| Sounds like a mix of pitch shifting and envelope combining.
Most of my experience with combining envelopes is with
Moog synths, like the systems that Walter/Wendy Carlos and
Tomita's earlier recordings (Snowflakes Are Dancing), and
of course the Mini Moog. At present I have a Moog Prodigy
with the guts hanging out, I need to finish working on.
The one common item with these is that they have more than
one envelope generator. With that you can do some cool stuff.
Strike a note, then while holding that note down strike several
more, giving a second envelope within the first envelope of
the held down note. It's very 1970's-ish (a la Keith Emerson,
Walter/Wendy Carlos and Isao Tomita). This can be done because
the afore mentioned Moogs are monophonic. It's harder to do
this with polyphonic synths.
Making use of some of the Csound Moog opcodes in a monophonic
setting with two or more envelope generators and multi triggering
of envelope generators should yield some interesting results.
It's a matter of taking what I've done with hardware synths and
apply them to Csound software synthesis.
-Partev
============================================================
--- arfo@comcast.net wrote:
From: Robert or Gretchen Foose
To: csound@lists.bath.ac.uk
Subject: [Csnd] combining envelopes
Date: Wed, 21 Jul 2010 23:58:48 -0500
Hi all,
I remember reading somewhere about how to combine
(merge)envelopes to build more complex ones from simple ones.
For instance, I'd like to create a pitch envelope that starts a
semitone above the scored pitch, slides down to the scored pitch
over a small portion of the total duration, then glides up an
octave over the last half of the duration, but also incorporates
a sine-wave-like modulation with increasing fluctuation to the
end of the note. (sort of a Tomita-like sound). The note would
also have an amplitude envelope that may or may not include a
similar complex shape. I seem to remember reading about how to
do this in the Eastman Csound tutorial (Schindler), but I can't
find it there now. Any ideas for how to create this effect
would be appreciated, but especially those that do it by
combining envelopes. (Note to Steven..this might make a nice
article for the Journal.)
Thanks,
Bob Foose
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