Haven't gone quite that far yet- "just pulse generator +  
filters and feedback loop".

But, I've done some patches in Csound and Modular V, where 
I use sine with several square or pulse waves, with lots of
differing filters for certain passbands, some feedback
paths and delays in those feedback paths.

Well, thanks a bunch. Now you got me thinking about that 
again. Back to Csound and Modular V in the next day or so.


-Partev


==========================================================



--- peimankhosravi@gmail.com wrote:

From: Peiman Khosravi 
To: csound@lists.bath.ac.uk
Subject: [Csnd] Re: Re: [OT] wishes (was Re: Re: kyma x)
Date: Thu, 18 Mar 2010 11:07:39 +0000

While on the subject. Has anyone got a CSD to emulate Stockhause's  
Kontakte synthesis techniques? I think it's just pulse generator +  
filters and feedback loop.

Best,

Peiman



On 18 Mar 2010, at 04:18, Partev Barr Sarkissian wrote:

> Victor,
>
>  I have a large modular (virtual), Moog Model V. It's a software
> package called Moog Modular V, by Arturia in Italy. Cool stuff.
> I'm using it and Reason 3 & 4, by Propellorhead, Sweden, on a synth
> CD I'm doing. Planning to have some Csound sounds on it here and  
> there.
>
>  So, I have a large modular, but it's on my laptop. Which is more
> portable than the modular monstrosity my music partner and I built
> back in the early 1980's.
>
>  We each took a couple of mods, I did the filters (VCF's), he did the
> VCO's and VCA's and he and another guy did a couple of versions of an
> Envelop Generator. We used IC's from SSMT (later bought by Percision
> Monolithic, later bought by Analog Devices). Another freind of his
> wrote a crude sequencer (pre-MIDI) program for the Apple IIe we had.
> We etched our PCB's, stuffed and mounted the modules in a rack. It
> was kludgy, but it worked pretty well.
>
>  SSMT IC's were what was used in the Prophet-5, so we went from their
> schematics and SSMT application notes,... and a few tweaks of our own
> (we were shooting for the blue skies of synths).
>
>  We never copy straight off the Prophet schematics, but only used it
> as a reference to see how they implemented what they did to give us  
> some
> kind of starting point. We wanted to keep our mistakes down to a  
> minmum.
> We went mainly from the IC app-notes, with a few of our own features  
> we
> wanted for our system.
>
>  Still have that thing at my friends place, and yes, portions of it  
> still
> function last time we checked.
>
>  So, yeah Victor, I know the feeling. Can't get away from those  
> modulars.
> But then again, why would anyone want to.
>
>  If wishes were horses (or kyma), I'd have a wall size Model-5 Synths,
> MIDI-ed and polyphonic. Oh wait,... I already almost have that now  
> with
> my Arturia software package, and on a laptop. Ain't technology grand!
>
>
> Later, cheers,
> -Partev
>
>
> ===================================================================
>
>
>
> --- Victor.Lazzarini@nuim.ie wrote:
>
> From: Victor Lazzarini 
> To: csound@lists.bath.ac.uk
> Subject: [Csnd] Re: Re: [OT] wishes (was Re: Re: kyma x)
> Date: Tue, 16 Mar 2010 21:17:32 +0000
>
> yes, I've worked with a big 16tracker once upon a time. Not something
> I'd like to come back to. But I would love having a large modular
> synth in our studio.
>
> Victor
>
> On 16 Mar 2010, at 20:59, PINOT Francois wrote:
>
>> I've been working in an electronic music studio during 15 years
>> (1980 - 1995). This studio was a part of an organization called
>> 'European Center for Musical Reserch'. We had a contemporary music
>> festival each year in november (International meetings for
>> contemporary music in Metz, France). The electronic studio had a lot
>> of equipment: analog synths (AKS from EMS, ARP 2600, Roland System
>> 700), professional tape machines (Studer 2, 4, and 16 tracks, MCI 8
>> tracks), digital equipements (Yamaha dx7, tx81z, Akai S1000,
>> Synclavier II), etc.
>>
>> It's been fantastic to work there. I've seen a lot of composers
>> (Messiean, Xenakis, Stockausen, Kagel, Boulez, Berio, Cage, Tudor,
>> La Monte Young, Riley,  Glass...) who were invited by the festival,
>> and I could work with some of them.
>>
>> But during all those years, I was complaining about all those
>> cables, heavy machines, hard to maintain equipment... Have you ever
>> calibrated a 16 tracks analog tape machine? Each time we had a
>> concert outside we filled a whole truck (how heavy were those
>> gears!). At that time, I had a wish: a lightweight and powerful
>> equipment I could take everywhere. It's realized nowadays.
>>
>> My wish today it to get more free time to make music with my  
>> laptop...
>>
>> François Pinot
>>
>> Victor Lazzarini a écrit :
>>> But that is the fun! I love patch cables. Obviously, I'm not
>>> thinking of productivity here. Some of the Buchla youtube videos
>>> are really interesting.
>>>
>>> Victor
>>>
>>> On 16 Mar 2010, at 20:04, Mark Van Peteghem wrote:
>>>
>>>> I typed buchla in youtube and saw some videos of these systems. It
>>>> seems like it is terrible if you want to be productive, with all
>>>> these cables you have to connect. Quickly loading an old project
>>>> is out of the question.
>>>>
>>>> But they sound great, that I have to say.
>>>>
>>>>
>>>> Victor Lazzarini wrote:
>>>>> If we are talking about wishes, mine is
>>>>>
>>>>> http://www.buchla.com/series200e.html
>>>>>
>>>>> scroll down the page to system 7.
>>>>
>>>> -- 
>>>> Mark
>>>> _________________________________________
>>>> When you get lemons, you make lemonade.
>>>> When you get hardware, you make software.
>>>>
>>>>
>>>>
>>>> Send bugs reports to the Sourceforge bug tracker
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>>>> "unsubscribe csound"
>>>>
>>>
>>>
>>>
>>> Send bugs reports to the Sourceforge bug tracker
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>>>
>>
>>
>> Send bugs reports to the Sourceforge bug tracker
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>
>
>
> Send bugs reports to the Sourceforge bug tracker
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>
>
>
>
> _____________________________________________________________
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_____________________________________________________________
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