| So sorry. The correct URL for the pdf manual update is
http://web2.airmail.net/dboothe/lastup.htm
As before, instructions are at
http://web2.airmail.net/dboothe/index.htm
-David.
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Hello,
The 3.493PPCsources project for PPC compiled straight out of
the box. Marvellous! Thanks to the many contributors for making
this possible.
With a little extra work I also compiled the perf 68K and FAT
projects.
However, in order to bring the code up to ANSI strict standards
and avail myself of CodeWarrior's (minimal) error checking
facilities, I've had to create several hundred prototypes and
"fix" hundreds of errors (like unused arguments and variables).
I'm not aware of the compiler requirements of the other
platforms that Csound is available on, but is there any
compelling reason why the canonic sources couldn't be adapted
to the ANSI standard? It seems to me that it has been more or
less accepted for 10 years now.
Thanks for any comments.
Philip
Philip Aker
Composer, Pianist, Finale Plugins
Suite 13
1405 West 11 Avenue
Vancouver BC
Canada V6H 1K9
philip@vcn.bc.ca
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From: Dave Phillips
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Greetings:
Much to my surprise my Linux Journal article on Linux Csound has been
placed on-line by the publisher. It can be found at:
http://www.ssc.com/lj/current/3187.html
Apart from some embarrassing inaccuracies I would like to point out that
my end-of-article bio is out of date. I asked to LJ to print a
correction stating that jpff now maintains the official Csound for
Linux, but it doesn't appear with the on-line version (perhaps in the
hard-copy version ?). A correction will appear in the April "Letters"
section.
The article will appear in the February 1999 issue which will be
mailed out on January 14. I hope it is an enjoyable read. I like the
screenshots anyway...
== Dave Phillips
http://www.bright.net/~dlphilp/index.html
http://www.bright.net/~dlphilp/linux_soundapps.html
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From: Dave Phillips
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Greetings:
Much to my surprise my Linux Journal article on Linux Csound has been
placed on-line by the publisher. It can be found at:
http://www.ssc.com/lj/current/3187.html
Apart from some embarrassing inaccuracies I would like to point out that
my end-of-article bio is out of date. I asked to LJ to print a
correction stating that jpff now maintains the official Csound for
Linux, but it doesn't appear with the on-line version (perhaps in the
hard-copy version ?). A correction will appear in the April "Letters"
section.
The article will appear in the February 1999 issue which will be
mailed out on January 14. I hope it is an enjoyable read. I like the
screenshots anyway...
== Dave Phillips
http://www.bright.net/~dlphilp/index.html
http://www.bright.net/~dlphilp/linux_soundapps.html
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From: Richard Dobson
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Well snap-me-braces! All these weeks staring at a Linux CD-ROM wodering
whether I had taken a deep enough breath yet (soon, soon), I hear about
a fab mag. I will be subscribing asap.
In the meantime, is there any way of seeing something of the article
mentioned in the Csound one, about 'Sculptor - a Real Time Phase
Vocoder'? This is one of my current preoccupations (already got a low-sr
one running on a SHARC EZ_KIT), and I am always hungry for more
information and news of who's doing what.
It's going to be ~that~ sort of a year...
Richard Dobson
Dave Phillips wrote:
>
> Greetings:
>
> Much to my surprise my Linux Journal article on Linux Csound has been
> placed on-line by the publisher. It can be found at:
>
> http://www.ssc.com/lj/current/3187.html
>
>
--
Test your DAW with my Soundcard Attrition Page!
http://wkweb5.cableinet.co.uk/rwd
CDP homepage: http://www.bath.ac.uk/~masjpf/CDP/CDP.htm
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From: Grant Covell
To: csound@maths.ex.ac.uk
Subject: diskin question
Date: Wed, 6 Jan 1999 20:07:52 -0500
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Hello--
I've got an instrument with this line in it:
a1, a2 diskin ifilcod, kpitch, 0 ,1
and it behaves the same whether or not I set wraparound to 0 or 1. That is,
the souce file is read repeatedly, not just once (the source is .2 sec, the
p3 is 4 sec). Yes, I'll probably use GEN01 instead for the same effect, but
I want to keep as much of the instrument as possible in the sco.
