Just to note about the blue implementation, what is eventually planned is to either have multiple instruments for different line segment types so as to get line, exponential, or other curves, or to have a more complicated instrument that could chose which to use depending on some added pfields. Although it can make orchestra files quite big if there is a lot of automation data, it has worked quite well so far. On 9/10/07, teemuo wrote: > > Ok, the Blue-approach seems clever and workable...I have try something like > that...Thanks a lot for suggesting! > > > peiman wrote: > > > > OK I see where you are coming from :-) I did myself wonder about that. Now > > I know that Blue uses this breakpoint format for automating istruments and > > you can import and export these automations. > > > > Just looking at a blue generated CSD this is what I see: > > > > -snip- > > > > So it breaks up the envelop points into line segments (as apposed to > > linseg-opcode) using a global line object. This means that you don't have > > to have very large number of pfields but the line object has to be > > controlled by a separate note (or rather a note section). > > > > I would be very interested to see what solution you come up with. > > > > Best > > peiman > > > > > > > > -- > View this message in context: http://www.nabble.com/Any-way-to-make-breakpoint-envelopes-with-unlimited-number-of-points--tf4414113.html#a12593122 > Sent from the Csound - General mailing list archive at Nabble.com. > > -- > Send bugs reports to this list. > To unsubscribe, send email to csound-unsubscribe@lists.bath.ac.uk >