Perry Cook's book ono "Real Sound synthesis...." has some good ideas
about physical modeling. It's not pre-composed for Csound (rather all
in C), but should be interesting to apply the concepts.
he talks about methods to simulate pick position and fret rattle,
using waveguides, and I believe there's a pretty convincing mandolin
instrument in that book too..

A

On 2/16/06, David Akbari <dakbari@gmail.com> wrote:
> I feel like the idea of phase locked sync sounds like a lot like a
> guitar. I've actually been meaning to ask the list about this for quite
> some time; are there any examples of phase locked or "hard" sync
> implemented in Csound ? I'd certainly be interested in studying those
> examples.
>
> Scanned synthesis has also proven useful in the synthesis of bass and
> guitar like timbres.
>
> Strangely, I've also found that sampling small bits of the actual
> (electric) guitar sound as tables for the moog opcode sounds reasonably
> accurate as well.
>
> Please keep us posted on what you come up with.
>
>
> -David
>
> On Feb 16, 2006, at 7:57 AM, jpff@cs.bath.ac.uk wrote:
>
> > I have a student who as part of his final year project would like a
> > Csound guitar instrument.  At present he is using a version of the
> > guitar.orc which has been around for a long time.  He is a guitar
> > player and comments that the sound is not as he thinks it should be.
> > Hence this message:
> >       Does anyone have a "good" synthetic guitar instrument?
> >
> > The student is supposed to be doing CS, so while he could have a go,
> > it is not the point of the project.
> >
> > ==John ffitch
>
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