| Hello Art -
I'm not quite sure if I understand you correctly (the pan opcode is
for four channels - do you mean pan2?). My code (as I hope) uses the
constant power panning, so that the quadrats of the amplitudes are
always (more or less) the same. As you said, this is done by the
first quadrant of a sine respectively cosine function. It's just that
I like to have the range from -1 to +1 as input, so I have to do one
more transformation.
I think this is what you meant, right? If not, sorry for my
misunderstanding. Best -
joachim
Am 14.09.2008 um 23:24 schrieb Art Hunkins:
> Thanks, Joachim.
>
> I've extracted the following bits of code from your 070913.csd,
> which seems to include your pan algorithm. Can you or someone else
> tell me whether this duplicates the content of the pan opcode,
> assuming: 1) stereo, and 2) use of a stored function consisting of
> the first quadrant of a sinusoid?
>
> If so, I'm somewhat amazed, as your placement is so clear, and my
> use of pan is so indistinct in comparison.
>
> Art Hunkins
>
> ----------------------------------
>
> ;;Panning umformen
>
> ipan = (ipan+1) / 2; jetzt 0=links und 1=rechts
>
> ipan = ipan * $M_PI_2; pi/2
>
> ipanL = cos(ipan)
>
> ipanR = sin(ipan)
>
> ;;gesamtsignal
>
> aL = a1L + a2L + a3L + a4L + a5L
>
> aR = a1R + a2R + a3R + a4R + a5R
>
> ;mit panning
>
> aL = aL * ipanL
>
> aR = aR * ipanR
>
>
> ----- Original Message ----- From: "joachim heintz"
>
> To:
> Sent: Sunday, September 14, 2008 3:44 PM
> Subject: [Csnd] Re: Re: Re: Re: new csound music
>
>
>> Thanks for your feedback and interest. Meanwhile, I've put
>> the .csd files there, too. As to your question, perhaps you like
>> to have a look in "070913.csd". It's one year ago I worked on
>> this piece, so I can't recall exactly. But as far as I read the
>> code roughly, the panning is just done by jumping from one
>> defined point in the stereo field to another, in conjunction with
>> the overall idea and structure of the piece.
>> If you have any question to the code, I'll try to explain it with
>> pleasure. And surely there can be found improvements ...
>> Best -
>> joachim
>>
>>
>>
>> Am 14.09.2008 um 19:20 schrieb Art Hunkins:
>>
>>> Joachim,
>>>
>>> Fine, subtle atmospheric music.
>>>
>>> I too would like to see the .csd's - especially of Rad (#5). In
>>> this movement, placement of the percussive events in the stereo
>>> field is especially vivid.
>>>
>>> Perhaps you could explain the code behind this effect. I would
>>> surely like to know how you got such specific location.
>>>
>>> Art Hunkins
>>>
>>> ----- Original Message ----- From: "joachim heintz"
>>>
>>> To:
>>> Sent: Sunday, September 14, 2008 8:28 AM
>>> Subject: [Csnd] Re: Re: new csound music
>>>
>>>
>>>> ok - i'll put the .csd too, but i have to look for them first.
>>>> they will be in the same directory then.
>>>> joachim
>>>>
>>>>
>>>>
>>>> Am 14.09.2008 um 14:10 schrieb Super Pija:
>>>>
>>>>> Unfortunately, if the .csd/ .orc and .sco files are not
>>>>> available, it means nothing to know that u composed that works
>>>>> with csound.
>>>>> Spija
>>>>>
>>>>>
>>>>>
>>>>> ----- Original Message ----
>>>>> From: joachim heintz
>>>>> To: csound@lists.bath.ac.uk
>>>>> Sent: Sunday, September 14, 2008 2:07:23 PM
>>>>> Subject: [Csnd] new csound music
>>>>>
>>>>> I finished recently a set of compositions which I carried out
>>>>> completely in Csound (except of some mixing etc). They are
>>>>> meant as
>>>>> musical comments to poems of Heinrich Heine, and will probably
>>>>> appear
>>>>> at any time on a CD together with the poems. I put the pieces on
>>>>> http://joachimheintz.de/heine_mp3/
>>>>> Best -
>>>>> joachim
>>>>>
>>>>>
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>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
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>>>>
>>>>
>>>>
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>>>
>>>
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>>
>>
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>
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