[Csnd] How does this orchestra make music ?
Date | 2010-05-20 14:54 |
From | Nutri Cumulus |
Subject | [Csnd] How does this orchestra make music ? |
Homo sapiens' present stage in evolution is grounded in the
exceptionally developed human abilities of information manipulation, knowledge extraction, and knowledge application. <CsoundSynthesizer> <CsInstruments> sr = 44100 git1 ftgen 0, 0, 1024, 10, 1, 1, 1 opcode md, aaa, aaa a1, a2, a3 xin aa1 = a2 * a3 xout aa1, aa2, aa3 endop instr 1 a1 oscil3 1, 1, git1 a1, a2, a3 md a1, a2, a3 a1 oscil3 1, p5 + (a1 + a2) * 10000, git2 aR3 nreverb a3, 5, 1 outs (a3 + aR3) * .1, (a2 + aR3) * .1 endin
i1 0 98 </CsScore> </CsoundSynthesizer> It is convenient to stress that for this process to take place, it has to
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Date | 2010-05-20 15:08 |
From | Victor Lazzarini |
Subject | [Csnd] Re: How does this orchestra make music ? |
Chaotic systems? Victor On 20 May 2010, at 14:54, Nutri Cumulus wrote: > Homo sapiens' present stage in evolution is grounded in the > exceptionally developed human abilities of information > manipulation, knowledge extraction, and knowledge application. > > |
Date | 2010-05-20 15:19 |
From | A B C |
Subject | [Csnd] Re: Re: How does this orchestra make music ? |
I first discuss the methodology of the construction of a system of nodes where both the contents of nodes, and their relation and organization are tightly interrelated. I propose to use the principle of stepwise formalization, on which the whole edifice of science is built. In science we start with intuitive and often imprecise concepts and on this basis create new models of the world which are more formalized and more precise. Formalization may go in rounds, or levels, becoming more intensive and extensive. Finally we reach a stage at which we reinterpret those intuitive concepts that were taken for granted at the beginning of the construction. Thus a clock, with its hands, becomes a structure of elementary particles. |
Date | 2010-05-20 16:20 |
From | Stéphane Rollandin |
Subject | [Csnd] Re: How does this orchestra make music ? |
> Homo sapiens' present stage in evolution is grounded in the > exceptionally developed human abilities of information > manipulation, knowledge extraction, and knowledge application. not to mention bogosity generation ... Send bugs reports to the Sourceforge bug tracker https://sourceforge.net/tracker/?group_id=81968&atid=564599 Discussions of bugs and features can be posted here To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound" |
Date | 2010-05-20 17:11 |
From | "A B (C)" |
Subject | [Csnd] Re: Re: How does this orchestra make music ? |
/boh-go's*-tee/ The degree to which something is "bogus" in the hackish sense of "bad". At CMU, bogosity is measured with a bogometer; in a seminar, when a speaker says something bogus, a listener might raise his hand and say "My bogometer just triggered". More extremely, "You just pinned my bogometer" means you just said or did something so outrageously bogus that it is off the scale, pinning the bogometer needle at the highest possible reading (one might also say "You just redlined my bogometer"). The agreed-upon unit of bogosity is the microLenat. Here we face the most intriguing part of metaphysics: the concept |
Date | 2010-05-20 21:35 |
From | Stéphane Rollandin |
Subject | [Csnd] Re: Re: Re: How does this orchestra make music ? |
> /boh-go's*-tee/ The degree to which something is "bogus" in the hackish > sense of "bad". At CMU, bogosity is measured with a bogometer; in a > seminar, when a speaker says something bogus, a listener might raise his > hand and say "My bogometer just triggered". More extremely, "You just > pinned my bogometer" means you just said or did something so > outrageously bogus that it is off the scale, pinning the bogometer > needle at the highest possible reading (one might also say "You just > redlined my bogometer"). The agreed-upon unit of bogosity is the > microLenat. > Also, the potential field generated by a bogon flux; see quantum > bogodynamics. See also bogon flux, bogon filter. that's http://dictionary.reference.com/browse/bogosity > Here we face the most intriguing part of metaphysics: the concept > of `real existence'. google "Here we face the most intriguing part of metaphysics" --> http://pespmc1.vub.ac.be/papers/Turchin/dialog.pdf > Cybernetic epistemology, according to which all meaningful statements > are hierarchical models of reality, google "cybernetic epistemology, according to which all meaningful statements are hierarchical models of