Hi All,

I was reading through this article by Jean-Claude Risset:

http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf

It has a great section regarding scores and for me, it underlines a
key importance of using tools that allow for long-term viability for
later understanding and preserving our work:

"This issue  of  passing information  and  know-how is  crucial. A
MUSIC V  score  (this  also
applies for scores of other synthesis programs such as CSOUND  or
CLM)  gives complete
information about the sounds and their elaboration. Analyzing scores
is an  essential  part  of
teaching - or learning - composition. MUSIC V, CSOUND or CLM scores
can  be  analyzed
by composers interested in recipes for sound  synthesis  and in the
compositional elaboration
of sonic structures. Computer synthesis of sound would remain very
primitive and unmusical
if explorers had not  shared the  know-how  they  developed. Today,  a
 considerable body  of
know-how is disseminated around C-Sound..."

The rest of the article is quite a fascinating read; would recommend
to anyone who is using Csound who hasn't read the article yet!

Thanks,
steven


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That would be over the moon.

Best,
Mike

On Wed, Oct 5, 2011 at 8:42 AM, Dr. Richard Boulanger
 wrote:
> Thanks Steven,
> I pass this out "every" semester to my Csounders.
> Jean-Claude has been into Csound now for some time and has always been
> pleased with the fact
> that his "catalog" was converted over from MusicV.
> Maybe we can have him as a guest at the next Csound conference?
> -dB
>
> ___________________________________
> Richard Boulanger, Ph.D.
> Professor of Electronic Production and Design
> Professional Writing and Music Technology Division
> Berklee College of Music
> 1140 Boylston Street
> Boston, MA 02215-3693
> 617-747-2485 (office)
> 774-488-9166 (cell)
> rboulanger@berklee.edu
> http://csounds.com/boulanger
> ____________________________________
> http://csounds.com/mathews
> ____________________________________
> On Oct 5, 2011, at 8:36 AM, Steven Yi wrote:
>
> Hi All,
>
> I was reading through this article by Jean-Claude Risset:
>
> http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf
>
> It has a great section regarding scores and for me, it underlines a
> key importance of using tools that allow for long-term viability for
> later understanding and preserving our work:
>
> "This issue  of  passing information  and  know-how is  crucial. A
> MUSIC V  score  (this  also
> applies for scores of other synthesis programs such as CSOUND  or
> CLM)  gives complete
> information about the sounds and their elaboration. Analyzing scores
> is an  essential  part  of
> teaching - or learning - composition. MUSIC V, CSOUND or CLM scores
> can  be  analyzed
> by composers interested in recipes for sound  synthesis  and in the
> compositional elaboration
> of sonic structures. Computer synthesis of sound would remain very
> primitive and unmusical
> if explorers had not  shared the  know-how  they  developed. Today,  a
> considerable body  of
> know-how is disseminated around C-Sound..."
>
> The rest of the article is quite a fascinating read; would recommend
> to anyone who is using Csound who hasn't read the article yet!
>
> Thanks,
> steven
>
>
> Send bugs reports to the Sourceforge bug tracker
>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe
> csound"
>
>
>



-- 
Michael Gogins
Irreducible Productions
http://www.michael-gogins.com
Michael dot Gogins at gmail dot com


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But note that what he means by scores is both orchestra and score in  
Csound.
Great article.

Victor

On 5 Oct 2011, at 13:36, Steven Yi wrote:

> Hi All,
>
> I was reading through this article by Jean-Claude Risset:
>
> http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf
>
> It has a great section regarding scores and for me, it underlines a
> key importance of using tools that allow for long-term viability for
> later understanding and preserving our work:
>
> "This issue  of  passing information  and  know-how is  crucial. A
> MUSIC V  score  (this  also
> applies for scores of other synthesis programs such as CSOUND  or
> CLM)  gives complete
> information about the sounds and their elaboration. Analyzing scores
> is an  essential  part  of
> teaching - or learning - composition. MUSIC V, CSOUND or CLM scores
> can  be  analyzed
> by composers interested in recipes for sound  synthesis  and in the
> compositional elaboration
> of sonic structures. Computer synthesis of sound would remain very
> primitive and unmusical
> if explorers had not  shared the  know-how  they  developed. Today,  a
> considerable body  of
> know-how is disseminated around C-Sound..."
>
> The rest of the article is quite a fascinating read; would recommend
> to anyone who is using Csound who hasn't read the article yet!
>
> Thanks,
> steven
>
>
> Send bugs reports to the Sourceforge bug tracker
>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body  
> "unsubscribe csound"
>

