Hello,

I played yesterday with my ensemble U: a concert in a festival dedicated to 
futurism.

I created a sound game, where noises of spoken text were extracted and used 
for live improvisation.

The strarting point was idea that the poetry played central role in futurism. 
Next to that, Luigi Russolo's intonarumori and manifest Art of Noise - the 
musical language should be extended to the field of different noises and 
instruments created for it to control it. And thirdly - the futuristic 
admiration to machines and techinque.

The piece uses texts by Vladimir Majakovski and Philippo Marinetti. Slowly the 
consonants (noises) of the wonderful openining text by Majakovski ("ШУМИКИ, 
ШУМЫ И ШУМИЩИ" - little noises, noises and large noises) gets crossphaded by 
the consonants of the same text. The consonants of the silently ongoing texts 
(and in some part, vowels) are stored into a buffer (a pvs ring buffer, 
overwritten again and again ) that can be played back using smartphones.  I 
used a XY pad + 4 toggle buttons of TouchOSC as the controller. The posistion 
of the XY point was converted into angle in relation to the central point of 
the screen and that controlled the timeponter of reaing from the poiner. The 
buttons toggled different combinations of PVS filters. The rotational movement 
on the pad was meant to imitate the rotoring of the intonarumori, but of 
course, you can do much more.

I attach the csd. Sorry, the comments are in estonian (for myself) and code a 
bit messy, but if you have any questions, please let me know!

The recording is up on: 
http://tarmo.uuu.ee/varia/failid/cs/rumori_di_testo.11.01.13.mp3

(about first 1,5 minutes is just plain text,
the heavily distorted noise was intentional - it happened incidentally in one 
rehearsal and one player insisted to keep it as effect).

To be honest, i find the music of the text by Majakovski much more beautiful 
than the following improvisation, but it was fun anyway.

The performance was done yesterday 11.01.13 in Pärnu (Estonia), by ensemble U: 
(uuu.ee), six players.

The piece is dedicated to Victor Lazzarini, creator of the PVS opcodes.

Thanks to Francesco and Ben Hackbarth for good suggestions during preparing 
the csd.

greetings,
tarmo

Dňa 12. 1. 2013 9:12 Tarmo Johannes wrote / napísal(a):
> Hello,
>
> I played yesterday with my ensemble U: a concert in a festival dedicated to
> futurism.
>
> I created a sound game, where noises of spoken text were extracted and used
> for live improvisation.
>
> The strarting point was idea that the poetry played central role in futurism.
> Next to that, Luigi Russolo's intonarumori and manifest Art of Noise - the
> musical language should be extended to the field of different noises and
> instruments created for it to control it. And thirdly - the futuristic
> admiration to machines and techinque.
>
> The piece uses texts by Vladimir Majakovski and Philippo Marinetti. Slowly the
> consonants (noises) of the wonderful openining text by Majakovski ("ШУМИКИ,
> ШУМЫ И ШУМИЩИ" - little noises, noises and large noises) gets crossphaded by
> the consonants of the same text. The consonants of the silently ongoing texts
> (and in some part, vowels) are stored into a buffer (a pvs ring buffer,
> overwritten again and again ) that can be played back using smartphones.  I
> used a XY pad + 4 toggle buttons of TouchOSC as the controller. The posistion
> of the XY point was converted into angle in relation to the central point of
> the screen and that controlled the timeponter of reaing from the poiner. The
> buttons toggled different combinations of PVS filters. The rotational movement
> on the pad was meant to imitate the rotoring of the intonarumori, but of
> course, you can do much more.
>
> I attach the csd. Sorry, the comments are in estonian (for myself) and code a
> bit messy, but if you have any questions, please let me know!
>
> The recording is up on:
> http://tarmo.uuu.ee/varia/failid/cs/rumori_di_testo.11.01.13.mp3
>
> (about first 1,5 minutes is just plain text,
> the heavily distorted noise was intentional - it happened incidentally in one
> rehearsal and one player insisted to keep it as effect).
>
> To be honest, i find the music of the text by Majakovski much more beautiful
> than the following improvisation, but it was fun anyway.
>
> The performance was done yesterday 11.01.13 in Pärnu (Estonia), by ensemble U:
> (uuu.ee), six players.
>
> The piece is dedicated to Victor Lazzarini, creator of the PVS opcodes.
>
> Thanks to Francesco and Ben Hackbarth for good suggestions during preparing
> the csd.
>
> greetings,
> tarmo
> Send bugs reports to the Sourceforge bug tracker
>              https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
>
Hi! I am sorry, but this file doesn't working. I need a phase vocoder 
file or some audio. Please, could You send It? Thank You.

