There was a paper on Stochastic Resonance Sound Synthesis at 
the 2008 ICMC. 

I believe you might be able to find it below, 

http://quod.lib.umich.edu/i/icmc/browse.html


Adam. 



On Tuesday 31 August 2010 11:03 am, Aaron Krister Johnson wrote:
> Hi all,
>
> I was thinking about doing some playing around with creating synthetic, yet
> organic-sounding instruments using 'mode' and/or 'streson'.
> What I was wondering about is: with instruments driven by noise
> (band-limited or not), what are the audible signatures that create the
> impression/illusion that the sustained sound is the result of being blown
> vs. being bowed? Is it the type of noise going in? The presence of a
> certain type of noise over the resonant output that 'leaks through'? Is it
> about the choice of 'mode' vs. 'streson'? Not knowing the internals of
> either, could either do a reasonable wind instrument at all (I'm convinced
> of the bowed-string like potential of both :) ) Can one design a timbre
> where the perception of the instrument is that is ambiguously wind- or bow-
> driven? (I'm thinking here of the Chowning FM morphs, or something
> analogous to PVS morphing)
>
> Anyway, just curious if any one else has though along these lines, and what
> your experience in this area is. Something is telling me that there's an
> awful lot of beauty to be found in both of these opcodes, having played
> with them just enough to smell it!
>
> Cheers,
> AKJ
>
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