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Re: sound synthesis languages?

Date1998-03-17 13:35
FromMichael Gogins
SubjectRe: sound synthesis languages?
There are many sound synthesis and signal processing langauges designed at
different times, by different people or institutions, for different
purposes.

Check out a page of many links such as the International Computer Music
Association or Harmony Central (you can find them by doing a Web search for
them), and you should be able to get to many of these languages in a few
jumps.

Csound is neither the best nor the worst of these languages, but it does
contain most of the commonly used analysis and synthesis algorithms, it runs
on more different kinds of computers than any other system, it was the first
usable software synthesis language that could run on a regular IBM
compatible PC, it is relatively small and fast, and it is free. Unlike (to
the best of my knowledge) any of the other synthesis languages with the
exception of Cmix, Csound has been worked on and contributed to for years by
a small community of dedicated users and programmers. So there are good
reasons it is more popular. I use it myself for all of these reasons.

The Cmix language, which runs only on Unix and perhaps on Macintosh, is in
some ways more powerful. There are some languages written in Lisp such as
Fugue (though I have not looked at them). And there are dedicated systems
which consist of DSP hardware plus special-purpose software, for example the
Kyma language with its Capybara box, which is a commercial product and
fairly widely used.

-----Original Message-----
From: Qian Chen 
To: Csound 
Date: Tuesday, March 17, 1998 7:40 AM
Subject: sound synthesis languages?


>Hi there,
>
>I understand that all of us in this mailing list are Csounders.  But
>Sometimes I could read something about other sound synthesis
>languages, such as Cmix, Ceicilia etc.  Is there any other sound
>synthesis language?  Could someone explain me the comparison of those
>languages, since I know very little about other languages except
>Csound.  Furthermore, what is the best and the worst of Csound?
>
>Regards
>Qian Chen
>
>
>
>
>_________________________________________________________
>DO YOU YAHOO!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
>




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From: Dave Phillips 
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Csound 3.477 is now available in binary and source distribution
packages. Binaries (X and non-X) can be found here:

	ftp://mustec.bgsu.edu/pub/linux/Csound-3.477.Linux.bin.tgz

and the source package is at:

	ftp://mustec.bgsu.edu/pub/linux/Csound-3.477.Linux.src.tgz

The MIDI input problem remains unresolved in this release. I don't have
the equipment to continuously test it, and I have had problems
recompiling my kernel. I will continue to try to fix the problem, but I
felt that this release should be made public anyway.

Also, a page has been created with information for signing onto a Linux
audio development discussion group. It is at:

	http://www.bright.net/~dlphilp/lad.html

and I encourage all interested Linux people to sign on.

And finally, the Linux Soundapps page has been updated and revised. Some
new headings have been added, and much reorganization has taken place.
Many new links have been added as well. Go to:

   http://www.bright.net/~dlphilp/linux_soundapps.html

to check it out.

== Dave Phillips

       http://www.bright.net/~dlphilp/index.html
   http://www.bright.net/~dlphilp/linux_soundapps.html



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From: Dave Phillips 
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To: Qian Chen 
Cc: Csound 
Subject: Re: sound synthesis languages?
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Check out Tim Thompson's PLUM page, it's a list of programming languages
used for music:

	http://www.nosuch.com/plum

== Dave Phillips

       http://www.bright.net/~dlphilp/index.html
   http://www.bright.net/~dlphilp/linux_soundapps.html



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To: Qian Chen , csound@maths.ex.ac.uk
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From: tolve 
Subject: Re: sound synthesis languages?
Date: Tue, 17 Mar 1998 12:35:08 -0500
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Qian wrote:


>I understand that all of us in this mailing list are Csounders.  But

>Sometimes I could read something about other sound synthesis

>languages, such as Cmix, Ceicilia etc.  Is there any other sound

>synthesis language?  Could someone explain me the comparison of those

>languages, since I know very little about other languages except

>Csound.  Furthermore, what is the best and the worst of Csound?


Cecilia is a kick-ass interface for csound.

ftp://ftp.musique.umontreal.ca/pub/cecilia

together they look to be a formidable war machine. what impresses me
are the types of interface choices available within them: easy to use
and novice *programmable* cecilia controllers on top; a scripting
language within cecilia to get deeper; csound with its multitude of
opcodes; and for those fully sentient godlike creatures among us: the
actual source code of csound -open and alterable. someone correct me if
i'm wrong, but i don't see these levels of prefabricated choices
*anywhere* else.


of course you need not choose only one program!