Thank you very much for the dedication. It's a undeserved honour.

Victor
On 12 Jan 2013, at 08:12, Tarmo Johannes wrote:

> Hello,
> 
> I played yesterday with my ensemble U: a concert in a festival dedicated to 
> futurism.
> 
> I created a sound game, where noises of spoken text were extracted and used 
> for live improvisation.
> 
> The strarting point was idea that the poetry played central role in futurism. 
> Next to that, Luigi Russolo's intonarumori and manifest Art of Noise - the 
> musical language should be extended to the field of different noises and 
> instruments created for it to control it. And thirdly - the futuristic 
> admiration to machines and techinque.
> 
> The piece uses texts by Vladimir Majakovski and Philippo Marinetti. Slowly the 
> consonants (noises) of the wonderful openining text by Majakovski ("ШУМИКИ, 
> ШУМЫ И ШУМИЩИ" - little noises, noises and large noises) gets crossphaded by 
> the consonants of the same text. The consonants of the silently ongoing texts 
> (and in some part, vowels) are stored into a buffer (a pvs ring buffer, 
> overwritten again and again ) that can be played back using smartphones.  I 
> used a XY pad + 4 toggle buttons of TouchOSC as the controller. The posistion 
> of the XY point was converted into angle in relation to the central point of 
> the screen and that controlled the timeponter of reaing from the poiner. The 
> buttons toggled different combinations of PVS filters. The rotational movement 
> on the pad was meant to imitate the rotoring of the intonarumori, but of 
> course, you can do much more.
> 
> I attach the csd. Sorry, the comments are in estonian (for myself) and code a 
> bit messy, but if you have any questions, please let me know!
> 
> The recording is up on: 
> http://tarmo.uuu.ee/varia/failid/cs/rumori_di_testo.11.01.13.mp3
> 
> (about first 1,5 minutes is just plain text,
> the heavily distorted noise was intentional - it happened incidentally in one 
> rehearsal and one player insisted to keep it as effect).
> 
> To be honest, i find the music of the text by Majakovski much more beautiful 
> than the following improvisation, but it was fun anyway.
> 
> The performance was done yesterday 11.01.13 in Pärnu (Estonia), by ensemble U: 
> (uuu.ee), six players.
> 
> The piece is dedicated to Victor Lazzarini, creator of the PVS opcodes.
> 
> Thanks to Francesco and Ben Hackbarth for good suggestions during preparing 
> the csd.
> 
> greetings,
> tarmo
> Send bugs reports to the Sourceforge bug tracker
>            https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
> 
> 

Dr Victor Lazzarini
Senior Lecturer
Dept. of Music
NUI Maynooth Ireland
tel.: +353 1 708 3545
Victor dot Lazzarini AT nuim dot ie

right,

if you want to try out the csd, I uploaded
bu1.pvx (to play the consonants form statiuc file) and the wav file with the 
poetry to 
http://tarmo.uuu.ee/varia/failid/cs/
Put them to the same directory weher you csd is.


if you want to get faster result, change the aamp envelopes in instrument 
record (it you don't want to wait for 1.5 minutes before anything happens).

