How specific is a license? is it per recording?
you could always do a 'new' recording of it which could have a
different license right?

On Jan 24, 2008 9:33 AM, Rory Walsh <rorywalsh@ear.ie> wrote:
> My personal feeling is that if everyone else associated with the movie
> will most likely be paid you should too. As for what you can do
> regarding the license, I'm not really sure, can you change the license?
>
> Rory.
>
>
> Cesare Marilungo wrote:
> > I received an email from a film producer (based in Los Angeles, probably
> > an indie studio) in which he wrote that the director of a movie they're
> > just finishing (they're at post-production stage) is interested in using
> > two tracks of mine, 'Balloon' (http://www.cesaremarilungo.com/media) and
> > 'As we grow older' (http://www.cesaremarilungo.com/media/the-moon-ep).
> >
> > I released these tracks under a non-commercial Creative Commons license:
> >
> > http://creativecommons.org/licenses/by-nc-nd/2.0/deed-music.
> >
> > In the past some of my music has been used for some short films, but
> > these were clearly non commercial projects or film schools thesis.
> >
> > Has anybody some experience on this topic? What should I do? Should I
> > re-license these tracks? Can I just make them a written permission? Or
> > should I ask for some kind of royalty (or would it be ridiculous, also
> > considering that AFAIK Gyorgy Ligeti has never been paid for its music
> > on '2001 A space odyssey' :-) )?
> >
> > Thanks in advance,
> >
> > - c.
> >
>
>
>
> Send bugs reports to this list.
> To unsubscribe, send email sympa@lists.bath.ac.uk with body "unsubscribe csound"
>