[Csnd] how does kontakt's tone machine works?
| Date | 2013-12-24 11:19 |
| From | Machina |
| Subject | [Csnd] how does kontakt's tone machine works? |
| Attachments | None None |
| Date | 2013-12-25 19:50 |
| From | David Mooney |
| Subject | Re: [Csnd] how does kontakt's tone machine works? |
Sounds like a vocoder process to me, which can most certainly be done in Csound. --David Mooney-- Opaque Melodies http://opaquemelodies.com |
| Date | 2013-12-26 00:14 |
| From | peiman khosravi |
| Subject | Re: [Csnd] how does kontakt's tone machine works? |
Sounds like a phase-vocoder that transposes the sample with its own fundamental frequency envelope inverted. I'm just guessing: you should be able to do this with a combination of mincer, pvsvoc (for spectral envelop preservation of transposed vocal samples), and pvspitch.
The legato effect is pretty cool and totally doable with mincer too. And the polyphonic sampler is no hassle since you can have as many instances of the instrument as possible.
On 25 December 2013 19:50, David Mooney <dmooney023@gmail.com> wrote:
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| Date | 2013-12-26 10:41 |
| From | Machina |
| Subject | Re: [Csnd] how does kontakt's tone machine works? |
| Attachments | None None |
| Date | 2013-12-26 12:20 |
| From | peiman khosravi |
| Subject | Re: [Csnd] how does kontakt's tone machine works? |
I've never done pitch tracking in csound but I remember a thread about it from a year ago. Also take a look at Victor's modfm UDO, it might inspire you. http://eprints.nuim.ie/4117/1/modfm-synthesis-vocoder.pdf.
P On 26 December 2013 10:41, Machina <machinadeoro@gmail.com> wrote:
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| Date | 2013-12-26 13:53 |
| From | cameron bobro |
| Subject | Re: [Csnd] how does kontakt's tone machine works? |
Pitch tracking in Csound is superb, using the pitchamdf opcode. You can follow the pitches of acoustic sources accurately enough to track and transfer coincident partial effects and beating effects to synthesized sounds (for example the beatlessness or slow bwooonggg of simple Just intervals). There are a couple of catches, though, in addition to the
obvious condition that pitchamdf is reading a monophonic pitch. First of all, the incoming sound must be clean, and that almost always means it must be prepped: bandpass is almost a must, and some compression and noise gating might be necessary too. This is not a problem and can be done in Csound, between the opcode reading the sound into the orchestra and the pitchamdf opcode. Just as importantly, the upper, lower and expected first pitch arguments should be as accurate as possible. *This* is the key to making the opcode shine, I've found. From: peiman khosravi <peimankhosravi@gmail.com> To: "csound@lists.bath.ac.uk" <csound@lists.bath.ac.uk> Sent: Thursday, December 26, 2013 1:20 PM Subject: Re: [Csnd] how does kontakt's tone machine works? I've never done pitch tracking in csound but I remember a thread about it from a year ago. Also take a look at Victor's modfm UDO, it might inspire you. http://eprints.nuim.ie/4117/1/modfm-synthesis-vocoder.pdf.
P On 26 December 2013 10:41, Machina <machinadeoro@gmail.com> wrote:
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| Date | 2013-12-26 22:22 |
| From | Machina |
| Subject | Re: [Csnd] how does kontakt's tone machine works? |
| Attachments | None None |