| I have begun to use Csound
and really want to get information about it
but have to spend BIG time for reading A message
with my English dictionary.
I have got information about only real war and OS war
from this list.
The great Csound is used by people who live in the whole world.
I am NOT good at English
but really want to get information about the great Csound.
Is this selfish?
Kanata Motohashi
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From: Anders Andersson
To: The CSound mailinglist
Date: Mon, 26 Apr 1999 20:29:44 +0200
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Subject: Rolloff
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Hello!
I wonder how steep the rolloff are in the basic "tone" and "reson" filters?
(in dB)
(If they are measurable)
(I guess they depend on the sr?)
// Anders
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Date: Mon, 26 Apr 1999 14:55:36 -0400
From: Kevin Gallagher
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To: Kanata Motohashi
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Subject: Re: I am NOT good at English.
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If you are interested in a Japanese Csound manual, there is one at:
http://ringo.sfc.keio.ac.jp/~yasaka/csound-j/
Check the Csound Front Page for other resources:
http://www.leeds.ac.uk/music/Man/c_front.html
With regards to posts about real wars and OS wars, I assure you that
this has only happened during the last few weeks...this is normally a
very useful, helpful, and on-topic list.
Good luck!
Kanata Motohashi wrote:
> I have begun to use Csound
> and really want to get information about it
> but have to spend BIG time for reading A message
> with my English dictionary.
>
> I have got information about only real war and OS war
> from this list.
>
> The great Csound is used by people who live in the whole world.
> I am NOT good at English
> but really want to get information about the great Csound.
>
> Is this selfish?
>
> Kanata Motohashi
--
Kevin Gallagher
Composer, Guitarist, Music Copyist, Music Synthesist
Email: kgallagh@astro.temple.edu
Web site: http://astro.temple.edu/~kgallagh
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Date: Mon, 26 Apr 1999 21:59:06 +0000
From: Andre Bartetzki
Organization: STEAM HfM Berlin
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Hello,
has anyone ever used the nsamp() function?
I want to set the duration of an event to the length of a soundfile in f1
(GEN01) this way:
p3 = nsamp(1) / sr
but it seems that nsamp is unknown to csound:
-------------------------
orch compiler:
20 lines read
instr 1
error: illegal opcod from expr anal, line 10:
p3 = nsamp(1) / sr
error: input arg '#i0' used before defined, line 10:
p3 = nsamp(1) / sr
2 syntax errors in orchestra. compilation invalid
-------------------------
Although nsamp is listed by the -z flag!
I've got this error both with 3.51 (Mills Mac version) and 3.53 (IRIX binary).
What's wrong here?
Andre
--------------------------------------------------
Andre Bartetzki http://www.kgw.tu-berlin.de/~abart
Deutsche Gesellschaft fuer elektroakustische Musik - DEGEM http://www.kgw.tu-berlin.de/~degem
Studio fuer elektroakustische Musik http://www.kgw.tu-berlin.de/~abart/Steam/steam.html
Hochschule fuer Musik Berlin http://www.hfm-berlin.de
Tel. +49-30-42800760
Tel. +49-30-203092488
--------------------------------------------------
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From: Anders Andersson
To: The CSound mailinglist
Date: Mon, 26 Apr 1999 22:00:06 +0200
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/******************************************************
**
** *OFF TOPIC REPLY ON A OFF TOPIC MAIL!! DON'T READ*
**
******************************************************/
> Dear K.,
> Yesterday I was truly too tired (no sleep in the
> previous 48 hours) to make a serious reasoning.
Some strange Italian demoparty going on, or what? =)
> it's not McDonald's food the cause of all this
> menthal sickness. ;)
Although it's the cause of many other sicknesses.. =)
> Before I say the following words, I've to say I'm
> personally (for my own reasons) against drugs, i.e.
> I don't use any. Yet, I think it's my own right to
> decide if I want to use them or not... not my State's
> "right".
I agree!
Even though I'd prefer to see that nobody uses drugs of anykind,
It's up to each and every person to decide that for themselves.
Personally, I don't even drink alcohol, but, as I said..
that's my choice, and may not reflect the others..
> Because to be a good capitalist you need to block your
> sociable feelings: you should cease to consider other
> human beings as human beings but just as things which
> can bring you money and power. But, as we know, humans
> are not machines and this doesn't quite work after a
> bit, and produces severe psychosis. You have to learn to
> be selfish, that is highly non-sociable. Keeping the people
100% True!
> democracy there's no choice. In places like the USA
> only a big revolution could change anything.. of course
> this doesn't apply to much more civil countries like
> Switzerland or Sweden, or some others.
Well.. Let's look at the USA and the world from the 'beginning',
as I see it.
In the beginning there where natives.
In America, in Europe, and the rest of the world.
Then something happened.
America was 'discovered'.
