I have removed the boost dependency, at the cost of also removing the jonesParksGrain and cosineGrain methods. Those who need these methods can continue to use the CsoundVST.Soundfile class, which retains them. These methods can be used to build music out of fractal or recursively generated patterns of large or small grains, as opposed to making music out of notes. In fact, these methods were my own personal reason for creating the Soundfile class in the first place. Note that this method of granular synthesis is completely deterministic and controls the exactly placement of every grain.

These grains could still be created in Python or some other language and written using the csnd.Soundfile class, of course.

Regards,
Mike

-----Original Message-----
>From: Istvan Varga 
>Sent: May 7, 2006 2:31 PM
>To: csound-devel@lists.sourceforge.net
>Subject: Re: [Cs-dev] soundfile reader
>
>I noticed the Soundfile class is now copied to interfaces/. However,
>Soundfile.cpp seems to include and use boost/numeric/ublas/matrix.hpp.
>Will compiling the interfaces now require Boost ?
>
>On Wednesday 03 May 2006 17:14, Victor Lazzarini wrote:
>
>> Can this be moved to _csnd.so (csnd.py)?
>> 
>> At 15:19 03/05/2006, you wrote:
>> >There is an interface to libsndfile in CsoundVST.Soundfile. This could be 
>> >used in a Csound orchestra using the pycall opcode -- I think.
>
>
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It seems to me that CsoundVST has all of these fantastic resources for
algorithmic composition that do not have very much documentation.  It seems
to me that most Csounders may not really even be aware that these tools
exist.

What can we do to make these features more widely understood and used?

Anthony


Michael Gogins wrote on 5/7/06 4:04 PM:

> I have removed the boost dependency, at the cost of also removing the
> jonesParksGrain and cosineGrain methods. Those who need these methods can
> continue to use the CsoundVST.Soundfile class, which retains them. These
> methods can be used to build music out of fractal or recursively generated
> patterns of large or small grains, as opposed to making music out of notes. In
> fact, these methods were my own personal reason for creating the Soundfile
> class in the first place. Note that this method of granular synthesis is
> completely deterministic and controls the exactly placement of every grain.



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