| I have always been curious about these outboard synthesis systems.
I have been chugging along just fine with my laptop and tools like
csound and Max. With the rise of dual/quad core machines, is the level of
performance
and power really justify the cost? What are some of the things you
can do with a pacarana that make it something one must have?
----- Original Message -----
From: "DavidW"
To:
Sent: Thursday, January 22, 2009 10:07 PM
Subject: [Csnd] Re: Re: New stuff at NAMM
>I bought two of the systems when they first came out got them directly
>from Kurt Hebel and Carla Scarletti in Champaign, Il.
> K's HW was a work of art in itself and didn't miss a beat all the time I
> used them.
> C''s SW was pretty good too: in Smalltalk - the object oriental's version
> of Forth, and grand-daddy to python.
> (That' probably where it got it's taste for pacarana.)
>
> It was originally slow - them were the days - but was well conceived. I
> haven't used it for a long time, though I examined a couple of years ago
> of someone who'd done a fair bit of in-the-field- sonification w. them
> and liked them very much. Carla did quite a bit of data son. with the
> system too. Reported in Kramer's 1994 book.
> From memory, SS runs a mailing list and maintain a register of users so,
> Mike, you might get some useful UTD info. there.
>
> Mike said:
>
>> One thing I really would like is an environment where one can write both
>> compositional processes and synthesis patches in the same text- based
>> language, and Kyma seems to offer that. Nowadays, you can get that in
>> the open source world with Common Music/Common Lisp Music, at last even
>> on Windows. Again, I haven't tried it out much, but it's promising. Of
>> course, CLM doesn't have as many unit generators as Csound.
>
>
> python API to csound? The big problem which bites you in the proverbial
> if it's not planned for is obsolescence - which wastes more time that
> w=everything else put together.
> In my experience, another important thing that Lisp and Python (and Forth
> and APL (yea!) share, is that they are _interpreted_. Won't bang on about
> it. Here's a couple of papers which might amuse:
> http://avatar.com.au/worrall/papers/Procedural%20Composition.pdf
> http://avatar.com.au/worrall/papers/Metamusical%20composing.pdf
> The last paper I wrote on the issue is:
> http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=50025
>
> I must admit to never having used the meta-comp. tools of scound. I'd be
> interested to hear of the experience of those that do.
> ciao,
> David
>
> On 23/01/2009, at 9:58 AM, dp51 wrote:
>
>>
>> Yeah, it's definitely in the silly money category (I'll probably settle
>> for
>> the paca = $3000).
>>
>> I figure, if it sucks (or if I can do all the same things in Csound/
>> MaxMSP)
>> I can sell it at a slight loss. I've always been curious about Kyma and
>> I've never met any1 who uses it (all my friends are poor). I can't even
>> find decent youtube videos of the Kyma GUI in use. But, soon I'll have
>> enough spare cash to satisfy my curiosity once and for all.
>>
>> DAvis
>>
>>
>> rory walsh wrote:
>>>
>>> At those prices they're likely to mirror their brothers in the wild
>>> and become an endangered spieces of their own.
>>>
>>> Rory.
>>>
>>>
>>> 2009/1/22 victor :
>>>> At $4401, I find it a little too much to take. Esp. since next
>>>> year there will probably another HW doing twice the amount
>>>> of numbercrunching for 1/2 price.
>>>>
>>>> Victor
>
>
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|