Hey hey,
not much trickery of Csound:
https://youtu.be/5Xgq4lpYOI8
This is bhased on 15 field recordings. Had I known before what exactly I 
needed to do to properly blend between these recordings to achieve a good 
flow, I would have designed one instrument with p-field and channel control. 
This way I wrote a lot of redundant code.

I mostly used flooper2. I only used that instead of diskin/diskin2 so I could 
extend one recording a little for the blending phase.

Beyond that some butterlp/butterhp for better blending, as well as amplitude 
and some width control, all controlled by linseg.

As I said, not much in the way of Csound super powers, but consideriing my 
environment the best choice with the maximum of control and granularity.

Perhaps someone has a use for it, perhaps not.

Best wishes,

Jeanette

-- 
  * Website: http://juliencoder.de - for summer is a state of sound
  * Youtube: https://www.youtube.com/channel/UCMS4rfGrTwz8W7jhC1Jnv7g
  * Audiobombs: https://www.audiobombs.com/users/jeanette_c
  * GitHub: https://github.com/jeanette-c

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