Whichever it is, there's probably some good perspective, even if it's 
only historical. 

The was an interesting couple of pieces in CMJ a few winters back, one 
on hexagonal and octangonal surrounds using using Csound routines. And 
in same issue, using morph and imorph Csound opcodes for brass models. 

I started exploring other possibilities of using "morph" opcodes. Very 
useful. I'll have to check out this Winter '95 issue, I might have that 
one. I think I know which article that is. Spheres in a simulated space, 
had some good figures and images to illustrate with. 

I'll have to check it again, thanks. 



-PBS


================================================


--- ljc@INTERNET.COM.UY wrote:

From:         luis jure 
To:           CSOUND@LISTSERV.HEANET.IE
Subject: Re: [Csnd] “TheBall within the Box: a sound-processing metaphor"
Date:         Sun, 4 Sep 2016 18:29:08 -0300

el 2016-09-04 a las 08:37 Enrico Francioni escribió:

> Does anyone know guide me to the csound journal link containing this
> article?

i'm not sure what you mean. the article you reference was published, as
you can see, in the computer music journal, not the csound journal. the
babo opcode was introduced into csound around 2000, IIRC. perhaps there
was an article at the csound magazine at the time?

> *Davide Rocchesso, “The Ball within the Box: a sound-processing
> metaphor", Computer Music Journal, Vol 19, N.4, pp.45-47, Winter 1995*

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