It is best to run in CsoundQt.
In touchosc I used 3rd screen with xy-pad and 4 toggle buttons, the messages 
sent are something like

/3/xy ff 0.001 0.98
/3/toggle1 f 1.0
etc

I have emulated the xy pad as CsQt widget, but not the buttons, so you can't 
test the filters form there.

greetings,
tarmo


On Saturday 12 January 2013 09:30:07 Marco Oros wrote:
> Dňa 12. 1. 2013 9:12 Tarmo Johannes wrote / napísal(a):
> > Hello,
> > 
> > I played yesterday with my ensemble U: a concert in a festival dedicated
> > to
> > futurism.
> > 
> > I created a sound game, where noises of spoken text were extracted and
> > used
> > for live improvisation.
> > 
> > The strarting point was idea that the poetry played central role in
> > futurism. Next to that, Luigi Russolo's intonarumori and manifest Art of
> > Noise - the musical language should be extended to the field of different
> > noises and instruments created for it to control it. And thirdly - the
> > futuristic admiration to machines and techinque.
> > 
> > The piece uses texts by Vladimir Majakovski and Philippo Marinetti. Slowly
> > the consonants (noises) of the wonderful openining text by Majakovski
> > ("ШУМИКИ, ШУМЫ И ШУМИЩИ" - little noises, noises and large noises) gets
> > crossphaded by the consonants of the same text. The consonants of the
> > silently ongoing texts (and in some part, vowels) are stored into a
> > buffer (a pvs ring buffer, overwritten again and again ) that can be
> > played back using smartphones.  I used a XY pad + 4 toggle buttons of
> > TouchOSC as the controller. The posistion of the XY point was converted
> > into angle in relation to the central point of the screen and that
> > controlled the timeponter of reaing from the poiner. The buttons toggled
> > different combinations of PVS filters. The rotational movement on the pad
> > was meant to imitate the rotoring of the intonarumori, but of course, you
> > can do much more.
> > 
> > I attach the csd. Sorry, the comments are in estonian (for myself) and
> > code a bit messy, but if you have any questions, please let me know!
> > 
> > The recording is up on:
> > http://tarmo.uuu.ee/varia/failid/cs/rumori_di_testo.11.01.13.mp3
> > 
> > (about first 1,5 minutes is just plain text,
> > the heavily distorted noise was intentional - it happened incidentally in
> > one rehearsal and one player insisted to keep it as effect).
> > 
> > To be honest, i find the music of the text by Majakovski much more
> > beautiful than the following improvisation, but it was fun anyway.
> > 
> > The performance was done yesterday 11.01.13 in Pärnu (Estonia), by
> > ensemble U: (uuu.ee), six players.
> > 
> > The piece is dedicated to Victor Lazzarini, creator of the PVS opcodes.
> > 
> > Thanks to Francesco and Ben Hackbarth for good suggestions during
> > preparing
> > the csd.
> > 
> > greetings,
> > tarmo
> > Send bugs reports to the Sourceforge bug tracker
> > 
> >              https://sourceforge.net/tracker/?group_id=81968&atid=564599
> > 
> > Discussions of bugs and features can be posted here
> > To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe
> > csound"
> Hi! I am sorry, but this file doesn't working. I need a phase vocoder
> file or some audio. Please, could You send It? Thank You.
> 
> 
> Send bugs reports to the Sourceforge bug tracker
>             https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe
> csound"

But, this file countains midi or realtime audio?

Hi,

if I undertstand corrctly - 
buf1.pvx is stored FFT analyse file (created with pvsfwrite) it is meant mosly 
for testing (it is used when the checkbix "From disk" is checked ).

MajakovskiMarinetti.wav - the spoken poetry used for distracting the 
consonants from it.

No midi.

Don't bother too  much geting the csd to work. It was meant just for peaking 
in, if someone is interested, how it is created. Just try to read the code. 
But there is nothing very interesting -  my aim was also to learn to use the 
pvs opcodes, so form the sound side it is a rather etude and nothing special.

best!

tarmo


On Saturday, January 12, 2013 04:19:22 PM Marco Oros wrote:
> But, this file countains midi or realtime audio?
> 
> 
> Send bugs reports to the Sourceforge bug tracker
>             https://sourceforge.net/tracker/?group_id=81968&atid=564599
> Discussions of bugs and features can be posted here
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe
> csound"