Hello,

I have recently completed a long electroacoustic piece based on the Stations
of the Cross.
It's basically a concert for violin and electroacoustic score, where violin
and concrete sounds are main characters, but an important role is also
played by sounds of metal sound sources elaborated using Csound opcodes
(convolve, pvoc, grain, hsboscil).
Anyone interested in can listen to it on my website:
http://www.giuseppeiacono.com/works/stations-of-the-cross-2015-16

Thank you for your attention,

Giuseppe Iacono



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Hi Oeyvind,

it's odd, I can open the link and I can see that also other persons
succeeded.
Did you try also to open the home page? http://www.giuseppeiacono.com
On the other hand I can't understand why should it happen just in your place
(Norway?)? 



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Congratulations Giuseppe!
Truly a good job.

Enrico



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Thank you, Enrico



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There is a very precise score, but the result is influenced by the
unpredictability that these kind of sounds imply. 



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Thank you for listening to the piece.



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it's a pleasure to listen - the reason I ask about the scoring is that I'm a violist of sorts and I've been looking at options for notating and replicating some of the more abrasive and unpredictable extended techiques. I have a hunch that looking at some Dumitrescu scores might help, or taking a closer look at Penderecki's Threnody, but other examples or insights are welcome (how's all that for OT?)

It also seemed like the live instrument parts were cut and placed into the final recording, rather than being something that was performed alongside the electronics (though it would be easy to deceive that impression with some very minimal electronic processing of the instrument alongside the composed electronics). I have my own live processing system (usually running on a raspberry pi) that I use with my electric viola, and I'm interested in various approaches for using the physical instrument in real time with augmentation from electronics, beyond the simple "play along with a tape" and "use the computer as a guitar pedal" style options

once again, thanks for sharing

That's really good, Giuseppe.

Enjoying it a lot.

thanks

Phil

On 31 January 2018 at 07:54, Gpp  wrote:
> Hello,
>
> I have recently completed a long electroacoustic piece based on the Stations
> of the Cross.
> It's basically a concert for violin and electroacoustic score, where violin
> and concrete sounds are main characters, but an important role is also
> played by sounds of metal sound sources elaborated using Csound opcodes
> (convolve, pvoc, grain, hsboscil).
> Anyone interested in can listen to it on my website:
> http://www.giuseppeiacono.com/works/stations-of-the-cross-2015-16
>
> Thank you for your attention,
>
> Giuseppe Iacono
>
>
>
> --
> Sent from: http://csound.1045644.n5.nabble.com/Csound-General-f1093014.html
>
> Csound mailing list
> Csound@listserv.heanet.ie
> https://listserv.heanet.ie/cgi-bin/wa?A0=CSOUND
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Hi Phil,

it was a pleasure to share the piece with you.

Giuseppe



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Thanks.

BTW : if this was on Bandcamp, I'd buy it ...

just saying ...

Phil



On 11 February 2018 at 08:08, Gpp  wrote:
> Hi Phil,
>
> it was a pleasure to share the piece with you.
>
> Giuseppe
>
>
>
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>
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> Csound@listserv.heanet.ie
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