As far as Electroacoustic music is concerned this is a prety good (and free!) archive that is expanding all the time: www.sonus.ca (although for some reason I can't acces it today!!).

Apart from that, going to new music concerts and chating to other composers (mostly in the pub after concerts!) seems to be the way forward to learn about new interesting works :-)

Best
Peiman



2008/5/10 Michael Gogins <gogins@pipeline.com>:
Of course there is a great deal of new music in New York! However, I don't find enough of what I would call "real computer music" and this is a good part of what I was asking about.

Best,
Mike

-----Original Message-----
>From: Dave Phillips <dlphillips@woh.rr.com>
>Sent: May 10, 2008 10:20 AM
>To: csound@lists.bath.ac.uk
>Subject: [Csnd] Re: Finding good new music
>
>Michael Gogins wrote:
>> I've found myself at a bit of a loss lately with respect to finding good new music. This partly is thanks to the continuing decline of the CD and of music stores and reviews. I'd love to know:
>>
>> -- How do YOU find out about good new music?
>>
>> -- What are some of the NEW musicians or pieces to which you find yourself listening most frequently?
>Define "good". ;)
>
>Are there no new music concert series to attend in NYC ?!
>
>When I lived in LA the County Museum Of Art presented a series of new
>music programs that featured some of the city's finest composers and
>performers. The music spanned everything from the latest Steve Reich
>pieces to live electroacoustic performances by Carl Stone. UCLA and
>CalArts held similar concerts, and almost all of it was free (or
>entry-by-donation). Local composers' collectives often hosted live
>performances as well.
>
>Needless to say, there's precious little of that happening where I live
>now (mid-Nowhere), though Bowling Green State Uni sometimes presents
>some lively shows (twenty-some miles away from me).
>
>For new recordings, I rely on friends. I receive music from fellow
>composers, and they often give me some great recommendations for other
>contemporary composers. I've heard a lot of great stuff, but nothing
>that keeps me hooked for long. At day's end I find myself returning to
>the 20th century masters, especially Berg, Schoenberg, and the post-50s
>composers. I'm still enjoying that music, still learning things from it,
>and it's still new to my ears.
>
>Best,
>
>dp
>
>
>
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