Grant Covell
gcovell@c-bridge.com
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From: Roger Klaveness
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> In the meantime, is there any way of seeing something of the article
> mentioned in the Csound one, about 'Sculptor - a Real Time Phase
> Vocoder'? This is one of my current preoccupations (already got a low-sr
here is the homepage
http://www.elec-eng.leeds.ac.uk/staff/een6njb/Software/Sculptor/sculptor.html
and this should be the article
http://www.elec-eng.leeds.ac.uk/staff/een6njb/Software/Sculptor/lj/lj.html
It seems like I've missed out a couple of important issues of Linux
Journal :-(
I used to buy this magazine before, seems like I should start again
Roger Klaveness
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From: Richard Dobson
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Thanks for the info. From my cursory read of his pages, 'Real-Time'
relates to real-time GUI interaction with the spectrum, not to live
audio processing; he seems to be working with disk-based analsis files.
This is of course exactly what Trevor Wishart's spectral manipulations
do, and he lives in York, not so far from Leeds!
My goal is to run pvoc+transformations as a live real-time process, and
modern PC's are certainly fast enough to do that. It does unfortunately
need more than one SHARC chip, so extended Csound is not an option at
present. I will now try to introduce Trevor to Nick Bailey!
Richard Dobson
Roger Klaveness wrote:
>
> > In the meantime, is there any way of seeing something of the article
> > mentioned in the Csound one, about 'Sculptor - a Real Time Phase
> > Vocoder'? This is one of my current preoccupations (already got a low-sr
>
> here is the homepage
> http://www.elec-eng.leeds.ac.uk/staff/een6njb/Software/Sculptor/sculptor.html
> and this should be the article
> http://www.elec-eng.leeds.ac.uk/staff/een6njb/Software/Sculptor/lj/lj.html
>
> It seems like I've missed out a couple of important issues of Linux
> Journal :-(
> I used to buy this magazine before, seems like I should start again
>
> Roger Klaveness
--
Test your DAW with my Soundcard Attrition Page!
http://wkweb5.cableinet.co.uk/rwd
CDP homepage: http://www.bath.ac.uk/~masjpf/CDP/CDP.htm
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From: Jamie Bullock
To: Csound List
Subject: Re: for the future: more than four channels?
Date: Thu, 7 Jan 1999 09:49:05 -0000
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Sorry for the late reply, I've been on holiday!
On 24 December 1998 Matt J. Ingalls wrote:
> that doesnt sound good, but at least steady soundfield -- but
>would you prefer typical BEAST stereo-pair diffusion?
Personally, I don't think it matters what spatial configuration a composer
uses, so long as the use of space is appropriate and is well integrated with
the other aspects of the composition. A lot of stereo pieces by UK based
composers are written with diffusion in mind, and therefore work very well
through a diffusion system.
I think that the choices made about the spacial aspect of the work should be
purposeful and musical. The best ambisonic and 8-channel pieces I have heard
have been successful because the composer exploited the musical
possibilities of the medium in an appropriate and integrated way. I think
that some of the worst 8-channel pieces I have heard were only made because
there happened to be an ADAT in the studio!
>> BTW Matt - any chance you (or someone) could fix the ppc MIDI opcodes
fairly
>> soon-ish .... pleeease...
> care to give an itemized list of broken opcodes?
> i dont have any MIDI gear to test for the next few weeks..
> the code is on mills ftp if anyone would like to take a look.
Using v.3.484 on ppc -
The following just give 0.00 as output:
notnum, veloc, ampmidi and midictrl
and these give 'no legal opcode'
chpress, midictrlsc and chanctrl
there are some which I didn't test however.
regards,
jb
|