| Paul Barton-Davis wrote:
> The reason that multithreadedness is a problem is because there
> is a standard for threads that I think makes sense to follow: POSIX
> P.1003. This standard is not implemented, as far as I know, for the
> Mac, and I am not sure of its status for Windows (one of the cygnus
> libraries might have it, I don't know).
>
The Cygwin library implements posix threads as well as many other posix
API's. See http://sourceware.cygnus.com/cygwin/
Thomas
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To: vst-plugins list
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Cc: csound list ,
reaktor-list ,
buzz-talk
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>I think it would be a Good Thing
0
>if there were special provisions in VST2 for
>modular (as opposed to hardwired) plugins, such as Generator (VST2 announced
>for this summer), Csound (Michael Gogins just announced he is going to
>implement the VST2 interface in a new shared library version of Csound based
>on Paul Barton-Davis' Quasimodo kernel),
0
> SuperCollider (James McCartney
>envisages making it a "very fat" VST2 plugin),
0
>--
>Greetings,
>Michel
>.........................................................................
> Michel Jullian Directeur General email mj@exbang.com
0
korporat fasc!zt zlavez
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Paul Barton-Davis wrote:
> The reason that multithreadedness is a problem is because there
> is a standard for threads that I think makes sense to follow: POSIX
> P.1003. This standard is not implemented, as far as I know, for the
> Mac, and I am not sure of its status for Windows (one of the cygnus
> libraries might have it, I don't know).
>
The Cygwin library implements posix threads as well as many other posix
API's. See http://sourceware.cygnus.com/cygwin/
Thomas
dupswapdrop: the music-dsp mailing list and website
http://shoko.calarts.edu/~glmrboy/musicdsp/music-dsp.html
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From: jpff@maths.bath.ac.uk
To: csound@maths.ex.ac.uk
Subject: algo-comp and pyschoacoustics
Date: Mon, 28 Jun 99 16:54:53 BST
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I think there may be a need for a new mailing list list on algorithmic
composition and it seems that algo-comp@uiowa.edu has gone.
And also I would be interested in a list for discussions of
pyschoacoustics.
If you think either of these are needed I can start the set up
process; or if you can point be at alternatives
==John ff
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From: Eric Scheirer
To: jpff@maths.bath.ac.uk, csound@maths.ex.ac.uk
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Subject: Re: algo-comp and pyschoacoustics
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There's already a very good psychoacoustics list, called the
AUDITORY list, managed by Prof. Al Bregman. We host the list
homepage at http://sound.media.mit.edu/AUDITORY/ -- there
is a complete archive there.
To subscribe, send the message
SUB AUDITORY firstname lastname
to listserv@lists.mcgill.ca.
Best,
-- Eric
-----Original Message-----
From: jpff@maths.bath.ac.uk
To: csound@maths.ex.ac.uk
Date: Monday, June 28, 1999 11:55 AM
Subject: algo-comp and pyschoacoustics
> I think there may be a need for a new mailing list list on algorithmic
>composition and it seems that algo-comp@uiowa.edu has gone.
>
>And also I would be interested in a list for discussions of
>pyschoacoustics.
>
>If you think either of these are needed I can start the set up
>process; or if you can point be at alternatives
>
>==John ff
>
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From: Eric Scheirer
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Subject: Re: algo-comp and pyschoacoustics
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There's already a very good psychoacoustics list, called the
AUDITORY list, managed by Prof. Al Bregman. We host the list
homepage at http://sound.media.mit.edu/AUDITORY/ -- there
is a complete archive there.
To subscribe, send the message
SUB AUDITORY firstname lastname
to listserv@lists.mcgill.ca.
Best,
-- Eric
-----Original Message-----
From: jpff@maths.bath.ac.uk
To: csound@maths.ex.ac.uk
Date: Monday, June 28, 1999 11:55 AM
Subject: algo-comp and pyschoacoustics
> I think there may be a need for a new mailing list list on algorithmic
>composition and it seems that algo-comp@uiowa.edu has gone.
>
>And also I would be interested in a list for discussions of
>pyschoacoustics.
>
>If you think either of these are needed I can start the set up
>process; or if you can point be at alternatives
>
>==John ff
>
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From: jpff@maths.bath.ac.uk
To: pcsound@bath.ac.uk
Subject: Suggest that this list is defunct
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This list was created to support the PC port of Csound; at almost the
same time teh csoudn list from Exeter was started, and so this list
has become even less important as the csound list has grown.
My mailing-list administrator is looking at lists at present and so
it seems the correct time to remove this list.
Any objections to me please; if I hear nothing I will can it from mid
July.
and....... I think there may be a need for a new list on algorithmic
composition (I think that algo-comp@uiowa.edu has gone)
and also a list for discussions of pyschoacoustics. If you think
either of these are needed I can start the set up process.
==John ff
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Gawd .....
I know there has been no activity laetly but I am still sorry to see it
go.....
jpff@maths.bath.ac.uk wrote:
> This list was created to support the PC port of Csound; at almost the
> same time teh csoudn list from Exeter was started, and so this list
> has become even less important as the csound list has grown.
>
> My mailing-list administrator is looking at lists at present and so
> it seems the correct time to remove this list.
>
> Any objections to me please; if I hear nothing I will can it from mid
> July.
>
> and....... I think there may be a need for a new list on algorithmic
> composition (I think that algo-comp@uiowa.edu has gone)
> and also a list for discussions of pyschoacoustics. If you think
> either of these are needed I can start the set up process.
