[Csnd] my new csound piece
| Date | 2020-04-16 22:47 |
| From | Stefan Thomas |
| Subject | [Csnd] my new csound piece |
Dear community, I would like You to listen to my newest piece, which I call "Exponential Corona". Hope, it will explain itself: All the best to all of you, Stefan |
| Date | 2020-05-14 17:20 |
| From | "Dr. Richard Boulanger" |
| Subject | Re: [Csnd] my new csound piece |
Stefan, Nice piece. Thanks for sharing. I guess that the piece "explains itself". There seem to be a lot of "exponential" gestures in it; but it would be cool for you to tell us how you used Csound to assemble, edit, process, structure, spatialize the samples. (This is always of interest to me and my students.) - .csd (how many instruments and what techniques are featured) - random or fractal staggering of samples - noteList, MIDI, Bounced Stems assembled in ProTools, Live, Logic? _____________________________________________ Dr. Richard Boulanger Professor of Electronic Production and Design Professional Writing and Music Technology Division Berklee College of Music ______________________________________________ OFFICE: 1126 Boylston St., Suite 201 (EPD), Suite 208 (Boulanger) ______________________________________________ President of Boulanger Labs - http://boulangerlabs.com Author & Editor of The Csound Book - http://mitpress.mit.edu/books/csound-book Author & Editor of The Audio Programming Book - http://mitpress.mit.edu/books/audio-programming-book ______________________________________________ about: http://www.boulangerlabs.com/#about about: http://www.csounds.com/community/developers/dr-richard-boulanger/ music: http://www.csounds.com/community/developers/dr-richard-boulanger/dr-richard-boulanger-music/ ______________________________________________ email: rboulanger@berklee.edu facebook: https://www.facebook.com/richard.boulanger.58 On Thu, Apr 16, 2020 at 5:47 PM Stefan Thomas <kontrapunktstefan@gmail.com> wrote:
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| Date | 2020-05-16 19:11 |
| From | Stefan Thomas |
| Subject | Re: [Csnd] my new csound piece |
Dear Richard, the orchestra is just one instrument, which triggers instances of another instrument's subinstruments. And off course, there are a lot exponential things in it. The basic idea is the following: The exponential factor is 1.185 In the time between 0 and 5 seconds, there will be played one sample. Between 5 and 10 seconds 1.185^2 (rounded to an integer, off course) samples, and so on. When exactly the sample will be played is choosen randomly, I did it with python code. For the sample playing, I used the idea of Ian McCurdy, which I found there Csound chooses randomly, where to start and to end in the sample. Excuse my english writing please, hope You understand what I mean! All the best, Stefan Am Do., 14. Mai 2020 um 18:20 Uhr schrieb Dr. Richard Boulanger <rboulanger@berklee.edu>:
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| Date | 2020-05-17 16:58 |
| From | "Dr. Richard Boulanger" |
| Subject | Re: [Csnd] my new csound piece |
Stefan, Thanks for the details and the model too. A nice system and "score" approach. Dr.B. _____________________________________________ Dr. Richard Boulanger Professor of Electronic Production and Design Professional Writing and Music Technology Division Berklee College of Music On Sat, May 16, 2020 at 2:12 PM Stefan Thomas <kontrapunktstefan@gmail.com> wrote:
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