I use a program that I wrote myself. Projects like Blue and Cabel are probably the closest comparisons. I'll probably release it as open source one of these days. It mostly works (I made the Die Nibelungen soundtrack on the csounds.com podcast with a primitive version of it a couple of years ago) but it has a few issues that need to be addressed before I would be comfortable releasing it to the public.
One thing I like about csound is that creating software to "drive" it is relatively easy. It lets us take unique paths toward how we want to organize our music.
Jeff my python based score generating environment (& accompanying orc
designs) function in basically the same way - except i use gk & ga rate
variables instead of zak channels...
what is the "other piece of software" that u are using to generate score? Do
you have any links or information? I'm always keen to see where my ideas are
overlapping with existing tools or processes that perhaps i am not yet aware
of.
If this is something you have designed, or are working on, can I / we hear a
bit more about it?
many thanks
Tim
Jeff Taylor-5 wrote:
>
>
>
> i2 8.125 .625 0 .3
> i2 8.75 .125 .3 .93
> i2 8.875 .25 .93 1
>
> If it makes any difference, I am not currently making use of + and . score
> elements with these particular line generating instruments (I am using
> another piece of software to generate the events) but the positions and
> lengths do add up to being back to back with no space in between them.
>
> So, is there a maximum precision for score events as i am suspecting that
> would be within the ranges I indicated above or should I be looking for a
> different culprit?
>
> Thanks.
>
> --
> Electronically,
> Jeff Taylor
>
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hermetic music * python * csound * possibly mindless ranting
various werk in perpetual delusions of progress....
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