Just as a side note:
The "old" approach of a 2-instrument approach for full control of each
single grain can be replicated with partikkel (in one single
instrument if you wish), just set grain rate to zero and use the async
input to trigger creation of indivudual grains.
Oeyvind

2008/1/9, Tim Mortimer <timmortimer@d2.net.au>:
>
> & as it happens, that 2 inst style of granular was pretty much what my very
> first Csound experiment ever set out to achieve...
>
> i actually think it MIGHT be possible using "standard existing repetoire" of
> opcodes,
>
> but i honestly think if "pvsnotch" or whatever it is gets its own opcode,
> then so should this......
>
> "spectrum analysis is performed on each grain?" (in a window that's == grain
> size?) (With grains == successive wavecycle lengths?)
>
> "an impulse response is then derived which sets the params on a resynth
> filter..."
>
> & then, well, it goes on....
>
> "pulse trains delivered into FIR filters at the detected pitch period.."
>
> "The output signal results from the excitation of the pulse train on the
> weighted sum of the impulse responses of all the filters" what does that
> mean???
>
> & then there's an overlap mechanism....
>
> it can even be used to create a "quasi harmonic part" & a residual noise
> compnent....
>
> (De Poli & Piccialli 1991 - Piccialli et al 1992)
>
> it's not a simple process....
>
>
> Alex Weiss-3 wrote:
> >
> > Tim,
> >
> > But I often implement
> > granular synthesis techniques with two instruments: one is the "slave" and
> > generates a single grain, the other is the master instrument that calls
> > the
> > slave through schedkwhen. It's obviously extremely slow, but also very
> > versatile,
> > because you can implement all the parameters you want.
> >
> > Alex
> >
> >
>
> --
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>
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