Dr Victor Lazzarini
Senior Lecturer
Dept. of Music
NUI Maynooth Ireland
tel.: +353 1 708 3545
Victor dot Lazzarini AT nuim dot ie





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Agreed, it would be fantastic to have him as a featured speaker at the
next Csound conference!

On Wed, Oct 5, 2011 at 1:46 PM, Michael Gogins  wrote:
> That would be over the moon.
>
> Best,
> Mike
>
> On Wed, Oct 5, 2011 at 8:42 AM, Dr. Richard Boulanger
>  wrote:
>> Thanks Steven,
>> I pass this out "every" semester to my Csounders.
>> Jean-Claude has been into Csound now for some time and has always been
>> pleased with the fact
>> that his "catalog" was converted over from MusicV.
>> Maybe we can have him as a guest at the next Csound conference?
>> -dB
>>
>> ___________________________________
>> Richard Boulanger, Ph.D.
>> Professor of Electronic Production and Design
>> Professional Writing and Music Technology Division
>> Berklee College of Music
>> 1140 Boylston Street
>> Boston, MA 02215-3693
>> 617-747-2485 (office)
>> 774-488-9166 (cell)
>> rboulanger@berklee.edu
>> http://csounds.com/boulanger
>> ____________________________________
>> http://csounds.com/mathews
>> ____________________________________
>> On Oct 5, 2011, at 8:36 AM, Steven Yi wrote:
>>
>> Hi All,
>>
>> I was reading through this article by Jean-Claude Risset:
>>
>> http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf
>>
>> It has a great section regarding scores and for me, it underlines a
>> key importance of using tools that allow for long-term viability for
>> later understanding and preserving our work:
>>
>> "This issue  of  passing information  and  know-how is  crucial. A
>> MUSIC V  score  (this  also
>> applies for scores of other synthesis programs such as CSOUND  or
>> CLM)  gives complete
>> information about the sounds and their elaboration. Analyzing scores
>> is an  essential  part  of
>> teaching - or learning - composition. MUSIC V, CSOUND or CLM scores
>> can  be  analyzed
>> by composers interested in recipes for sound  synthesis  and in the
>> compositional elaboration
>> of sonic structures. Computer synthesis of sound would remain very
>> primitive and unmusical
>> if explorers had not  shared the  know-how  they  developed. Today,  a
>> considerable body  of
>> know-how is disseminated around C-Sound..."
>>
>> The rest of the article is quite a fascinating read; would recommend
>> to anyone who is using Csound who hasn't read the article yet!
>>
>> Thanks,
>> steven
>>
>>
>> Send bugs reports to the Sourceforge bug tracker
>>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
>> Discussions of bugs and features can be posted here
>> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe
>> csound"
>>
>>
>>
>
>
>
> --
> Michael Gogins
> Irreducible Productions
> http://www.michael-gogins.com
> Michael dot Gogins at gmail dot com
>
>
> Send bugs reports to the Sourceforge bug tracker
>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
>
>


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on 2011-10-05 at 08:46 Michael Gogins wrote:

>That would be over the moon.

i second that! more reasons to wish to attend the next conference!
risset's contribution to the development of sound synthesis techniques
-through a better understanding of the acoustics and psychoacoustics of
timbre- has been paramount. and he's such a wonderful person!



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Yes please!