A new continent.
This is what happened then:
The capitalists in the rest of the world started to compete about
the new resources; The one that died richest would win.
The capitalists founded USA.
Then the weak people in Europe, the ones that wouldn't *work* for food,
or the ones that wasn't happy with what they *had* emigrated to USA from
Europe. To steal the 'new' land from the native indians.
What did they end up with? A whole new country filled with capitalists
and thieves.. What a great way to start on! =)
// Anders (Not so serious this time..)
(note1: I may choose to reply on your replys, or not.. =D)
(note2: Ofcourse, this doesn't mean that all ppl in USA are capitalists
and/or thieves, only the goverment..)
(note3: Remember.. USA=Windows)
(note4: This mail was written *ONLY* to make people think, and not to upset)
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Date: Mon, 26 Apr 1999 13:34:18 -0700
From: Erik Spjut
Subject: Re: Rolloff
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The CSound mailinglist
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Roll-off gets really steep close to sr/2 (typical of digital filters) but
is 20dB/decade or 12dB/octave for tone and 40dB/decade or 24 dB/octave for
reson in the transition range (if Fcutoff/sr is small enough to have one).
At 8:29 PM +0200 4/26/99, Anders Andersson wrote:
>Hello!
>
>I wonder how steep the rolloff are in the basic "tone" and "reson" filters?
>(in dB)
>(If they are measurable)
>(I guess they depend on the sr?)
>
>
>// Anders
----------------------------------------------------------------
Prof. R. Erik Spjut (spyoot rhymes with cute)
Engineering Department, Harvey Mudd College, Claremont, CA 91711
erik_spjut@hmc.edu Ph. (909) 607-3890 Fax (909) 621-8967
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< bullshit, about HS snipped >
where do you get your misinformation? From Matt Drudge?
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> off topic: READ IT IF YA FEEL LIKE IT OR DON'T IF YA DON'T :^P
DAMN SOCIALISTS :^)
>Nostalgie ist die Faehigkeit, darueber zu trauern, dass es nicht mehr so
>ist, wie es frueher nicht gewesen ist. -- Manfred Rommel
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Date: Mon, 26 Apr 1999 17:52:29 -0400
From: "Job M. van Zuijlen"
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Besides capitalists and thieves, there were those how emigrated for
religious reasons. I lived here (the USA) long enough to be called an
immigrant, so I suppose I'll have to make up my mind to which category I
(want to) belong?
Job (Yo B. Cool) van Zuijlen
/******************************************************
**
** *OFF TOPIC REPLY TO AN OFF TOPIC REPLY ON A OFF TOPIC MAIL!! DON'T
READ*
**
******************************************************/
Anders Anderson bracht naar voren:
>
> What did they end up with? A whole new country filled with capitalists
> and thieves.. What a great way to start on! =)
>
> // Anders (Not so serious this time..)
>
> (note1: I may choose to reply on your replys, or not.. =D)
> (note2: Ofcourse, this doesn't mean that all ppl in USA are capitalists
> and/or thieves, only the goverment..)
> (note3: Remember.. USA=Windows)
> (note4: This mail was written *ONLY* to make people think, and not to upset)
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From: SteinersT1@aol.com
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Subject: hTools.tar.gz
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Hello,
I just upload the java-commandoline tools of hYdra, the adsyn editor, as a
tar.gz version primaly for Unix users. Check it out at:
http://members.aol.com/additiv
Tomorrow I hope to test the available GUI Java Version of hYdra on MAC and
Linux...
Greetings,
Malte
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Date: Mon, 26 Apr 1999 18:18:20 -0400
From: Tobias Kunze
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> Besides capitalists and thieves, there were those how emigrated
> for religious reasons.
But mind you--most of these "thieves" weren't actually felons.
Check out the new book by Scott Christiansen: "With Liberty for
Some: 500 Years of Imprisonment in America", Northeastern
University Press (reviewed in the February 13 issue of the
Economist, Review of Books & Multimedia). In short, many
prisoners the "land of the free" relied on for forced labour on
plantations, etc. were actually simply kidnapped street kids from
London. One of the big winners of this system by the way was.
So, i'd add the kidnapped to your list :)
-Tobias
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From: Tobias Kunze
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Uh-oh, forgot to actually mention the name :) Washington.
One of the big winners of this system by the way was George
Washington.
Sorry.
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Date: Mon, 26 Apr 1999 16:36:37 -0700
From: Sean Costello
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Hi Csound powers that be:
I am trying to compile Winsound from the Bath sources on my Win 98
machine, using MS Visual C++ 6.0 Professional. After having numerous
errors, linking the needed .c and .h files into the project, and other
various and sundry annoyances (I think that the VSC++ 6.0 library has at
least one file that is completely screwed up), I end up with the
following error message:
Linking...
