not much trickery of Csound:
This is bhased on 15 field recordings. Had I known before what exactly I
needed to do to properly blend between these recordings to achieve a good
flow, I would have designed one instrument with p-field and channel control.
This way I wrote a lot of redundant code.
I mostly used flooper2. I only used that instead of diskin/diskin2 so I could
extend one recording a little for the blending phase.
Beyond that some butterlp/butterhp for better blending, as well as amplitude
and some width control, all controlled by linseg.
As I said, not much in the way of Csound super powers, but consideriing my
environment the best choice with the maximum of control and granularity.
Perhaps someone has a use for it, perhaps not.
* Website: http://juliencoder.de - for summer is a state of sound
* Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
* Audiobombs: https://www.audiobombs.com/users/jeanette_c
* GitHub: https://github.com/jeanette-c
I love the things you say
And I love the love your touch conveys <3
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