------- ; Distortion & Talk-Box ;--------------------------------------------------------------------------- i2 8.0 1.6 4000 7.07 0 1 1 i2 8.4 1.2 3000 7.00 . . . i2 8.8 .8 2600 9.05 . . . i2 9.2 .4 3000 9.00 . . . ; Tube Amp ; Sta Dur PreGain PostGain DutyOffset SlopeShift InCh OutCh i11 8 1.6 2 1 1 1 1 2 ; Talk Box ; Sta Dur InCh OutCh i16 8 1.6 2 3 ; Mixer ; Sta Dur Ch1 Gain Pan Ch2 Gain Pan Ch3 Gain Pan Ch4 Gain Pan i100 8 2 3 1 1 3 1 0 3 0 1 4 0 0 ;--------------------------------------------------------------------------- ; Digital Delay with Moderate Distortion ;--------------------------------------------------------------------------- i2 10.0 1.6 4000 7.07 0 1 1 i2 10.4 1.2 3000 7.00 . . . i2 10.8 .8 2600 9.05 . . . i2 11.2 .4 3000 9.00 . . . ; Tube Distortion f5 10 8192 7 -.8 834 -.79 834 -.77 834 -.64 834 -.48 1520 .47 2000 .48 1336 .48 ; Tube Amp ; Sta Dur PreGain PostGain DutyOffset SlopeShift InCh OutCh i11 10 1.6 2 1 .2 0 1 2 ; Delay ; Sta Dur Time Feedbk InChL InChR OutChL OutChR i40 10 3 .2 .5 2 2 3 3 ; Mixer ; Sta Dur Ch1 Gain Pan Ch2 Gain Pan Ch3 Gain Pan Ch4 Gain Pan i100 10 3 2 1 1 2 1 0 3 1 1 3 1 0 ;--------------------------------------------------------------------------- ; Compression & Auto Pan ;--------------------------------------------------------------------------- i2 13.0 1.6 4000 7.07 0 1 1 i2 13.4 1.2 3000 7.00 . . . i2 13.8 .8 2600 9.05 . . . i2 14.2 .4 3000 9.00 . . . ; Compression Curve f6 13 1025 7 1 256 1 256 .1 256 .1 257 .1 ; Compressor ; Sta Dur RespFrqc Table PreGain PostGain InCh OutCh i10 13 1.6 100 6 1 20 1 2 ; Tube Distortion f5 13 8192 7 -.8 834 -.79 834 -.77 834 -.64 834 -.48 1520 .47 2000 .48 1336 .48 ; Tube Amp ; Sta Dur PreGain PostGain DutyOffset SlopeShift InCh OutCh i11 13 1.6 2 1 .2 0 2 3 ; Panner ; Sta Dur Amp Fqc Table InCh OutChL OutChR i23 13 1.6 1 5 1 3 4 5 ; Reverb ; Sta Dur gain %orig inputdur atk InCh1 InCh2 OutChL OutChR i45 13 3 1 .5 1.61 .2 4 5 6 7 ; Mixer ; Sta Dur Ch1 Gain Pan Ch2 Gain Pan Ch3 Gain Pan Ch4 Gain Pan i100 13 3 4 1 1 5 1 0 6 1 1 7 1 0 \| \| \| \ \| / Hans P. Mikelson \| __ \| __/ \| \ \| hljmm@discover-net.net \|__ \|__ \|__ \|__ \_ \|__ http://discover-net.net/~hljmm/ -- James Andrews, maths CDO, ext.3977

Date	1997-07-30 14:37
From	jpff@maths.bath.ac.uk
Subject	Re: Moore's book
	I got my copy of Moore in a book shop -- it worked here in the UK. ==John

Date	1997-07-30 14:37
From	jpff@maths.bath.ac.uk
Subject	Re: Moore's book
	I got my copy of Moore in a book shop -- it worked here in the UK.

Date	1997-07-30 22:42
From	santiago pereson
Subject	Re: Moore's book
	At 15:17 -0700 29/7/97, John Francis Beahan wrote: >Hi all! > > I am interested in getting the most updated version of Moore's >'Elements of Computer Music.' I just recently checked it ou from our >library here at UCSC and found very it very useful for my research. I >would like to obtain a personel copy and was wondering if anyone knew >where I could get one. > >Thanx, John Beahan i bought it recently from www.barnesandnoble.com. they had some trouble finding it (or so they say), but in the end they sent it ok. best, santiago music is dressed silence mailto:jaco@overnet.com.ar http://www.geocities.com/~yaco

Date	1997-07-31 02:02
From	tolve
Subject	Re: Moore's book