On Fri, Jul 18, 2008 at 12:17:42PM +0100, jpff wrote: > Just before i went on holiday I was provided with new ambisonic > encode/decode sources from Richard Furse and Bruce Wiggins, checked by > Fons. As there are significant differences in arguments and > functionality I have renamed these as bformenc1 and bformdec1, and > checked them in. I have not yet written the documentation as I was > really meant to be on holiday not computing..... > > So, documentation is a day or so. Better opcode names most welcome. > ==John ffitch They are actually meant to be *replacements* for the current opcodes, which are, to put it diplomatically, problematic. If we had wanted to provide 'state of the art' opcodes or any new functionality they would have looked rather different. The decoders should be functionally compatible with the existing ones. The only thing we did leave out are the per-order gain factors for the encoding opcode, as this is definitely not the right place to apply them. I you need a non-standard encoding (but we can't imagine why you would) it is trivial to apply such gain factors in the orchestra definition. If you really want to keep the old ones, at least put a note in their docs that they have been replaced by a more correct implementation. Ciao, -- FA Laboratorio di Acustica ed Elettroacustica Parma, Italia O tu, che porte, correndo si ? E guerra e morte ! ------------------------------------------------------------------------- This SF.Net email is sponsored by the Moblin Your Move Developer's challenge Build the coolest Linux based applications with Moblin SDK & win great prizes Grand prize is a trip for two to an Open Source event anywhere in the world http://moblin-contest.org/redirect.php?banner_id=100&url=/ _______________________________________________ Csound-devel mailing list Csound-devel@lists.sourceforge.net