KYMA is expensive. Super Collider looks cool but better than
cecilia/csound? costs a few hundred. also take a look at DSpyder
(www.duy.es). Haven't seen it lately myself, but had been turned off by
its limited control of envelopes, a common problem with most commercial
software.


have seen someone comment that cmix is not supported much these days.
perhaps another would care to refute?


go ahead and download grainwaves (shareware). it seems straightforward
and has an expressive realtime interface:

http://www.nmol.com/users/mikeb


lately, i have been coming under some peer pressure to switch to max.
this is a commercial program known for its excellent utilization of
midi, which i currently do not use. is it suddenly a match for
synthesis in cecilia/csound?


have tried in the past to incite a debate over the best, but am now
quite happy right here utilizing a program i someday hope to
understand. my blind faith resting on the community that supports it.


happy csounding,

tolve





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Date: 	Tue, 17 Mar 1998 13:36:46 -0500 (EST)
From: Dan Trueman 
To: tolve 
Cc: Qian Chen , csound@maths.ex.ac.uk
Subject: Re: sound synthesis languages?
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> have seen someone comment that cmix is not supported much these days.
> perhaps another would care to refute?

It has a rather small users group, but it is still alive and kicking. 
Brad Garton and folks at Columbia have created a wonderful version 
that works very well in realtime. Better MIDI implementation is in the 
works. 
The Mac version is dead as far as I know, but with Rhapsody that may 
change.

Definitely worth checking out.

Cheers,
Dan

----------------
"Oy, Fungus!"
Dan Trueman
Music Department
Princeton University
http://www.music.princeton.edu/~dan
----------------



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From: Charles Baker 
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> Qian wrote:
>
> >I understand that all of us in this mailing list are Csounders. But
> >Sometimes I could read something about other sound synthesis
> >languages, such as Cmix, Ceicilia etc. Is there any other sound
> >synthesis language? Could someone explain me the comparison of those
> >languages, since I know very little about other languages except
> >Csound. Furthermore, what is the best and the worst of Csound?
>

tolve wrote: (edited...)

> Cecilia is a kick-ass interface for csound.
>

agreed....

> of course you need not choose only one program!
>

absolutely!

> KYMA is expensive. Super Collider looks cool but better than cecilia/csound? costs a few hundred. also take a look at DSpyder (www.duy.es). Haven't seen it lately myself, but had been turned off by its limited control of envelopes, a common problem with most commercial software.
>

Kyma is "way cool", and very intuitive.I don't have supercollier..but Stephen Pope & users at UCSB C.R.E.A.T.E. swear by it.........

> lately, i have been coming under some peer pressure to switch to max. this is a commercial program known for its excellent utilization of midi, which i currently do not use. is it suddenly a match for synthesis in cecilia/csound?

MAX msp "MaxSignalProcessing"  is an extension to MAX that allows real-time signal generation and processing: again, with no powerMac (required), I do not know this one...but I have heard great things!http://www.cycling74.com/
By David Ziccarelli

also , much newer, and still in beta: "pd"...max-like, msp-like, free.
ftp://crca-ftp.ucsd.edu/pub/msp
By MillerSPuckett

Guys, I also have to mention  CLM - CommonLispMusic (synthesis)with CM CommonMusic ("algo-comp/parameter generation") controling it-
these are based in ANSI CommonLisp: they're available (in varying degrees of implementation)for
SGI,
NeXT,
Linux,
DOS,
MAC - the Mac is perhaps the most complete version, including very nice GUI, *but*
requires comercial Lisp, comercial C-compiler.
SGI is very complete, NeXT ok, Linux almost complete, DOS...well, uh...
but absolutely free!
I love CLM folk, it's amazingly complete, and embeds all these lovely synth algorithms in CommonLisp...one heckofa cool language, if, uh, a little *too* complete..;-)

Use 'em all!!!!
CharlieB
*********************************************
Charlie Baker              baker@charlieb.com
 "when everything isn't roses, you don't get
   any headroom" - Thomas Dolby "New Toy"
*********************************************





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From: pete moss 
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> lately, i have been coming under some peer pressure to switch to max. this is a commercial program known for its excellent utilization of midi, which i currently do not use. is it suddenly a match for synthesis in cecilia/csound?
> tolve



last i saw of max, it was just a visual programming language for the mac.  yes it is very good with midi, as it has some midi objects built in.  but it also ran _very_ slow, even for a mac program, and it couldnt produce an executable.  they would have to make some major changes to get me to look at it again.

pete






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Date: Tue, 17 Mar 1998 18:22:06 -0600 (CST)
From: Michael Thompson 
To: pete moss 
Subject: Re: sound synthesis languages?
Cc: csound@maths.ex.ac.uk, tolve 
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Max on the Mac can now compile, PPC native, tons of objects for midi, and it
now has msp (real-time digital signal processing) on PPC Macintosh. Go to the
Ircam site and search for Max for more info....