P

On 5 October 2011 14:08, luis jure  wrote:
>
> on 2011-10-05 at 08:46 Michael Gogins wrote:
>
>>That would be over the moon.
>
> i second that! more reasons to wish to attend the next conference!
> risset's contribution to the development of sound synthesis techniques
> -through a better understanding of the acoustics and psychoacoustics of
> timbre- has been paramount. and he's such a wonderful person!
>
>
>
> Send bugs reports to the Sourceforge bug tracker
>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
>
>


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Hello Csounders,

I'm trying to use my Wii Remote (connected to Osculator) to have my grain2 instrument interpolate its function table between a sine and a square.
unfortunately I can't make that happen.
I wrote the f-tables in the orchestra and assigned them a kvalue, but all I seem to get is a fixed table at a lower volume.

my Wiimote is supposed to control the F-tables with the pitch function, which is assigned to CC1 (you can see it initialized with a value of 64).

I tried assigning kfn (which is assigned to the pitch axis on the wiimote) a value of 1 to 2 as well (the numbers of the f-tables), but the same thing happens.

any suggestions?




sr	 =	44100
kr	 =	4410
nchnls	= 2
0dbfs	 =	1
ctrlinit 1, 0,64, 1,64
instr 1

gif1 ftgen 1, 0, 4096, 10, 1 ;sine
gif2 ftgen 2, 0, 256, 7, -1, 128, -1, 0, 1, 128, 1 ;square

kf1	=	gif1
kf2	=	gif2

kgdur	ctrl7 1, 0, .001, .05
kfn	ctrl7 1, 1, kf1, kf2
icps	 cpsmidi

/*···Granular···*/
agran grain2 icps, icps*.02, kgdur, 1/*overlapl*/, kfn, 1, .5, 22, 2
outs	agran, agran
endin



f0	999




Andreas

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excellent idea. i actually forgot it for this conference. he has been
guest at hmtm hannover some years ago, for a workshop, and for a concert
in which he played also himself pieces of messiaen on piano (and *so*
well!). and i could invite him for a sound installation last year in
hannover.
would be great to see him in boston next year!!!

	j


Am 05.10.2011 14:42, schrieb Dr. Richard Boulanger:
> Thanks Steven,
> 
> I pass this out "every" semester to my Csounders.
> 
> Jean-Claude has been into Csound now for some time and has always been
> pleased with the fact
> that his "catalog" was converted over from MusicV.
> 
> Maybe we can have him as a guest at the next Csound conference?
> 
> -dB
> *
> ___________________________________*
> *
> *
> *Richard Boulanger, Ph.D.*
> *
> *
> Professor of Electronic Production and Design
> Professional Writing and Music Technology Division
> Berklee College of Music
> 1140 Boylston Street
> Boston, MA 02215-3693
> 
> 617-747-2485 (office)
> 774-488-9166 (cell)
> 
> rboulanger@berklee.edu 
> http://csounds.com/boulanger
> ____________________________________
> 
> http://csounds.com/mathews
> ____________________________________
> 
> On Oct 5, 2011, at 8:36 AM, Steven Yi wrote:
> 
>> Hi All,
>>
>> I was reading through this article by Jean-Claude Risset:
>>
>> http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf
>>
>> It has a great section regarding scores and for me, it underlines a
>> key importance of using tools that allow for long-term viability for
>> later understanding and preserving our work:
>>
>> "This issue  of  passing information  and  know-how is  crucial. A
>> MUSIC V  score  (this  also
>> applies for scores of other synthesis programs such as CSOUND  or
>> CLM)  gives complete
>> information about the sounds and their elaboration. Analyzing scores
>> is an  essential  part  of
>> teaching - or learning - composition. MUSIC V, CSOUND or CLM scores
>> can  be  analyzed
>> by composers interested in recipes for sound  synthesis  and in the
>> compositional elaboration
>> of sonic structures. Computer synthesis of sound would remain very
>> primitive and unmusical
>> if explorers had not  shared the  know-how  they  developed. Today,  a
>> considerable body  of
>> know-how is disseminated around C-Sound..."
>>
>> The rest of the article is quite a fascinating read; would recommend
>> to anyone who is using Csound who hasn't read the article yet!
>>
>> Thanks,
>> steven
>>
>>
>> Send bugs reports to the Sourceforge bug tracker
>>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
>> Discussions of bugs and features can be posted here
>> To unsubscribe, send email sympa@lists.bath.ac.uk with body
>> "unsubscribe csound"
>>
> 


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i believe he still uses MUSIC V, correct?

