| Thanks for your comment and Andres, for mentioning other work; re: VA
oscillators, we
have a new article which should be coming out in the spring issue of CMJ.
It's a bit of a survey,
but with a couple of new algorithms. Anyone interested, please contact me
privately and I can
provide a PDF when it's out.
Victor
----- Original Message -----
From: "Partev Barr Sarkissian"
To:
Sent: Tuesday, November 10, 2009 6:43 PM
Subject: [Csnd] Re: Re: creating a variable width pulse wave...
> AES Journal, September 2008 on split side-band FM synthesis.
> I tried it out, it was pretty cool. Interesting sounds and
> harmonic content. I like it. It works well. Victor did a good
> job putting that together. Check the December (I think) issue
> for posting of the correction of a typo regarding a Taylor
> Series equation. I'm betting it wasn't Victor's typo.
>
> It was a cool paper. I've about worn out that issue for all
> the times I've been going back to refer to it.
> Victor, you done good.
>
>
> Enjoy, cheers,
> -Partev
>
>
> ==================================================================
>
> --- mantaraya36@gmail.com wrote:
>
> From: Andres Cabrera
> To: csound@lists.bath.ac.uk
> Subject: [Csnd] Re: Re: Re: Re: Re: Re: creating a variable width pulse
> wave...
> Date: Tue, 10 Nov 2009 08:16:59 +0000
>
> Hi,
>
> Victor hasn't chimed in, but he develop a methd of producing
> bandlimited pulses and other waveforms using FM. He wrote an article
> about this for AES, the Csound journal and others.
>
> Some more information:
> There's an example in QuteCsound showing the difference between
> band-limited and non-bandlimited oscillators (with and without
> interpolation).
>
> Cheers,
> Andrés
>
> On Tue, Nov 10, 2009 at 2:51 AM, Greg Schroeder
> wrote:
>> Yes, I understand the Shannon-Nyquist theorem, folks. That's why I don't
>> just do it with a mess of line segment ftables. :-p
>> To multisampling and/or dusting off my trig I go . . .
>> Greg
>>
>> On Tue, Nov 10, 2009 at 11:34 AM, Partev Barr Sarkissian
>> wrote:
>>>
>>> Another one is to apply a "morph" to the width parameters in your
>>> function table in your "score".
>>>
>>> Or set-up more than one pulse in your score function table and
>>> morph between them. That should leave you with some controllability.
>>>
>>> I morph amplitudes, frequencies and phase relations to minimize
>>> a mechnical aspects and get it to flow a bit more naturally. It
>>> doesn't sound so robotic and mechnised (well, unless I want it to).
>>>
>>> -Partev
>>>
>>>
>>>
>>> =======================================================================
>>>
>>>
>>>
>>>
>>> --- jacobjoaquin@gmail.com wrote:
>>>
>>> From: Jacob Joaquin
>>> To: csound@lists.bath.ac.uk
>>> Subject: [Csnd] Re: Re: Re: creating a variable width pulse wave...
>>> Date: Mon, 9 Nov 2009 15:18:10 -0800
>>>
>>> > Hey all,
>>> > I know the vco opcodes do this for you, but for those of us who are
>>> > trying
>>> > to make assembling from smaller parts a lesson in learning what we're
>>> > doing
>>> > . . .
>>> > How do you generate your own pwm sound generator?
>>> > Greg
>>>
>>> There are many viable approaches. Off the top of my head, I think one
>>> could create a pwm generator out of these ingredients:
>>>
>>> phasor
>>> user-defined opcode
>>> setksmps
>>> if then else endif
>>>
>>> I'd be happy to elaborate. Not sure if you want the solution, or if
>>> you want to try doing it yourself. The latter is more fun. :)
>>>
>>> Best,
>>> Jake
>>> --
>>> The Csound Blog - http://csound.noisepages.com/
>>>
>>>
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>>>
>>>
>>>
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>>
>>
>
>
>
> --
>
>
> Andrés
>
>
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> csound"
>
>
>
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