Michael

On 17-Mar-98 pete moss wrote:
>> lately, i have been coming under some peer pressure to switch to max. this
>> is a commercial program known for its excellent utilization of midi, which i
>> currently do not use. is it suddenly a match for synthesis in
>> cecilia/csound?
>> tolve
> 
> 
> 
> last i saw of max, it was just a visual programming language for the mac. 
> yes it is very good with midi, as it has some midi objects built in.  but it
> also ran _very_ slow, even for a mac program, and it couldnt produce an
> executable.  they would have to make some major changes to get me to look at
> it again.
> 
> pete
> 
> 
> 

----------------------------------
E-Mail: Michael Thompson 
Date: 17-Mar-98
Time: 18:19:20

This message was sent by XFMail
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Subject: Re: sound synthesis languages?
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michael thompson wrote:

>Max on the Mac can now compile, PPC native, tons of objects for midi, and it
>now has msp (real-time digital signal processing) on PPC Macintosh. Go to the
>Ircam site and search for Max for more info....

thanks for the tip michael!

thought max was an opcode affair, or are they just the us distributors?
does IRCAM maintain an english version of their site? url anyone?

tolve





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Date: 	Tue, 17 Mar 1998 20:47:15 -0500 (EST)
From: Dan Trueman 
To: tolve 
Cc: csound@maths.ex.ac.uk
Subject: Re: sound synthesis languages?
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> 
> thought max was an opcode affair, or are they just the us distributors?
> does IRCAM maintain an english version of their site? url anyone?
> 

You can get all the MSP stuff at Zicarelli's site: www.cycling74.com

Dan



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From: Larry Troxler 
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Dan Trueman wrote:
> 
> >
> > thought max was an opcode affair, or are they just the us distributors?
> > does IRCAM maintain an english version of their site? url anyone?
> >
> 
> You can get all the MSP stuff at Zicarelli's site: www.cycling74.com
> 
> Dan

My understanding is that the Opcode MAX is different from (and probably
generally prettier) than Ircam (IFS) Max. So no, Opcode is not simply a
distributer - their Max is different.

Of course, if PD gets fleshed out a bit more, than Max is history :-)

Ircam does have English versions of a large number of their pages. Maybe
if you elaborate on what urls you are currently using ...

If you start from www.ircam.fr, you are given a choice of languages.

IMHO, languages are the least of my worries when venturing into the
Ircam site. this site has to be one of the least intuitive computer
music sites I have ever laid eyes on!! It is very difficult to find what
you are looking for, even when you know it is there somewhere.


  
--  Larry Troxler --  lt@westnet.com  --  Patterson, NY USA  --




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Date: Tue, 17 Mar 1998 20:17:42 -0600
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>My understanding is that the Opcode MAX is different from (and probably
>generally prettier) than Ircam (IFS) Max.

!rcam sellz msp

>Of course, if PD gets fleshed out a bit more, than Max is history :-)

eRr.||


>Ircam does have English versions of a large number of their pages.

1 un.4.tun.ate event.


>Maybe
>if you elaborate on what urls you are currently using ...
>
>If you start from www.ircam.fr, you are given a choice of languages.

1 un.4.tun.ate event.

>IMHO, languages are the least of my worries when venturing into the
>Ircam site. this site has to be one of the least intuitive computer
>music sites I have ever laid eyes on!!
> It is very difficult to find what
>you are looking for, even when you know it is there somewhere.


gesture-music    * Gestural research related to computer music
test-list        * Liste de courrier test

                 * (null)

                 * (null)







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To: Larry Troxler 
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Larry Troxler wrote:

>...Of course, if PD gets fleshed out a bit more, than Max is history :-)...

intriguing. why?

tolve





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for those interested, just got back...

according to readme on Pd, "MSP, which runs on top of Opcode Max can be
obtained from either Zicarelli (http://www.cycling74.com) or from Ircam
http://www.ircam.fr/produits-real/msp-e.html
"
imagine it would also run on top of Ircam's max? but i have too much on my
hands already.


readme also mentions that MSP is more user friendly than Pd. so must be
some reason of power for creation of Pd.

tolve





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>readme also mentions that MSP is more user friendly than Pd. so must be
>some reason of power for creation of Pd.


max eq mak!ntosh
pd ne macos





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From: Brandon Nelson 
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I can't get many older orcs to work with the most recent perf3.47 on the Mac.
How do I revert to using an older version of perf?