>
> ==John ff
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Gawd .....
I know there has been no activity laetly but I am still sorry to see it
go.....
jpff@maths.bath.ac.uk wrote:
> This list was created to support the PC port of Csound; at almost the
> same time teh csoudn list from Exeter was started, and so this list
> has become even less important as the csound list has grown.
>
> My mailing-list administrator is looking at lists at present and so
> it seems the correct time to remove this list.
>
> Any objections to me please; if I hear nothing I will can it from mid
> July.
>
> and....... I think there may be a need for a new list on algorithmic
> composition (I think that algo-comp@uiowa.edu has gone)
> and also a list for discussions of pyschoacoustics. If you think
> either of these are needed I can start the set up process.
>
> ==John ff
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Date: Mon, 28 Jun 1999 22:40:19 -0400 (EDT)
From: Brian Willkie
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To: csound@maths.ex.ac.uk
Subject: help with granular synth
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Hi. I'm a newbie to Csound. I've been looking at it on and off for
a year and a half or so. I've looked at most of the tutorials at one time
or another. I've had two college courses in C and one in C++ but I'm
quickly forgetting a lot of what I've learned. I'm using a Mac G3 with OS
8.1.
Lately I've been interested in granular synthesis. My first
successful experiment was with a simple noise generator and a large score
generated by Cmask. (O.K., not exactly ground breaking but it's a start).
Now I want to apply granular synthesis to an existing sound file and
gradually merge the two sounds (white noise being shaded by the timbre of
a trumpet for example). At first I thought about using soundin so I looked
at Tutorial Eight. But I got unexpected results with it. Recent discussion
on the list suggested that there was a bug in soundin. jffitch posted a
fix but I was confused as to whether this was a fix for soundin or just
follow (incidentally, I don't have the source code).
Hans Mikelson also posted an instrument for granular synthesis of
a sound file using the grain opcode. It's a nice effect, but not what I'm
looking for, even with the random read turned off. I want a playback that
sounds as the original (at least initially, with the possibility of
altering the sound later). I haven't been able to get grain to do that.
I've also tried using GEN 1. But all of my rendered files come out
with no amplitude. I would like to know the following:
Could someone confirm the status of soundin?
Can grain be used for normal playback of a file (i.e. the rendered
file sounds like the original)?
Can anyone tell me why I get an amplitude of 0.00 for GEN1?
(Actually, I've changed the files a bit so I don't even
get that anymore- what's going on?)
What is a good value in cps to get a normal playback, 440? 1? a
magic number?
How would one go about synchronizing the overlap of grains
generated by multiple opcode calls within one instrument
or by multiple instruments?
Are there any suggestions as to how to go about merging a cloud of
noise with an existing sound over time? (O.K., convolution
is one alternative, but I'm trying to implement/
understand granular synthesis).
Thanks,
Brian
;;;;simple instrument to use Gen1
sr = 44100
kr = 4410
ksmps = 10
nchnls = 1
instr 1
a1 loscil 10000, 1, 1
out a1
endin
;;;;;;score to read a 2 second file with Gen 1
f 1 0 0 0 "some_sound.aif" 0 0
i1 0 2
e
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Date: Tue, 29 Jun 1999 12:37:30 +0200
From: rasmus ekman
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Subject: Re: help with granular synth
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Brian Willkie wrote:
>
> I want a playback that sounds as the original
> I haven't been able to get grain to do that.
Look at fof2 and fog.
re
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Date: Tue, 29 Jun 99 12:50:03 BST
From: jpff@maths.bath.ac.uk
Subject: Re: RT MIDI In -> both Csound and MIDI file?
To: lt@westnet.com, csound@maths.ex.ac.uk
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Message written at 28 Jun 1999 22:19:27 +0100
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The syntax to use stdin as a -M input is not as you suggest but
dd if=/dev/midiNN bs=1 | tee my-midi-session | csound -M stdin .....
Not tested of course my me.
==John ffitch
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id 10ywOZ-0002Fv-00; Tue, 29 Jun 1999 12:49:47 +0100
Date: Tue, 29 Jun 99 12:49:47 BST
From: jpff@maths.bath.ac.uk
Subject: Re: RT MIDI In -> both Csound and MIDI file?
To: g.maldonado@agora.stm.it, csound@maths.ex.ac.uk
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Message written at 28 Jun 1999 22:14:55 +0100
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In-reply-to: <37754F82.17207BAB@westnet.com> (message from Larry Troxler on
Sat, 26 Jun 1999 22:09:06 +0000)
References: <199906260343.XAA19678@renoir.op.net> <37745F2F.4ECDC14B@ulster.net> <37748F1C.5EAF6AB3@agora.stm.it> <37754F82.17207BAB@westnet.com>
I do not have the sources for these opcodes; that is the main reason
they are not in my sources.
And yes I admit that there are examples of opcodes which for which I
do have sources and I have not incorporated. These are opcodes which
in my opinion are not consistent with Csound as it stands, and as such
I have and am resisting them. There are some others which I plain do
not understand, and until I do I am reluctant to include them. After
all it is not as if I have infinite time. I am just emerging from a
mountain of marking, committee meetings and the like, but I do also
have a major software release to organise for one of my jobs (and I
have been fighting teh Macintosh all weekend for this), as well as 3
PhD theses to read.
==John ffitch |