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It's a four-octave Roland ED PC-70. The middle B key is down. Other than that it is fine. It is a no-frills unit, pitch bend, mod wheel, octave up/down and basic data entry, but it is at least velocity sensitive. You are certainly welcome to it. But honestly, is it worth the shipping cost for you for such a bulky item? I live in Toronto, Canada.
BW
From: abhunkin@uncg.edu To: csound@lists.bath.ac.uk Date: Sun, 10 Jul 2011 13:39:35 -0400 Subject: Re: [Csnd] Re: Musical input methods most people use
I'll bite (I collect MIDI hardware). What -1-key
controllers are you interested in parting with?
Art Hunkins
----- Original Message -----
Sent: Sunday, July 10, 2011 11:21
AM
Subject: RE: [Csnd] Re: Musical input
methods most people use
You are probably right about MIDI not going away
anytime soon, unfortunately. I agree about MIDI being a standard, which
is why I notified the list about the Eigenlabs white paper on OSC, which
hopefully is a step in the direction of making OSC more of a standard. I
really don't want to debate this, I am very well aware of the ubiquitious
market penetration of MIDI technology among electronic musicians, and once
upon a time had a whole studio full of MIDI gear myself. Want to buy a MIDI
controller keyboard with one broken key? I'll let it go for 2 cents (shipping
costs not included).
> Date: Sun, 10 Jul 2011 14:31:06 +0200
> From:
lecteur@zogotounga.net
> To: csound@lists.bath.ac.uk
> Subject:
Re: [Csnd] Re: Musical input methods most people use
>
> >
Maybe if people stopped dumping money, time, and effort into obsolete
>
> tech
>
> I use MIDI all the time. Very limited but also very
useful, well
> supported everywhere; I don't see it on the way out
anytime soon. It's a
> standard, which OSC is not.
>
> My
2 cents,
>
> Stef
>
>
>
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