MAIN.OBJ : error LNK2001: unresolved external symbol _all_free
.\WinDebug/winsound.exe : fatal error LNK1120: 1 unresolved externals
Error executing link.exe.
The symbol all_free is found in main.c, memalloc.c, and prototyp.h. In
particular, it is used in the following lines:
#ifdef CWIN
cwin_atexit(all_free);
#endif
cwin_atexit is defined earlier as
#ifdef CWIN
cwin_atexit(all_free);
#endif
OK, I am no C programming whiz, so anyone know what is going on in here?
Better yet, is there a distribution of the source code in which the
project file is the one that is actually USED to create the current
Winsound binary? I had over 100 errors the first time I tried to
compile it.
Thanks,
Sean Costello
P.S. Do people normally use MSVC++ version 6.0 to compile Winsound?
Should I reinstall version 4.0? Are there any bug fixes for version 6.0
that are relevant to compiling Csound?
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From: Hans Mikelson
To: Csound
Subject: Recommended Xenakis?
Date: Mon, 26 Apr 1999 19:41:35 -0500
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Hi,
Can someone recommend a good representative Xenakis recording?
Thanks,
Hans Mikelson
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Date: Mon, 26 Apr 1999 21:04:16 -0400 (EDT)
From: jim altieri
Subject: Re: Recommended Xenakis?
In-reply-to: <003b01be9046$b4a9f420$3899170c@default>
To: Hans Mikelson
Cc: Csound
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On Mon, 26 Apr 1999, Hans Mikelson wrote:
> Hi,
>
> Can someone recommend a good representative Xenakis recording?
>
the most recent release of kraanerg is pretty badass. dj spooky messed
with the old recording and mixed it in with a new recording. but if
you're looking for his electronic music, there's a "best of" type of album
for his electronic works. "electronic works of iannis xenakis" type of
thing. xenakis is so damn cool. half of his face was blown off in a war.
(trying to relate xenakis to recent topics...)
love and stochastic motion,
jim altieri
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From: Jamie Bullock
To: Csound List
Subject: Re: Recommended Xenakis?
Date: Tue, 27 Apr 1999 02:25:54 +0100
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I don't think recordings of Xenakis' music are particularly abundant.
There are two classic recordings on the Montaigne label; the first is a
selection of chamber music from 1955-1990 [MO 782005] - valiantly performed
by the Arditti Quartet and Claude Helffer, the second is La Legend d'Eer
[MO 782058] for 8-channel tape.
The first release gives a good feeling for Xenakis' general stylistic and
technical evolution whilst La Legend d'Eer is probably his most extensive
contribution to electroacoustic music.
I wish you the best of luck!
regards
-jb
On April 27th Hans Mikelson wrote:
>Can someone recommend a good representative Xenakis recording?
>
>Thanks,
>Hans Mikelson
>
>
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Date: Mon, 26 Apr 1999 22:14:44 -0400
From: "Job M. van Zuijlen"
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Organization: electona
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Subject: Re: Winsound not compiling in MSVC++ version 6.0
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I have been able to compile Csound using MSVC++ version 5.0, but that
must have been around version 3.48 (last year). I do remember having to
do a lot of editing to the makefile to get a decent project file (at
least I think that's how I did it).
Job van Zuijlen
Sean Costello wrote:
>
>
> P.S. Do people normally use MSVC++ version 6.0 to compile Winsound?
> Should I reinstall version 4.0? Are there any bug fixes for version 6.0
> that are relevant to compiling Csound?
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From: Grant Covell
To: Hans Mikelson , Csound
Subject: RE: Recommended Xenakis?
Date: Mon, 26 Apr 1999 22:33:48 -0400
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Just one? Let me haul out the Xenakis stack...
"Xenakis: Electronic Music", EMF CD 003
For Electronic stuff, you want to get the older works, which have only been
recently re-released on this CD. Bohor, Diamorphoses and Concret PH are from
1958-60 and reflect working with simple materials. Concret PH is the piece
also played in LeCorbusier's structure that Varese's Poeme was played in.
"Iannis Xenakis 2: La Legende d'Eer", Montaigne MO 782058
This was already mentioned, but between these two CDs you get the full
compass of Xenakis' electronic work. This latter work was composed using a
sort of graphing tablet that IX had developed for him.
"Iannis Xenakis: Phlegra, Jalons, Keren, Nomos Alpha", Erato 2292-45770-2
A representative CD of the smaller chamber works. I find Phlegra a real
masterpiece: raucous, brash and obnoxious. The EnsembleIntercontemporain are
the featured performers. This may be out of print.
"Iannis Xenakis: Musique de Chambre", Montaigne MO 782005
Also already mentioned, but this completes a survey of the smaller chamber
works, though the emphasis is on strings and piano only. Herma is a crucial
IX work 'cause of the set theory behind it. ST/4 is one of those stochasitic
works generated by computer for traditional instruments.