On Oct 5, 2011, at 9:35 AM, joachim heintz wrote:

> excellent idea. i actually forgot it for this conference. he has been
> guest at hmtm hannover some years ago, for a workshop, and for a concert
> in which he played also himself pieces of messiaen on piano (and *so*
> well!). and i could invite him for a sound installation last year in
> hannover.
> would be great to see him in boston next year!!!
> 
> 	j
> 
> 
> Am 05.10.2011 14:42, schrieb Dr. Richard Boulanger:
>> Thanks Steven,
>> 
>> I pass this out "every" semester to my Csounders.
>> 
>> Jean-Claude has been into Csound now for some time and has always been
>> pleased with the fact
>> that his "catalog" was converted over from MusicV.
>> 
>> Maybe we can have him as a guest at the next Csound conference?
>> 
>> -dB
>> *
>> ___________________________________*
>> *
>> *
>> *Richard Boulanger, Ph.D.*
>> *
>> *
>> Professor of Electronic Production and Design
>> Professional Writing and Music Technology Division
>> Berklee College of Music
>> 1140 Boylston Street
>> Boston, MA 02215-3693
>> 
>> 617-747-2485 (office)
>> 774-488-9166 (cell)
>> 
>> rboulanger@berklee.edu 
>> http://csounds.com/boulanger
>> ____________________________________
>> 
>> http://csounds.com/mathews
>> ____________________________________
>> 
>> On Oct 5, 2011, at 8:36 AM, Steven Yi wrote:
>> 
>>> Hi All,
>>> 
>>> I was reading through this article by Jean-Claude Risset:
>>> 
>>> http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf
>>> 
>>> It has a great section regarding scores and for me, it underlines a
>>> key importance of using tools that allow for long-term viability for
>>> later understanding and preserving our work:
>>> 
>>> "This issue  of  passing information  and  know-how is  crucial. A
>>> MUSIC V  score  (this  also
>>> applies for scores of other synthesis programs such as CSOUND  or
>>> CLM)  gives complete
>>> information about the sounds and their elaboration. Analyzing scores
>>> is an  essential  part  of
>>> teaching - or learning - composition. MUSIC V, CSOUND or CLM scores
>>> can  be  analyzed
>>> by composers interested in recipes for sound  synthesis  and in the
>>> compositional elaboration
>>> of sonic structures. Computer synthesis of sound would remain very
>>> primitive and unmusical
>>> if explorers had not  shared the  know-how  they  developed. Today,  a
>>> considerable body  of
>>> know-how is disseminated around C-Sound..."
>>> 
>>> The rest of the article is quite a fascinating read; would recommend
>>> to anyone who is using Csound who hasn't read the article yet!
>>> 
>>> Thanks,
>>> steven
>>> 
>>> 
>>> Send bugs reports to the Sourceforge bug tracker
>>>           https://sourceforge.net/tracker/?group_id=81968&atid=564599
>>> Discussions of bugs and features can be posted here
>>> To unsubscribe, send email sympa@lists.bath.ac.uk with body
>>> "unsubscribe csound"
>>> 
>> 
> 
> 
> Send bugs reports to the Sourceforge bug tracker
>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
> 



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he said last year he wanted to switch to csound as music v didn't run
any more on modern platforms (if i understood him right). but i don't
know if he did this step.