There have been comments that people didn't understand the need for the
physically modelled opcodes, but they are exactly what have been waiting for,
so many thanks to those responsible for including them.

Brandon



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From: Charles Baker 
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In addition to being available for SGI, WinNT/95 (Win32), and Linux,
pd is free. $0, that is.
MSP is free, but requires MAX (lists for $499 or something like that....).
Oh, and a powerPC Macintosh. (no Motorola68K...not fast enough...)

The reason Max is friendlier than pd is VERSION/AGE:
pd is brand new, version 0.22. (still "beta", pre-version 1.0)
Max is up in 3.5+ version range, and msp seems to be an evolution of
onjects originally
for the IRCAM ISPW (Ircam Signal Processing Workstation: a NeXT based
co-processor board from Ariel.) MAX system...Max has had a devoted
developer base for over 5 years, so there are a large number of user
objects floating around, some very good
(James McCartney and Peter Elsea are particular heros in this...)
IRCAM also has a "micro" based UNIX MAX (DEC, i think? surely someone
knows)I dunno the price, and finding that info from the IRCAM site
is...uh..not easy?

Char lieB

--
*********************************************
Charlie Baker              baker@charlieb.com
 "when everything isn't roses, you don't get
   any headroom" - Thomas Dolby "New Toy"
*********************************************





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>In addition to being available for SGI, WinNT/95 (Win32), and Linux,
>pd is free. $0, that is.
>MSP is free,

msp !grat!z

>but requires MAX (lists for $499 or something like that....).

= $25o

>Oh, and a powerPC Macintosh. (no Motorola68K...not fast enough...)

ppc = $500 +

>The reason Max is friendlier than pd is VERSION/AGE:

+ macos = fr.!end.l!e.r

>Char lieB
>
>--
>*********************************************
>Charlie Baker              baker@charlieb.com
> "when everything isn't roses, you don't get
>   any headroom" - Thomas Dolby "New Toy"
>*********************************************

1 getz head.spasz. 1 s x n 6 enter.pr!sz.





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From: "Matt J. Ingalls" 
To: Brandon Nelson 
Cc: csound 
Subject: Re: Mac Csound 3.47
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> I can't get many older orcs to work with the most recent perf3.47 on the Mac.
> How do I revert to using an older version of perf?

	better yet - post the orc/sco to the list for others to verify
bugs and then squash them....
-maTT




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From: Charles Baker 
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>msp !grat!z

Ah, c'est vrai..quel dommage. Free damaged evaluation copies only.
msp Cost: $295 american

 >but requires MAX (lists for $499 or something like that....).
>>= $25o
??? - I want your music dealer..or maybe just your exchange rate!
following copied verbatim from the Max web site :

MAX 3.5
Interactive Graphic Programming Environment -- $495.00

 >>The reason Max is friendlier than pd is VERSION/AGE:
>+ macos = fr.!end.l!e.r

Maybe. You work with MacOSVersion8.0? Very unstable, sigh.

I am a lost little unix sheep: give me NeXTStep, SGI, Linux,. Without
GNU tools, I am unhappy.
I started, tho, on Mac, and have fond memories...and some Max
software/music.
 I hate Windows openly, and with a passion.  But the sad reality is that
the great grey monolith
that is MikroSquish looms over the entire world, and I would rather have
the sad lost little Ween-doze users have a free signal processing
development language with a intuitive interface than not. Like csound.
Or pd. Or CLM (ummmm...my fav!...)

>> "when everything isn't roses, you don't get
> >  any headroom" - Thomas Dolby "New Toy"
>>*********************************************
>1 getz head.spasz. 1 s x n 6 enter.pr!sz.

hmmm... I thought Dolby's project was "Beatnik", which competes with
"Headspace", which is ignoring MIT's "NetSound", all of whom fear
"JavaSound"?
too damn many of these net sound formats...reminds me of the mess with
audio formats.
Perhaps some day industry will see a need for a standard, as they did
with digital synth communication. Like, why did MS need "wav" files, an
IFF style sound format, which varies basically only in header structure
from aiff (which was already in use in several os's?)?
Oh...so they could dominate the world, right?

Nuff MS bashing.
Pax,
CharlieB--
*********************************************
Charlie Baker              baker@charlieb.com
 "when everything isn't roses, you don't get
   any headroom" - Thomas Dolby "New Toy"
*********************************************