Kraanerg was already mentioned too, but I find the better recording to be on
Etcetera (KTC 1075) with Alpha Centuri Ensemble and Roger Woodward (he plays
a lot of piano stuff like Xenakis and Feldman). There's more ambient
denseness in the interaction between tape and instruments in this.
Xenakis' percussion writing is also crucial: Okho is accessible and recorded
rather frequently, but Pleiades is the one to seek out. Les Percussions de
Strasbourg is the definitive ensemble on Denon 81757 3678 2. I think their
Harmonia Mundi release is still in print too.
Historically, Xenakis' first compositions for orchestra , Metastasis and
Pithropratka are worth seeking, but they're on LPs or in big bulky bricks
that cover retrospectives of the major contemporary music festivals
(Metastatsis is on a 4CD brick on Col Legno, 40 Jahre Donaueschinger
Musiktage 1950-1990, Col Legno AU-031800).
And if completeness (obsession) is what you're after, Jonchaies for
orchestra is on another 5CD brick from Col Legno: 20 ans de musique
contemporaine a Metz, Col Legno AU 31830. There is also a work for piano and
orchestra, Keqrops, on Wien Modern III featuring Woodward again, and Claudio
Abbado on DG 447115-2.
While I applaud the two series now out there on Mode and Vandenburg, I'm not
that excited by the performances or the actual IX works. IX vocal music
loses me: you can see my bias is for electronic, orchestral and percussion.
Essentially, he handles all very much the same.
And if you have to get just one, get the one on Erato. For two add the EMF
one. For three, add a percussion one.
Grant.
> -----Original Message-----
> From: Hans Mikelson [mailto:hljmm@werewolf.net]
> Sent: Monday, April 26, 1999 8:42 PM
> To: Csound
> Subject: Recommended Xenakis?
>
>
> Hi,
>
> Can someone recommend a good representative Xenakis recording?
>
> Thanks,
> Hans Mikelson
>
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To: csound@maths.ex.ac.uk
From: Arne Hanna
Subject: Markov Chains
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With a view to writing a csound score generator (honest!), I'm researching
the implimentation of Markov Chains in algorithmic composition.
I've read up on Hiller and Isaacson's Illiac Suite, M, and Jam Factory, but
if anyone out there has some experience they wouldn't mind sharing, I'd
love to hear from you.
Does anyone know if M, and Jam Factory are still going concerns? A net
search produces plenty of references, but no indication of either program's
state of health.
Cheers
Arne
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From: Paul Barton-Davis
To: csound@maths.ex.ac.uk
Subject: where to start for a "basic" filter
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i want to write a fairly basic filter for Quasimodo, but its unclear
to me amongst the plethora of filtering opcodes that Csound provides
what to use. I'm thinking of something with most of the following
features: independent LP, BP and HP outputs, cutoff frequency,
adjustable db/oct curve, resonance. What are my best options ?
--thanks
--p
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To: csound@maths.ex.ac.uk
Subject: Re: Markov Chains
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>Does anyone know if M, and Jam Factory are still going concerns? A net
>search produces plenty of references, but no indication of either program's
>state of health.
m = al!v
although prznl! = regard az unvtfl
muzt note dzat != v fond ov dav!d z!karell!
hensz op!n!on = ma! b b!aszd abr != l!kl!
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From: Jens Groh
Subject: Re: nsamp() error
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Andre Bartetzki wrote:
>[...]
>has anyone ever used the nsamp() function?
>[...]
>but it seems that nsamp is unknown to csound:
>[...]
>Although nsamp is listed by the -z flag!
>[...]
>I've got this error both with 3.51 (Mills Mac version) and 3.53 (IRIX binary).
>[...]
>What's wrong here?
>[...]
I noticed the same for version 3.52 (DirectCsound 2.7).
Jens Groh
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To: csound@maths.ex.ac.uk
From: Terry McDermott
Subject: Re: Markov Chains
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For M you can try David Zicarelli's "Cycling '74" web site. There is a new
PPC version.
>With a view to writing a csound score generator (honest!), I'm researching
>the implimentation of Markov Chains in algorithmic composition.
>I've read up on Hiller and Isaacson's Illiac Suite, M, and Jam Factory, but
>if anyone out there has some experience they wouldn't mind sharing, I'd
>love to hear from you.
>Does anyone know if M, and Jam Factory are still going concerns? A net
>search produces plenty of references, but no indication of either program's
>state of health.
>
>Cheers
>Arne
Terry McDermott
Music Department
School of Arts & Media
Latrobe University
Bundoora, Victoria, 3083
Australia
email: T.McDermott@latrobe.edu.au
Telephone +61 3 9479 2167
Fax +61 3 9479 3651
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