Am 05.10.2011 22:27, schrieb matt ingalls:
> i believe he still uses MUSIC V, correct?
> 
> On Oct 5, 2011, at 9:35 AM, joachim heintz wrote:
> 
>> excellent idea. i actually forgot it for this conference. he has been
>> guest at hmtm hannover some years ago, for a workshop, and for a concert
>> in which he played also himself pieces of messiaen on piano (and *so*
>> well!). and i could invite him for a sound installation last year in
>> hannover.
>> would be great to see him in boston next year!!!
>>
>> 	j
>>
>>
>> Am 05.10.2011 14:42, schrieb Dr. Richard Boulanger:
>>> Thanks Steven,
>>>
>>> I pass this out "every" semester to my Csounders.
>>>
>>> Jean-Claude has been into Csound now for some time and has always been
>>> pleased with the fact
>>> that his "catalog" was converted over from MusicV.
>>>
>>> Maybe we can have him as a guest at the next Csound conference?
>>>
>>> -dB
>>> *
>>> ___________________________________*
>>> *
>>> *
>>> *Richard Boulanger, Ph.D.*
>>> *
>>> *
>>> Professor of Electronic Production and Design
>>> Professional Writing and Music Technology Division
>>> Berklee College of Music
>>> 1140 Boylston Street
>>> Boston, MA 02215-3693
>>>
>>> 617-747-2485 (office)
>>> 774-488-9166 (cell)
>>>
>>> rboulanger@berklee.edu 
>>> http://csounds.com/boulanger
>>> ____________________________________
>>>
>>> http://csounds.com/mathews
>>> ____________________________________
>>>
>>> On Oct 5, 2011, at 8:36 AM, Steven Yi wrote:
>>>
>>>> Hi All,
>>>>
>>>> I was reading through this article by Jean-Claude Risset:
>>>>
>>>> http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf
>>>>
>>>> It has a great section regarding scores and for me, it underlines a
>>>> key importance of using tools that allow for long-term viability for
>>>> later understanding and preserving our work:
>>>>
>>>> "This issue  of  passing information  and  know-how is  crucial. A
>>>> MUSIC V  score  (this  also
>>>> applies for scores of other synthesis programs such as CSOUND  or
>>>> CLM)  gives complete
>>>> information about the sounds and their elaboration. Analyzing scores
>>>> is an  essential  part  of
>>>> teaching - or learning - composition. MUSIC V, CSOUND or CLM scores
>>>> can  be  analyzed
>>>> by composers interested in recipes for sound  synthesis  and in the
>>>> compositional elaboration
>>>> of sonic structures. Computer synthesis of sound would remain very
>>>> primitive and unmusical
>>>> if explorers had not  shared the  know-how  they  developed. Today,  a
>>>> considerable body  of
>>>> know-how is disseminated around C-Sound..."
>>>>
>>>> The rest of the article is quite a fascinating read; would recommend
>>>> to anyone who is using Csound who hasn't read the article yet!
>>>>
>>>> Thanks,
>>>> steven
>>>>
>>>>
>>>> Send bugs reports to the Sourceforge bug tracker
>>>>           https://sourceforge.net/tracker/?group_id=81968&atid=564599
>>>> Discussions of bugs and features can be posted here
>>>> To unsubscribe, send email sympa@lists.bath.ac.uk with body
>>>> "unsubscribe csound"
>>>>
>>>
>>
>>
>> Send bugs reports to the Sourceforge bug tracker
>>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
>> Discussions of bugs and features can be posted here
>> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
>>
> 
> 
> 
> Send bugs reports to the Sourceforge bug tracker
>             https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
> 
> 


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I have Music V on my OSX

On 5 Oct 2011, at 21:40, joachim heintz wrote:

> he said last year he wanted to switch to csound as music v didn't run
> any more on modern platforms (if i understood him right). but i don't
> know if he did this step.
>
>
> Am 05.10.2011 22:27, schrieb matt ingalls:
>> i believe he still uses MUSIC V, correct?
>>
>> On Oct 5, 2011, at 9:35 AM, joachim heintz wrote:
>>
>>> excellent idea. i actually forgot it for this conference. he has  
>>> been
>>> guest at hmtm hannover some years ago, for a workshop, and for a  
>>> concert
>>> in which he played also himself pieces of messiaen on piano (and  
>>> *so*
>>> well!). and i could invite him for a sound installation last year in
>>> hannover.
>>> would be great to see him in boston next year!!!
>>>
>>> 	j
>>>
>>>
>>> Am 05.10.2011 14:42, schrieb Dr. Richard Boulanger:
>>>> Thanks Steven,
>>>>
>>>> I pass this out "every" semester to my Csounders.
>>>>
>>>> Jean-Claude has been into Csound now for some time and has always  
>>>> been
>>>> pleased with the fact
>>>> that his "catalog" was converted over from MusicV.
>>>>
>>>> Maybe we can have him as a guest at the next Csound conference?
>>>>
>>>> -dB
>>>> *
>>>> ___________________________________*
>>>> *
>>>> *
>>>> *Richard Boulanger, Ph.D.*
>>>> *
>>>> *
>>>> Professor of Electronic Production and Design
>>>> Professional Writing and Music Technology Division
>>>> Berklee College of Music
>>>> 1140 Boylston Street
>>>> Boston, MA 02215-3693
>>>>
>>>> 617-747-2485 (office)
>>>> 774-488-9166 (cell)
>>>>
>>>> rboulanger@berklee.edu 
>>>> http://csounds.com/boulanger
>>>> ____________________________________
>>>>
>>>> http://csounds.com/mathews
>>>> ____________________________________
>>>>
>>>> On Oct 5, 2011, at 8:36 AM, Steven Yi wrote:
>>>>
>>>>> Hi All,
>>>>>
>>>>> I was reading through this article by Jean-Claude Risset:
>>>>>
>>>>> http://www.utexas.edu/cola/insts/france-ut/_files/pdf/resources/risset_2.pdf
>>>>>
>>>>> It has a great section regarding scores and for me, it  
>>>>> underlines a
>>>>> key importance of using tools that allow for long-term viability  
>>>>> for
>>>>> later understanding and preserving our work:
>>>>>
>>>>> "This issue  of  passing information  and  know-how is  crucial. A
>>>>> MUSIC V  score  (this  also
>>>>> applies for scores of other synthesis programs such as CSOUND  or
>>>>> CLM)  gives complete
>>>>> information about the sounds and their elaboration. Analyzing  
>>>>> scores
>>>>> is an  essential  part  of
>>>>> teaching - or learning - composition. MUSIC V, CSOUND or CLM  
>>>>> scores
>>>>> can  be  analyzed
>>>>> by composers interested in recipes for sound  synthesis  and in  
>>>>> the
>>>>> compositional elaboration
>>>>> of sonic structures. Computer synthesis of sound would remain very
>>>>> primitive and unmusical
>>>>> if explorers had not  shared the  know-how  they  developed.  
>>>>> Today,  a
>>>>> considerable body  of
>>>>> know-how is disseminated around C-Sound..."
>>>>>
>>>>> The rest of the article is quite a fascinating read; would  
>>>>> recommend
>>>>> to anyone who is using Csound who hasn't read the article yet!
>>>>>
>>>>> Thanks,
>>>>> steven
>>>>>
>>>>>
>>>>> Send bugs reports to the Sourceforge bug tracker
>>>>>          https://sourceforge.net/tracker/?group_id=81968&atid=564599
>>>>> Discussions of bugs and features can be posted here
>>>>> To unsubscribe, send email sympa@lists.bath.ac.uk with body
>>>>> "unsubscribe csound"
>>>>>
>>>>
>>>
>>>
>>> Send bugs reports to the Sourceforge bug tracker
>>>           https://sourceforge.net/tracker/? 
>>> group_id=81968&atid=564599
>>> Discussions of bugs and features can be posted here
>>> To unsubscribe, send email sympa@lists.bath.ac.uk with body  
>>> "unsubscribe csound"
>>>
>>
>>
>>
>> Send bugs reports to the Sourceforge bug tracker
>>            https://sourceforge.net/tracker/? 
>> group_id=81968&atid=564599
>> Discussions of bugs and features can be posted here
>> To unsubscribe, send email sympa@lists.bath.ac.uk with body  
>> "unsubscribe csound"
>>
>>
>
>
> Send bugs reports to the Sourceforge bug tracker
>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body  
> "unsubscribe csound"
>

Dr Victor Lazzarini
Senior Lecturer
Dept. of Music
NUI Maynooth Ireland
tel.: +353 1 708 3545
Victor dot Lazzarini AT nuim dot ie





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