| I see. And thanks for the idea of using pan in this (non-four-
channel) way - I must admit that I never thought about that.
Yes, I like to use pan2 now. As John said, I think it works fine now
(since 5.08).
Best regards -
joachim
Am 16.09.2008 um 02:23 schrieb Art Hunkins:
> Joachim,
>
> I did mean pan (rather than pan2, of which I was inexcuseably
> unaware) - using the first two outputs only (stereo mode).
>
> I understand you to be saying that what you have done is equivalent
> to using a quarter-sinusoid (in pan) as a stored function.
>
> All I can figure is that your use of discrete events must naturally
> give more vivid placement than the sustained pans I am doing.
>
> I'm looking forward to John's explanation of the various modes of
> pan2. (Perhaps you've also some experience with pan2?)
>
> Art Hunkins
>
> ----- Original Message ----- From: "joachim heintz"
>
> To:
> Sent: Monday, September 15, 2008 11:05 AM
> Subject: [Csnd] Re: Re: Re: Re: Re: Re: new csound music
>
>
>> Hello Art -
>>
>> I'm not quite sure if I understand you correctly (the pan opcode
>> is for four channels - do you mean pan2?). My code (as I hope)
>> uses the constant power panning, so that the quadrats of the
>> amplitudes are always (more or less) the same. As you said, this
>> is done by the first quadrant of a sine respectively cosine
>> function. It's just that I like to have the range from -1 to +1
>> as input, so I have to do one more transformation.
>>
>> I think this is what you meant, right? If not, sorry for my
>> misunderstanding. Best -
>>
>> joachim
>>
>>
>>
>>
>> Am 14.09.2008 um 23:24 schrieb Art Hunkins:
>>
>>> Thanks, Joachim.
>>>
>>> I've extracted the following bits of code from your 070913.csd,
>>> which seems to include your pan algorithm. Can you or someone
>>> else tell me whether this duplicates the content of the pan
>>> opcode, assuming: 1) stereo, and 2) use of a stored function
>>> consisting of the first quadrant of a sinusoid?
>>>
>>> If so, I'm somewhat amazed, as your placement is so clear, and
>>> my use of pan is so indistinct in comparison.
>>>
>>> Art Hunkins
>>>
>>> ----------------------------------
>>>
>>> ;;Panning umformen
>>>
>>> ipan = (ipan+1) / 2; jetzt 0=links und 1=rechts
>>>
>>> ipan = ipan * $M_PI_2; pi/2
>>>
>>> ipanL = cos(ipan)
>>>
>>> ipanR = sin(ipan)
>>>
>>> ;;gesamtsignal
>>>
>>> aL = a1L + a2L + a3L + a4L + a5L
>>>
>>> aR = a1R + a2R + a3R + a4R + a5R
>>>
>>> ;mit panning
>>>
>>> aL = aL * ipanL
>>>
>>> aR = aR * ipanR
>>>
>>>
>>> ----- Original Message ----- From: "joachim heintz"
>>>
>>> To:
>>> Sent: Sunday, September 14, 2008 3:44 PM
>>> Subject: [Csnd] Re: Re: Re: Re: new csound music
>>>
>>>
>>>> Thanks for your feedback and interest. Meanwhile, I've put
>>>> the .csd files there, too. As to your question, perhaps you
>>>> like to have a look in "070913.csd". It's one year ago I
>>>> worked on this piece, so I can't recall exactly. But as far as
>>>> I read the code roughly, the panning is just done by jumping
>>>> from one defined point in the stereo field to another, in
>>>> conjunction with the overall idea and structure of the piece.
>>>> If you have any question to the code, I'll try to explain it
>>>> with pleasure. And surely there can be found improvements ...
>>>> Best -
>>>> joachim
>>>>
>>>>
>>>>
>>>> Am 14.09.2008 um 19:20 schrieb Art Hunkins:
>>>>
>>>>> Joachim,
>>>>>
>>>>> Fine, subtle atmospheric music.
>>>>>
>>>>> I too would like to see the .csd's - especially of Rad (#5).
>>>>> In this movement, placement of the percussive events in the
>>>>> stereo field is especially vivid.
>>>>>
>>>>> Perhaps you could explain the code behind this effect. I
>>>>> would surely like to know how you got such specific location.
>>>>>
>>>>> Art Hunkins
>>>>>
>>>>> ----- Original Message ----- From: "joachim heintz"
>>>>>
>>>>> To:
>>>>> Sent: Sunday, September 14, 2008 8:28 AM
>>>>> Subject: [Csnd] Re: Re: new csound music
>>>>>
>>>>>
>>>>>> ok - i'll put the .csd too, but i have to look for them
>>>>>> first. they will be in the same directory then.
>>>>>> joachim
>>>>>>
>>>>>>
>>>>>>
>>>>>> Am 14.09.2008 um 14:10 schrieb Super Pija:
>>>>>>
>>>>>>> Unfortunately, if the .csd/ .orc and .sco files are not
>>>>>>> available, it means nothing to know that u composed that
>>>>>>> works with csound.
>>>>>>> Spija
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> ----- Original Message ----
>>>>>>> From: joachim heintz
>>>>>>> To: csound@lists.bath.ac.uk
>>>>>>> Sent: Sunday, September 14, 2008 2:07:23 PM
>>>>>>> Subject: [Csnd] new csound music
>>>>>>>
>>>>>>> I finished recently a set of compositions which I carried out
>>>>>>> completely in Csound (except of some mixing etc). They are
>>>>>>> meant as
>>>>>>> musical comments to poems of Heinrich Heine, and will
>>>>>>> probably appear
>>>>>>> at any time on a CD together with the poems. I put the pieces on
>>>>>>> http://joachimheintz.de/heine_mp3/
>>>>>>> Best -
>>>>>>> joachim
>>>>>>>
>>>>>>>
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>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
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>>>>>>
>>>>>>
>>>>>>
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>>>>>
>>>>>
>>>>>
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>>>>
>>>>
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>>>
>>>
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>>
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