reality" --> http://pespmc1.vub.ac.be/Papers/Turchin/dialog.html > has a double effect on the concept of existence. > On the one hand, theoretical concepts, such as mechanical > forces, electromagnetic and other fields, and wave functions, > acquire the same existential status as the material things we see > around us. On the other hand, quite simple and trustworthy > concepts like a heavy mass moving along a trajectory, and even the > material things themselves, the egg we eat at breakfast, become > as unstable and hazy as theoretical concepts. google "the egg we eat at breakfast" --> http://pespmc1.vub.ac.be/meanmet.html ?? Send bugs reports to the Sourceforge bug tracker https://sourceforge.net/tracker/?group_id=81968&atid=564599 Discussions of bugs and features can be posted here To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound" |
Date | 2010-05-20 21:58 |
From | Andres Cabrera |
Subject | [Csnd] Re: Re: Re: Re: How does this orchestra make music ? |
A variation... |
Date | 2010-05-20 22:12 |
From | Rory Walsh |
Subject | [Csnd] Re: Re: Re: Re: Re: How does this orchestra make music ? |
Interesting, part of it sounds like a set of bagpipes getting a thorough seeing to! Send bugs reports to the Sourceforge bug tracker https://sourceforge.net/tracker/?group_id=81968&atid=564599 Discussions of bugs and features can be posted here To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound" |
Date | 2010-05-20 23:20 |
From | "A (B C)" |
Subject | [Csnd] Re: Re: Re: Re: Re: Re: How does this orchestra make music ? |
(google --> csound --> google --> csound --> google --> csound)
I think google is a good example of the famous P NP solver.
You can find semantic of the answer faster than i can synthesize existense of the question. But csound can be very long time without updates - constancy.
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In morphological point of view humans are slower than clouds.
Csound is a cloud. What is google ?
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Date | 2010-05-21 00:16 |
From | "(A B C)" |
Subject | [Csnd] Re: Re: Re: Re: Re: How does this orchestra make music ? |
Try to change a1 oscil3 1, p5 + (a1 + a2) * 10000, git2
a2 oscil3 1, p5 + (a1 + a3) * 3000, git2 a3 oscil3 1, p5 + (a2 + a3) * 5000, git1 to
a1 oscil3 1, p5 + (a3 + a2) * 10000, git2
a2 oscil3 1, p5 + (a3 + a1) * 3000, git2 a3 oscil3 1, p5 + (a2 + a1) * 5000, git1 I think there is exists some similarity between syntax (actually semantics) and the morphology of the sound (actually semantics). But this is the case not for all systems, we can see many systems where composer cannot construct meta-meaning of the operational element, often he is restricted to the well defined understanding of the object. Here i mean that he should think about: oscilator as oscilator, filter as filter, opcode as opcode. Recently i discover that i can think about the instrument statement as about kernel in the parallel programing environment such CUDA. This is not the same, because csound is not really parallel environment, but polyphony can make illusion of this, and instruments can be revealed as very well indexed parallel kernels. And in this context parallel stacking of the instruments it is not the same, than with the traditional understanding of polyphony as merging by standart sum in the core of the application or soundcard. |
Date | 2010-05-21 00:22 |
From | "(A B) C" |
Subject | [Csnd] Re: Re: Re: Re: Re: How does this orchestra make music ? |
S A T O R
A R E P O
T E N E T
O P E R A
R O T A S
Does google accept matices. ;-)
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Date | 2010-05-21 00:24 |
From | "(A B) C" |
Subject | [Csnd] Re: Re: Re: Re: Re: How does this orchestra make music ? |
sorry MATRICES |
Date | 2010-05-21 00:30 |
From | "(A B) C" |
Subject | [Csnd] Re: Re: Re: Re: Re: How does this orchestra make music ? |
Only rows
SATOR AREPO TENET OPERA ROTAS
Feel the difference. Additional information is needed to represent our vision of the subject. |
Date | 2010-05-21 08:33 |
From | Stéphane Rollandin |
Subject | [Csnd] Re: Re: Re: Re: Re: Re: How does this orchestra make music ? |
> S A T O R > A R E P O > T E N E T > O P E R A > R O T A S > Does google accept matices. ;-) mu Send bugs reports to the Sourceforge bug tracker https://sourceforge.net/tracker/?group_id=81968&atid=564599 Discussions of bugs and features can be posted here To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound" |
Date | 2010-05-21 08:51 |
From | "(A B) C" |
Subject | [Csnd] Re: Re: Re: Re: Re: Re: Re: How does this orchestra make music ? |
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